The Communist Manifesto was first printed as a 24 page pamphlet in February 1848, in London. Since that time, it has been reproduced in countless contexts — making it not only one of the most widely read texts ever, both one that continues to be disputed for the efficacy of its call to action. It has been subject to various editions and translations, but the various covers that package the manifesto exemplify the complexity of ways it has been received, perceived, used and abused across different times and places. All publishers are presented with the paradoxical issue of how to design its cover and market such a text — to confront it both in terms of form and function, use and exchange value.

01.01.CM presents over 100 covers of The Communist Manifesto, compiled by the Museum of Ordure from its collection. The book is turned inside out to draw attention to its material form and historical conditions: the covers have fascinating stories to tell of hopes and anticipated futures – for instance, in their use of particular imagery and in the signs of wear through human use – and draw attention to the excesses of capitalist production. This notion of excess is fundamental to the overall project of the Museum of Ordure in its attention to the management of human waste and identification of ordure. What value do readers place upon the Manifesto in a situation where radical politics appears to have been reduced to commodity form, nostalgia or mere curiosity?

01.01.CM was published as part of the exhibition: Systemics#3: Against the idea of growth, towards poetry (or, how to build a universe that doesn’t fall apart two days later), in Kunsthal Aarhus (16jan.–30mar.).

editing/design Geoff Cox and Mathias Kokholm
image editing Lasse Krog Møller
assistant Michael Roloff

A very red book!

€30.00

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Satisfaction: Consumption Art from the communist Poland of the 1970’s.

During the revitalization of avant-garde practices in 1970s Poland, a strain of artmaking emerged that applied Pop aesthetics to the unlikely subject matter of consumer identity in a Communist state, responding to a new initiative by the government that encouraged the private consumption of luxury goods in the service of a more modern socialism. The films that arose from this moment engage with absurd, colorful and even scandalous content. Informed by Marxist analyses of the Western culture industry, they examine the effects of a socialist-consumerist experiment through sensuous fantasies of desire and excess

2 x DVD, poster and booklet

Polish / English

D 25€

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