Win First Don’t Last – Win Last Don’t Care
Posted in Uncategorized on March 19th, 2024 by l kTags: feminism, Gender politics, Institutional critique, Lee Lozano, painting
The work of Lee Lozano (1930-1999) is one of the best-kept secrets in today’s contemporary art world. She was a woman artist who established herself and her work in New York in the 1960s in a world dominated by men and then decided to give it all up in the early 1970s and moved to Dallas. Lozano’s work, even in the short period she was active in New York, encompassed, and in many ways mastered, a wide range of styles from text works to abstract paintings, drawings to everyday activities declared art. She knew and collaborated with some of the most famous names of minimalism and conceptualism, but she always held herself a little apart. She fought for her own idealisms, matched it with her disillusionment and questioned feminism even as she made drawings of the absurdities of a patriarchal world where tools, machines, weapons and money dominate the imagination. Her later Language Pieces can now be understood as some of the most radical expressions of the conceptual movement at that time.
This publication assembles images from her work and archives to gether with a series of texts that outline her development as an artist from the 1950s and focus on particular activities or reminiscences. There is also the partial transcript of a unique recording of a lecture Lee Lozano gave at the Nova Scotia College of Art and Design in 1971 shortly before she left the art world.
In total, this book sheds light on a fascinating individual artist and also adds another point of view to the rich, complex story of the NewYork art scene in the 1960s and its continued resonance in our culture today.
Author: Adam Szymczyk (Ed.)
Publisher: Schawbe AG / Kunsthalle Basel
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