Language: English
Pages: 172
Size: 20 × 50
Binding: Hardcover
ISBN: 9788292930021
Price: €35.00
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STANDARD (OSLO) was established in April 2005. Based in Oslo the gallery aims at promoting contemporary Norwegian artists in the international field, as well as introducing international artists to the Norwegian audience.
Language: English
Pages: 172
Size: 20 × 25
Weight: 790 g
Binding: Hardcover
ISBN: 9788292930021
Price: €35.00
Motto @ KK Outlet London. Opening July 4, 2013
KK Outlet @ Motto Berlin. Opening August 8, 2013
http://www.kkoutlet.com/exhibitions/2013/motto-x-kesselskramer
Paola Power was born in Quito (Ecuados) on 20th June 1977 and raised in Colombia. She studied artistic expression in the Javierana University of Cali and plastic art in University de Beaux Arts, in Medellin, where she co-founded the place Taller 7.
During the last years, she has been drawing in different cities of the world, from Paris to Sidney. She has collaborated with several fanzine, comics and illustrations. She is author of the graphic novel, Virus Tropical, where she narrates her life.
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Criada en Colombia, Paola Gaviria nació el 20 de junio de 1977 en Quito, Ecuador. Estudió Expresión Artística en la Universidad Javeriana de Cali y Artes Plásticas en la Fundación Universitaria de Bellas Artes, en Medellín, ciudad en la que cofundó el colectivo y espacio Taller 7.
En los últimos años ha estado dibujando en varias ciudades del mundo, desde París hasta Sidney. Ha colaborado con diversos colectivos de fanzine, cómic e ilustración, y es autora de la novela gráfica “Virus tropical”, en la que narra sus vivencias. También es la encargada de la sección de cómic en la revista Arcadia.
La Madre Monte
Price: €12.00
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Por Dentro / Inside
Price: €18.00
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Todo Mal Pero Todo Bien
Price: €12.00
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Gallery History & Program
Casas Riegner Gallery was established in Miami in 2001 for the purpose of promoting Latin American contemporary art. In 2004, after achieving an important position within the Miami art scene, the gallery embarked on a challenging project: the dissemination of contemporary Colombian art on a local and international level. In March 2005 the gallery opened its doors in Bogotá, thus developing a complete and ambitious gallery project that focuses on research and artist selection with a clearly defined curatorial approach.
The gallery aims at introducing new artists to local and international audiences and establishing a vital exchange between emerging contemporary artists, a new generation of art collectors, and local and international institutions.
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Historia y perfil de la galería
Galería Casas Riegner fue fundada en 2001 en la ciudad de Miami con el propósito de promover el arte contemporáneo Latinoamericano. En 2004, luego de labrarse una posición importante dentro de la escena artística de dicha ciudad, la galería se planteó un nuevo reto: diseminar el arte contemporáneo colombiano tanto a nivel local como internacional. Para llevar esto a cabo, Casas Riegner abrió sus puertas en Bogotá en marzo de 2005, desarrollando desde entonces un proyecto galerístico ambicioso que se centra en la investigación y selección de artistas en el marco un proyecto curatorial definido.
La galería busca introducir a estos nuevos artistas en el escenario local e internacional, promoviendo además la interacción entre artistas, una nueva generación de coleccionistas e instituciones.
Excision: A project for Art Positions
Price: €8.00
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…Antes de Cuiabá
Price: €24.00
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Abecé
Price: €45.00
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Deriva
Price: €38.00
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The fifth issue of Stiftung Bauhaus Dessau’s new periodical focuses on the role of the tropics as an ideal of modernism. Torsten Blume explores aspects of nudity in modernism, Zvi Efrat writes about Arieh Sharon’s “tropical architecture” in Nigeria, Brenda Danilowitz proves the influence of pre-Colombian art on Anni Alber’s work with textiles, Carola Ebert and Stefan Locke offer a cultural history of the bungalow as a global architectural phenomenon, Regina Bittner describes the transcultural exchange between Indian and European modernism and Marion von Osten analyses the insidious propaganda used by the Nazis to discredit the Weißenhof settlement in Stuttgart as an “Arab village”. Also includes articles on information design after Otto Neurath, Erich Borchert and his fate in Moscow and love affairs at the studio complex in Dessau.
Language: English-Deutsch
Pages: 152
Size: 21,5 × 30
Binding: Softcover
ISBN:978-3-940064-68-4
Price: €8.00
Featuring:
Glanz und Elend des Status ‚Europäische Kulturhauptstadt’. Daniel Winkler
Guy Debords Spektakelkritik. Stephan Grigat
Zoe Hatziyannakis: Secrets & Crises. Frédéric Singer
„Wir wollen keine Hilfestellung fürs Leben im Kapitalismus anbieten.“ CIT Collective, Elke Rauth, Christoph Laimer
Ewige Außenseiter?. Anne Erwand
Break on Through (to the Other Side). Sigrid Verhovsek
Street Art zwischen Revolte, Repression und Kommerzialität. Jorinde Reznikoff, KP Flügel
„Woanders und vor Ort“. Marlene Hausegger, Barbara Holub, Paul Rajakovics
Serie: Geschichte der Urbanität:Postmoderne VI: Vorboten der Postmoderne. Manfred Russo
Besprechungen:
Das Verschwinden des Objekts und die neue Architektur+. André Krammer
Sprung über die Elbe – Inselhopping oder nachhaltige Aktion?. Katharina Held
Das Wissen der Architektur explizit machen. Robert Temel
„Unter Hitler war nicht alles schlecht“. Nicole Theresa Raab
Sind wir schon abgesoffen oder noch zu retten? – Die Venedig Biennale 2013. Iver Ohm
Vom elitären Amusement zum urbanen Lebensstil. Elisabeth Haid
Filmisches Aufbegehren und städtischer Ausnahmezustand. Thomas Ballhausen
Nachkriegsarchitektur in der BRD. Frédéric Singer
Language: Deutsch
Pages: 68
Size: 21 × 27,5
Binding: Softcover
Price: €7.00
Xoco, the Kid Who Loved Being Bored. Mario Garcia Torres, Tomoko Hirasawa. Taka Ishii Gallery.
Written by Mario Garcia Torres, illustrated by Tomoko Hirasawa.
Hardcover, 88 pages, 41 illustrations, text in English, 19.8 x 13.4 cm, published in 2013.
30€
Although the Californian conceptual artist Robert Kinmont’s work dates back to the late 1960s and the beginning of 1970s, this is the first monograph ever. Kinmont is primarily concerned with his environment, the Californian landscape. He works with simple, mostly natural materials, and places them in relation to his body and his life. Probably his best known work, entitled 8 Natural Handstands (1969/2005), a series of photographs showing the artist doing handstands in abandoned landscapes, on the edges of cliffs, river beds, forests and deserts, was illustrated in Lucy Lippard’s famous book Six Years: The Dematerialization of the Art Object from 1966 to 1972. Not so long afterwards, Kinmont retreated from art practice for the following three decades. Recent solo exhibitions in Glarus and Bremen have been the occasion for a long overdue publication. Kinmont is back.
With texts by Alexandra Blättler, Stefanie Böttcher, Robert Kinmont, Aoife Rosenmeyer, Sabine Rusterholz Petko
Language: English-Deutsch
Pages: 80
Size: 16,5 x 19,8 cm
Binding: Softcover
ISBN: 9788867490660
Price: €18.00
