Fraser Muggeridge @ Motto Berlin: Ken, Dom, Bob, Henri. 17.05.2014.

Posted in art, design, graphic design, Motto Berlin event, poetry, poster on May 14th, 2014
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Ken, Dom, Bob, Henri.

Fraser Muggeridge will discuss four typographic prints by four artists/designers that he has facsimiled, reprinted, re-appropriated, bootlegged.

Prints will be available on the night for purchase.

Fraser Muggeridge studio is a graphic design company based in Clerkenwell, London set up in 2001. Clients include: Art on the Underground, Book Works, Edinburgh Art Festival, Phaidon, Tate Publishing and Whitechapel Gallery. Fraser Muggeridge founded and is a tutor at Typography Summer School, a week-long programme of typographic study in London for recent graduates and professionals. He has co-edited, designed, published and contributed to many seminal books pertaining to publication design in recent years.

www.pleasedonotbend.co.uk
www.typographysummerschool.org

Saturday 17th May, 7pm start.

Motto Berlin
Skalitzer Str. 68
im Hinterhof
Berlin 10997

Susan Philipsz: You are not alone book launch and presentation @ Motto Berlin. 06.06.2010

Posted in Uncategorized on May 29th, 2010
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Susan Philipsz: You are not alone book launch and presentation.
Sunday 06.06.2010
Start: 3pm

Modern Art Oxford, Isabella Bortolozzi Galerie and Motto invite you to the launch of a new publication by the Turner Prize 2010 nominated artist Susan Philipsz. Designed by Fraser Muggeridge Studio, the publication documents a recent commission made with Modern Art Oxford entitled ‘You are not alone’, specially created for the Radcliffe Observatory, Green Templeton College, University of Oxford. The publication features an introduction by Director of Modern Art Oxford, Michael Stanley and text by Joerg Heiser. For the event Philipsz will also install a special presentation of the work, ‘You are not alone’.

Taking the original function of the building as her starting point, Philipsz developed a new sound work that, with remarkable potency, engaged with the uniqueness of this historical site. Built in the 18th century, the Radcliffe Observatory was modelled on the Tower of the Winds in Athens, a first-century BC clock tower embellished with sundials and crowned with a weather vane.

In her work, Philipsz recalls Guglielmo Marconi’s suggestion that sounds, once generated, never die; they fade but continue to reverberate as sound waves around the universe. A pioneer of radio technology later used in radio telescopes, Marconi may have been driven by this thought to investigate the potential of wireless telegraphy; to literally tune into the universe. In her evocative new commission, Philipsz elicits something of the existential and philosophical concerns present in Marconi’s proposition and in the nature of the Observatory itself, as metaphorical frontier to the stars.

The artist has recorded herself playing radio interval signals (brief musical sequences typically played before or during breaks in radio transmission) sourced from around the world, on vibraphone. In a new departure for the artist, Philipsz, for the first time used radio transmission as the audio source for her work. Four distinct recordings are broadcast from separate FM transmitters on the rooftop of Modern Art Oxford to receivers, placed at the Observatory, which picked up the individual transmissions and relayed them to visitors through four speakers on the inside. Adding a distinct sculptural device in her use of time and space and the physical journey of sound across the city of Oxford, visitors to the Observatory experienced a lament of sound, given a distant, ethereal and haunting quality by the use of the vibraphone.

The commission was made possible through the generous collaboration and support of Green Templeton College and is the first in a series of three proposed commissions for the Radcliffe Observatory.

Modern Art Oxford
Isabella Bortolozzi