Horizonte

Klaar are based between London and Melbourne

The Remote EP was recently released and is available for free download

This is Harmitage

Tomorrow, Friday 30 March 2012: Broken Dimanche Press @ Motto Berlin

Book presentation, in presence of the editors
Start 7pm

Mountainislandglaciar

By Carlos Fernåndez-Pello, Javier Fresneda, Eduardo Hurtado, Regina de Miguel, Antonio R. Montesinos, Lorenzo Sandoval (Eds.)

With Contributions from: Pavla Ascher, Santiago Eraso, Juan Freire, Emanuele Guidi, John Holten, Nicolas Malevé, Markus Miessen, Laurence Rassel, Alan Pauls, Maria Ptqk, Urzsula Wozniak

Artist’s catalogue / Anthology
Spanish/English dual editions
190 pages
ISBN: 978-3-943196-01-6

After a game-changing year when Europe, in all its tangible and intangible consequences reached far and wide, BDP are proud to announce one of our most ambitious compilations of art, writing and research on our contemporary’s troubled, shape-shifting realities. In a unique dual book publication (English/Spanish editions) edited by the group ‘Correspondence from Eyjafjallajökull’ the book contains the artistic results and research of the group, along with eleven probing and insightful carefully selected ‘collaborations’. These diverse entries take many forms, including fiction, essay, polemnic,

After working together as a research group centering around the event that was Eyjafjallajökull in May 2010, ‘Correspondence from Eyjafjallajökull’ went about re-examining the idea of Europe. With no air traffic possible, Europe found itself connected in a very physical way, a unity that is the opposite in many ways of how ‘Europe’ has been so recently conceived. Through various forms of artistic research and development new, kaleidoscopic perspectives of Europe came about, moving from peripheries such as Turkey and Iceland itself, inward to the imaginative world of European identity creation.

With a strong focus on the problematic nature of European discourse as it is currently offered, the recent rise of protests movements in Spain appear in contributions from Maria Ptqk, Emanuele Guidi, Juan Freire and Santiago Eraso: the 15th May Movement in Spain and The Arab Spring pre-dated but also foretold the wider Occupy movement of 2012, an incredible year in which protest and the right to protest swept the world in myriad forms. The playful use of fiction to create stories and identity is evident in contributions from Pavla Ascher, John Holten and Alan Pauls. Re-imagining the line of Europe’s borders opens the anthology with Urzsula Wozniak’s essay on Turkey’s relationship with Europe, while Markus Miesson offers an extension of the realm of what can be thought of as ‘Europe’ with an extract from his East Coast Europe project.

http://brokendimanche.eu/

C Magazine #113

Issue 113 includes features by Scott McLeod on the 8th Mercosul Biennial, Carol Zemel on Yael Bartana, Michelle Kasprzak on art and social media, Saelan Twerdy in conversation with Derek Sullivan, Chloé Roubert on the National September 11 Memorial, and Allison Collins and Eli Bornowsky on Pacific Standard Time. C113 also includes an artist project by CN Tower Liquidation and reviews of exhibitions by Diana Thorneycroft, Laurel Woodcock, Tonik Wojtyra, Raqs Media Collective and others.

D 5€

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Sleeperhold Publications is an ephemeral platform for artist publications and functions as a valid excuse to experiment with the creation of content, different media and ways of distributing,… So far SHP released a photobook, a silkscreen posterset and a deck of gaming cards. There are no fixed methodologies in dealing with creation and, at its best, an entirely different tactic will be applied to every SHP number.

The fourth release on Sleeperhold is a paperback which functions as a collection of short stories. The work of the 14 artists shown in this publications functions as one continuous storyline, but every chapter can easily stand on it’s own.

