Turning the Page. Kasper Andreasen. Motto Books.

Posted in Motto Berlin store, Motto Books, writing on September 20th, 2017
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This small publication is an edited reprint of the essay ‘The Book in Intermediary Form’ written by Kasper Andreasen. It was originally published by Wintertuin, Nijmegen as part of a compilation about the future of the book. Turning the Page also contains a script for the audiovisual book Tomorrow, which is a collaborative work between Hanne Lippard and Kasper Andreasen reflecting on the status of the (photography) book in audiovisual form.

Designed by Toni Uroda. First edition of 140 copies. © The authors, Motto Books 2011/2017.

 

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C Magazine #127 Poetry. Amish Morrell. C Magazine

Posted in magazines, Motto Charlottenborg event, poetry on October 13th, 2015
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Issue 127 is guest edited by by Kari Cwynar, Danielle St-Amour and cheyanne turions, and features CAConrad on (Soma)tic Ritual Collaborations, Nasrin Himada on Positioning, “Three Parts on Poetry,” with contributions by Hanne Lippard, Tanya Lukin Linklater, Tiziana La Melia, Stacy Doris and Lisa Robertson, and Rachel Valinsky, an artist project by Alex Turgeon, and poems by Amy De’Ath, Andrea Lukic, Leanne Betasamosake Simpson, Taocheng Wang and Aisha Sasha John. Also included are reviews of exhibitions and books, as well as our regular sections On Writing by Lucy Ives and Inventory by Robin Simpson.

€8.00

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Nuances of No. Hanne Lippard.

Posted in writing on May 28th, 2013
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It is with great pleasure for BDP to announce the publication of Hanne Lippard’s Nuances of No, the first comprehensive collection of the artist’s text work. Over the last number of years Lippard has built up an impressive and equally idiosyncratic practice based at the meeting point of words, performance and visual art.

When composing her texts Lippard relies on the sounds that they trigger in her mind when she is writing but crucially also when she is speaking. The use of her voice has gained for her a typographical insistence, becoming her main medium of expression whether it be through the linearity of a mechanical narrator or through the use of her voice as a more personified melodic rhythm during her compelling live performances.

Her affinity with common speech ensures that hers is nothing less than a poetry that all of us can recognize. Common sayings, turns of phrase, everyday chitchat become for her a repeated chorus rather than a coherent meaningful construction of words: with Lippard they become melodies in themselves.

Aphorisms, love-songs, voicemails, quotes and slogans lose or gain value depending on how they are re-arranged and performed – in Nuances of No Lippard reclaims language for her own end to try and overcome any overruling claim to authorship. At times graphic, playful and intimate, this is an artist using language in all its forms in an effort to create an original aesthetic of the word.

Hanne Lippard (b. 1984, Milton Keyes) graduated from the Rietveld Academy in Amsterdam in 2010. Her most recent exhibitions have been in Galerie Nord, Berlin, Marres, Maastricht, Suvi Lehtinen Gallery, Berlin in collaboration with Kati Kärki, TETO projects, Amsterdam and Spike Island, Bristol. She has most recently performed in Badische Kunstverein in Karlsruhe, ARCO Madrid 2012, The Showroom, London, Frutta Gallery, Rome, Poesia en Voz, Mexico City.

Lippard has been most recently shortlisted for the inaugural Berlin Art Prize.

Publisher: Broken Dimanche Press
Language: English
Pages: 94
Binding: Softcover
ISBN: 978-3-943196-13-9

Price: €12.00

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