Stanislav Dorochenkov
At Motto Paris, May 8, from 8pm

Iliazd
APATRIDE / 2022 / 91’

https://fidmarseille.org/film/illazd/
un film de Stanislav Dorochenkov
Avec Stanislav Dorochenkov, Jeanne Casilas, Vava Dudu, Ekaterina Gavrilova, Olga Dudina, Karaman Kutateladze, Régis Gayraud, Chalva Zdanévitch, François Mairé

Synopsis

Dadaist poet, apatrid artist, creator and publisher of some of the most beautiful books of the 20th century, Ilia Zdanevitch, aka Iliazd, is a little-known but major figure of modern art. Almost half a century after his death, Ilia, a young apatrid, sets out on his trail. Driven by an eccentric energy and a taste for changes of speed and register, in the wake of Ilia, Stanislav Dorochenkov composes an eccentrically disproportionate portrait of their model. From his native Georgia to Marseille, where his archives are kept, each point invents a singular method through which to reactivate Iliazd’s thoughts and life. Artist friends resurface, phrases populate images, film becomes book, patiently fabricated through the rediscovered motions of the lithographer.

Poète dada, artiste apatride et zaoum, créateur et éditeur de quelques-uns des plus beaux livres du XXe siècle, Ilia Zdanévitch, dit Iliazd, est une figure méconnue mais majeure de l’art moderne. Près d’un demi siècle après sa mort, Ilia, jeune provocateur apatride, se lance sur ses traces. Porté par une énergie excentrique et par le goût des changements de vitesse et de registre, Stanislav Dorochenkov compose dans le sillage d’Ilia un portrait à l’excentrique démesure de leur modèle. De sa Géorgie natale jusqu’à Marseille, où ses archives sont conservées, chaque station natale invente un mode singulier d’activation de la pensée et de la vie d’Iliazd. Ressurgissent les amis artistes, des phrases peuplent l’image, le film devient livre, patiemment fabriqué par les gestes retrouvés du lithographe.

#StanislavDorochenkov
#Iliazd #mottoparis #cineclub #parisbookstore

trailer of the film
https://vimeo.com/583871073

Dimitri Venkov – 3 films

Thursday 01.05, from 8pm

Motto 38 rue du Vertbois, 75003, Paris

About the author

Dimitri Venkov is an artist and filmmaker. He has participated in biennials in Moscow,Bergen, Goteborg, Wroclaw, Documenta in Athents, and others. His works have beenshowcased at esteemed galleries such as Whitechapel and Hayward, and he has held personal exhibitions at MHKA, Nassauischer Kunstverein, CCA Winzavod, and Manezh Moscow. Dimitri’s work has been reviewed in Flash Art, Artforum, Senses of Cinema, Kinoart,Séance, and other specialized film and art magazines.

À propos de l’auteur

Dimitri Venkov est artiste et cinéaste. Il a participé à de nombreuses biennales, notamment à Moscou, Bergen, Göteborg, Wrocław, ainsi qu’à Documenta à Athènes, entre autres. Sesœuvres ont été présentées dans des galeries renommées telles que Whitechapel et Hayward,et il a tenu des expositions personnelles au MHKA, au Nassauischer Kunstverein, au CCAWinzavod, et au Manège de Moscou. Le travail de Dimitri a fait l’objet de critiques dans des revues spécialisées telles que FlashArt, Artforum, Senses of Cinema, Kinoart, Séance, et d’autres magazines consacrés au cinéma et à l’art contemporain.

Sunday 20 April, 6pm sharp (1h duration approx)

Easter Evening @ Motto Berlin

With Puppet Theater, Sound, Dance performances

Featuring:
Ana Nikolskaia,
Nikita Proshkin, Anton, Andrey Karbonenko
And Malena Grilli

The Deception of Reality, The Truth of the Document
Varun Sasindran, Paul Heintz
28.03 from 8pm

Our next screening as part of de:talks will explore the reality of documentary cinema—where its boundaries of authenticity lie and whether it can truly capture reality.

