Bidoun #25

Posted in history, magazines, politics, writing on September 22nd, 2011
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Bidoun #25: Summer 2011

Featuring contributions from Magdi Mostafa, William Wells, Mahmoud Othman, Abdel-Halim Qandil, Egyptian Museum, Doa Aly, Nawal El Saadawi, Ganzeer, The Seif Family, Abdel-Moneim Abou El Fotouh, Sanaa Seif & Hanin Tarek, Hassan Gamal, Omar Nagati, Shahira Amin, Mohamed Abdullatif, Albert Cossery, Mohamed Hamdy Mustafa, Mido Sas, Will Raynolds, Esraa Abdel Fattah, Ramy Raoof, Amina Abaza, Abdallah al Alfy, Marie Antoinette Castelli, Mona Khalil, Heather Nagy, Susie Nassar, Zahara, Jarett Kobek, Jenna Krajeski, Sophia Al-Maria, Sherine Amr, Perry Moataz, Nancy Mounir

D €11.20

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Cmagazine #111: Libraries. Amish Morell. C The Visual Arts Foundation

Posted in magazines, writing on September 22nd, 2011
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Cmagazine #111: Libraries. C The Visual Arts Foundation

C Magazine is an international art periodical devoted to promoting critical discussion about contemporary art through in-depth essays, interviews, artist projects and reviews. Based in Toronto, with contributors from around the world, C keeps contemporary art professionals and enthusiasts informed of significant ideas and trends in art and culture.

Issue 111 includes features by Adam Lauder on Performing the Library; Jen Hutton on Dexter Sinister; David Senior on the Whole Earth Library; Randy Lee Cutler on Reading; Pandora Syperek on ILLUMINnations: the 54th Venice Biennale, and artist projects by Read-in and Thilo Folkerts with Rodney LaTourelle; Reviews of exhibitions by Song Dong, Gina Badger, Adel Abdessemed, Chris Curreri, Wim Botha, Frances Stark and others.

Published by C The Visual Arts Foundation
Autumn 2011

D 5€

Uncanny Magazine #3: Publication As Process. Uncanny Editions.

Posted in graphic design, magazines on September 20th, 2011
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Uncanny Magazine #3: Publication As Process. Uncanny Editions.

The aim of this issue is to document and archive an essentially visual account of ‘publication as process’. The idea of making several publications during the illustration/ design process is a way of creating a platform for critical awareness. Not only does it generate space for discussion with other people, but promotes a big variety of solutions and alternatives to the work being produced, thus increasing the possibility of making a more considered and reflected decision through the act of publishing.

Issue 3 of Uncanny Magazine is divided into two sections:
1) a reproduction of a publication produced as part of the image-making process for an illustration project for the English Touring Opera, in its original size and form;
2) a selection of 11 of the 23 publications produced whilst making illustrations for the aforementioned design project.

Published by Uncanny Editions
Winter 2011
29.7 x 21 cm, 52pp.
Numbered edition of 100

D 17€

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Album, Magazin Für Fotografie Same/Same #2.

Posted in magazines, photography on September 17th, 2011
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Album, Magazin Für Fotografie #2

The forthcoming second issue examines the question of the singularity of photo­graphs: how new and unseen can pictures still be today? Which artistic possibi­lities lie in the doubling of motifs? Which concepts play with repetition and recognition?

A large amount of image data circulates in the internet and is becoming vast: Every street is photographed and able to be found using a search engine, every birthday, and every vacation is documented and uploaded for viewing. With this amount of material, there is no shortage of similarity and doubling so it is natural to use databanks, the fringe and chance products in the web for your own work: New design and curation, sampling and re-enactment are considered to be artistic approaches for the image worlds in the web. Upon closer examination, while it still seems possible to produce a unique photo, it is that much more fascinating to actively handle and play with photographic doppelgangers: Histo­rical shots, amateur photos and other image material all become the basis for artistic concepts, which Album #2 selects as its topic. This concerns model and replica, copying and simulation, re-contextualization and recognition. And ulti­mately it is concerned with the fear of encountering one’s own pictorial ideas, motifs and concepts as well as the conscious, self-ironic way of hand ling it.

September 2011
ISSN 21924139
D 10€

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Arc #15: The Impossible. Royal College of Art Students’ Union

Posted in magazines, writing on September 15th, 2011
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Arc #15: The Impossible. Royal College of Art Students’ Union

Issue 15 of Arc, the art and design publication designed and produced by current postgraduate students at the Royal College of Art, is edited by Charmian Griffin and designed by Hannah Montague. The front cover illustration by V&A Student Illustration Award 2011 winner Mike Redmond, editorial contributions, as well as design, all explore ‘The Impossible’. David Morris, a student on the RCA’s new critical writing course, considers on the opportunity contained in the rhizome, artist Yelena Popova on a potential Mars landing and a studio visit by students to the realm of painter and RCA alumnus Sir Peter Blake, this latest issue captures the visual arts practice and thought of the moment. The issue also includes contributions from graphic novel legend Alan Moore, Paola Antonelli, Design Curator for New York’s Museum of Modern Art (MoMA) and Chad Hurley, the founder of YouTube.