Contributions by Beni Bischof, Jason Fulford, Dr Phullip Cribb, We Have Photoshop, Hiromi Nakajima, B.H. Friedman, Ferdinand Kriwet, Ward Heirwegh, Lieven Lahaye, Sara Deraedt, Aurélien Arbet, Jérémie Egry & Nicolas Poillot, J.G. Ballard, David Horvitz & Peter Sutherland. A text functioning as an interlude was written by Serge Delbruyère and Dirk Van Bastelaere.

Publisher: Sleeperhold Publications
Design: Ward Heirwegh
Language: English
224 pages, 16 x 22 cm
ISBN 9789081886406

Mono.Kultur #31. Michaël Borremans: Shades of Doubt.

D 5€

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Fillip #16

D 12 €

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2HB vol.13

2HB is a journal published four times a year by the Centre for Contemporary Arts, Glasgow. Experimental and creative writing in contemporary art practice are central to the concerns of 2HB.

D 3€

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FOOD ARCHIVE
BRUNCH
SALT: WATER 117.6

A collaboration between Asako Iwama and HOST

Saturday 24 March, 12.30 – 14.30
MOTTO @ MarkthalleIX Kreuzberg
Eisenbahnstrasse 42/43, Pücklerstrasse 34
10997 Berlin

Vegetable Consommé Soup, Pomegranate and Almond Milk Granité.
with Sourdough Grape Seed Flour Bread.
35 portions

FOOD ARCHIVE:  The last installment of a series about recognition and incorporation of others.  Memory is re-internalized and transformed into the eaters’ bodies.
http://www.gfzk-leipzig.de/gfzkhome/?p=13213
Scissors

HOST:  Explores different modes of negotiation in a series of orchestrated events happening in different locations – taking and giving place.
http://hosthosthosthosthost.tumblr.com/

An exhibition catalogue produced on the occasion of the exhibition Dagmar Heppner Hannah James Charlotte Moth at Cole Gallery London  2012. This publication archives a conversation that took place over a period of one month between Dagmar Heppner, Hannah James, Charlotte Moth and Allia Ali, as a response to the to the exhibition.

D 6.50€

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Higher Atlas/Au-delà de l’Atlas
The Marrakech Biennale [4] in Context

Edited by Carson Chan and Nadim Samman

With texts by Carson Chan, Anthony Gardner, Kerryn Greenberg, Gideon Lewis-Kraus, Beral Madra, Simon Njami, Katarzyna Pieprzak, Alice Planel, Holiday Powers, Véronique Rieffel, Nadim Samman, and Jessica Winegar

Higher Atlas: The Marrakech Biennale in Context [4] brings together a collection of texts that dilates on the social and historical context, history, and contemporary reality of exhibition making in North Africa and in particular, Morocco. For Chan and Samman, the exhibition is the primary locus of artistic information; firsthand experience of the work is the best way to understand it. The catalogue, published in English and French, with an Arabic online edition to follow, is intended to provide a context for the exhibition within preexisting and future frameworks for understanding some of the considerations that went into this edition of the Marrakech Biennale.

Further contributions by Aleksandra Domanović, Alex Schweder La & Khadija Carroll La, Alexander Ponomarev, Andrew Ranville, Anri Sala, Barkow Liebinger Architects, Centre des Arts Contemporains Marrakech, Le Cube and Collectif Island 6, Christopher Mayo, CocoRosie, Elín Hansdóttir, Ethan Hayes-Chute, Eva Grubinger, Faouzi Laatiris, Felix Kiessling, Finnbogi Pétursson, Florian & Michael Quistrebert, Hadley & Maxwell, Hassan Darsi, Joe Clark, Jon Nash, Juliana Cerqueira Leite, Jürgen Mayer H., Karthik Pandian, Katarzyna Przezwańska, Katia Kameli, Leung Chi Wo, Luca Pozzi, Matthew Stone & Phoebe Collings-James, Megumi Matsubara, Pascale Marthine Tayou, Roger Hiorns, Sinta Werner, Sophie Erlund, Tue Greenfort, Younes Baba-Ali, and Jamaa.

Design by John McCusker and Sara Hartman

D 20€

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