In his first major work, The Deception of Romanticism and the Truth of the Novel, French philosopher René Girard argues that our desires stem from the desires of others: I long for what my neighbor possesses, I feel envy and resentment, I harbor bitterness. As a result, people turn to the simplest way of resolving accumulated contradictions—violence. In fiction, violence serves as an outlet for energies born from an underlying conflict. But how does a documentary use violence?

Documentary cinema convinces us that violence has truly happened—it is real. And from this, it seems to follow that real violence carries more weight than fictional violence. But can we, through the reality of the document, uncover the true causes of violence? Perhaps its source lies within us and our desires.

This Friday, we are screening two documentary films: Character (Paul Heintz) and Omarska (Varun Sasindran). Orwellian dystopian figures in contemporary London and a shocking document—interviews with former prisoners of a Bosnian concentration camp erased from the face of the earth.

Omarska – Varun Sasindran 19’
Character – Paul Heintz 38’

28.03, from 8pm
Motto
38 rue du Vertbois
75003 Paris

@k1no1_cinema

jambú
un film de Claudius. (18′, 2025)
Saturday March 29, 7pm

Motto / K1no1
38 rue du Vertbois
75003 Paris

Живая
Юля Андриянова

Tаван Cершывам
Виктория Салтар

Жар-птица
Лилиан Рубцова

Старое весло
cybermedusa

Cамоубитые роскомнадзором
Максим Евстропов

НЕСКОЛЬКО ПРОСТЫХ ПРАВИЛ ДЛЯ ПРИЕЗЖИХ ИНОПЛАНЕТЯН
Регина

Картофель фри
Таро Муратов

Камень
Арсений Агеев
(См. ШИРЕ)
Вероника

Непозма
Мария фокусия

Кавабанга
Анна Бородина

Табличка
Лиза Петрова

Rodina – самиздат свободной литературы. Мы хотим использовать свободу слова как инструмент под- держки благотворительных инициатив. Через актуальную ху- дожественную литературу мы осмысляем контекст Войны и рос- сийской цензуры, исследуем этические вопросы сложившейся реальности. Мы верим, что нам поможет деятельное знание. Rodina издается в Берлине и является независимой, част- ной инициативой, не принадлежащей никакому политическому течению или общественному объединению. Мы не преследуем коммерческие цели, все вырученные средства распределяются между благотворительными фондами. В первом выпуске мы собрали двенадцать текстов, затраги- вающих тему войны, прав человека, ЛГБТК+, феминизма, свобо- ды слова. Мы публикуем тексты в авторской редакции. Издание выходит в трёх обложках. Спасибо всем авторам, фотографам, друзьям и читателям за участие и поддержку. Rodina – наша мечта о родине без насилия.

Order here.

Art and life are directly connected, and yes, they complement each other. From observations of the quotidian, especially those in the public space, I extract insights through experimenting and researching which I then transform into artistic shape. What takes form in art does not only stimulate but significantly shape public discourse. I deliberately chose situations that appear uncomfortable at first. Dark corners, draughty gaps, and yes, discuss- ing the ‘in-between-ness’ of place and non- place is one of my concerns. Often through site-specific interventions, through performa- tive actions I detect the ‘lostness’ in such places. I always look for what’s present, there- fore work from the construction to display the inherent potential of such a place and also readily activate it in participative moments. To make as much as possible with as little as necessary – make visible, make perceptible – is the aim of my artistic practise.

Autor: Stefanie Klingemann

Order here.

www.stefanieklingemann.de
@stefanieklingemann
+
http://un.titled.be
@unknown.artists.collective

@ Motto Paris
Saturday 01.03.2025,
from 6pm
/ 2021
Stefanie Klingemann and  travel and work together on and besides the road, in public space and in temporary arrangements. On their ways they develop site- and context-specific interventions in existing structures and found situations. The compositions they create are often poetic, silent, and usually of ephemeral duration. At Motto Paris they present a set of postcards of this practice. 

 presents his recently realised oral publication “Erzählungen (1982– )” along with a set of posters “Outlines & Scenarios” – an ongoing collection of scenarios and sketches being rolled out and talked about in various conversations.

Motto Paris
38 rue du Vertbois
75003 Paris

(image: Stefanie Klingemann &  at Villa Romana, Florence. 2021)ce )