68 pages
English

D 7€

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The Exhibitionist #4

Posted in Exhibitions, magazines, writing on September 2nd, 2011
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The Exhibitionist #4 – La Critique, Journal on Exhibition Making

The Exhibitionist, a journal made by curators, for curators, focusing solely on the practice of exhibition making.The objective is to create a wider platform for the discussion of curatorial concerns – encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

Editor: Jens Hoffmann

Editorial board: Carolyn Christov-Bakargiev, Okwui Enwezor, Kate Fowle, Mary Jane Jacob, Constance Lewallen, Maria Lind, Chus Martínez, Jessica Morgan, Julian Myers, Hans Ulrich Obrist, Paul O’Neill, Adriano Pedrosa, Dieter Roelstraete, Dorothea von Hantelmann

Design: Jon Sueda and Jennifer Hennesy / Stripe, San Francisco

D 10€

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No Order #1 – Art in a Post-Fordist Society

Posted in magazines, writing on September 2nd, 2011
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No Order – Art in A Post-Fordist Society

No Order is a research, production and publication machine based in Milan, employing different tools to impact the social, semiotic and economical assemblages within the contemporary cultural industry.

Editor in chief: Marco Scotini

Editorial Board: Asef Bayat, Harun Farocki, Peter Friedl, Maurizio Lazzarato, Sylvère Lotringer, Christian Marazzi, Achille Mbembe, Angela Melitopolus, Nelly Richard, Florian Schneider, Nomeda & Gediminas Urbonas, Françoise Vergès

Publisher: Archive Books, Berlin

D 20€

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Pool #1: Warsaw – Tokyo – Vienna. Summer 2011

Posted in Fashion, Japan, magazines, photography on August 26th, 2011


Pool #1: Warsaw – Tokyo – Vienna. Summer 2011

POOL — intercontinental magazine published in Tokyo (52°41’N, 139°46’E), Warsaw (52°35’N, 21°05’E) and Vienna (48°13’N, 16°22’E). — Contributors: Anrealage, Wendy&Jim, Ania Kuczynska, Petar Petrov, Birgit Megerle, Yohei Yoshida, Alexander Nussbaumer, Mario Grubisic, Lukas Gansterer, Christoph Pirnbacher, Kasia Korzeniecka, Szymon Roginski, Tomasz Kowalski, Maurycy Gomulicki, Daphne Ahlers, Andrzej Sobolewski, Lucie Stahl, Philipp Ruthner. — A seasonal artbook curated by Yosuke Demukai — Japanese photographer based in Warsaw/Tokyo and the Polish artist Marcin Zarzeka, who lives in Vienna/Warsaw. — The magazine printed on paper in an edition of 1000 copies. — Touch and smell summer issue. — POOL.

D 15€

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Gastronomica #11:3, Fall 2011

Posted in food, magazines, writing on August 22nd, 2011
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Gastronomica #11:3, Fall 2011

Gastronomica
Fall 2011 • Volume 11 Number 3

Cover: Mauro Holanda, Octopus Cube, 2009.

Table of Contents

from the editor
Going to Extremes | Darra Goldstein

borborygmus
Rumblings from the World of Food

orts and scantlings
Hue and Eye | Mark Morton

feast for the eye
John Singer Sargent’s “Devils” | Emily Arensman

poem
Cinderella | Michele F. Cooper

illustration
Meanwhile: San Francisco Farmers’ Market Farmers in Their Own Words | Wendy MacNaughton

americana
The Whip In: A Taste of Austin-Americana | David Wright

ecology
Building a Better Tomato | Barry Estabrook

objects
Meret Oppenheim’s Fur Teacup | Mary Ann Caws

investigations
Esquire Mans the Kitchenette | Elizabeth Fakazis
From the Crisis of Food to Food in Crisis | Martin Bruegel

ingredients
Cooking Up Color | Jude Stewart

science
Germs Preserve Us | Thomas Greene

pastoral
Harvest Tunes | Leah Koenig

gallery
Summer Kitchen, Penobscot Bay, Maine | Jonathan Levitt

prose
Egg Whites, Sugar, Ice Cream, and a Peach: A Recipe | Judith Gorfain

representations
Eat Me at the Fair: America’s Love Affair with Food Installations | Francine Kirsch

eating out
Miscellaneous Food in a Feverish Haste | Jon Grinspan

working on the food chain
Digging for the Roots of the Urban Farming Movement | Jason Mark

libations
The Norton Grape: American Viticulture’s Native Son | Chris Opfer

chef’s page
An Interview with Erik Cosselmon, Kokkari, San Francisco | Janet Fletcher

review essay
Watching Our Waste Lines | Christina Eng

the bookshelf
Books in Review

lagniappe
Seeing Red | Craig Kanarick

University of California Press
160 pages

D 16 €

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Metropolis M #4

Posted in Exhibitions, magazines, politics on August 18th, 2011

Metropolis M #4

20X Protest
Domeniek Ruyters / Ann Goldstein / Koen Brams / Experimental Jetset / Dieter Roelstraete / Ann Demeester / Constant Dullaart / Bik Van der Pol / Moosje Goosen / Willem Oorebeek / Hito Steyerl / Elena Filipovic / Sara van der Heide / Lotte Geeven / Camiel van Winkel / Joost de Bloois / Jeremiah Day / Marcel van Eeden / Hans Ulrich Obrist / cover: Willem de Rooij

Falke Pisano interview
Academiespecial: 5 starters
Neil Beloufa
40 jaar Robert Smithson in Emmen

128 pages
Dutch/English
21 x 28 cm

D €10

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