Kirsten Palz, 100 Works (2007-2014)

Read by Erik Steinbrecher

€25.00

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Design: Ott Metusala. Advisor: Janice McNab. Amsterdam 2015

€8.00

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Excavating the sky gathered architects, filmmakers, and activists from Syria and the Arab World with a series of events focused on Syria and the production of its contemporary landscape from before WWI till today. 
Its main focus was to present a “displaced pavilion” in Syria, a well recently dug in an undisclosed location in Syria currently providing water for a community of 15,000 people.

€28.00

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Huseby’s first monograph is all at once a field guide, a photography book and an eco-polemic. The photographs are of plants he has found between his home and studio in Berlin over the last five years.
Weeds & Aliens is an occasionally arbitrary collection of photographs of some rather wonderful, useful plants, normally considered weeds. The book is thought of as an introduction to the fragments of nature around us, even in the most urban of habitats. What is a wild plant, a native plant, an invasive or alien plant, a weed? The story of weeds is the story of man and civilisation, of agriculture and migration. There are no weeds in the wilderness, but, then again, can we truly speak of wild nature?’
(From the introduction)

Weeds & Aliens attempts to expand upon ecological discourse by shifting how we define nature and our relationship to it, occasionally suggesting strategies in opposition to mainstream biologists, as well as discussing our changing cities, our evolutionary possibilities, modes of migration and the inherent colonial racism embedded within the languages and sciences used to articulate vegetal life.

B. A. Huseby is a Norwegian artist/photographer who currently lives in Berlin.
Additional text contributions by Iranian-American writer/curator Ashkan Sepahvand and Indian writer/curator Natasha Ginwala.

€39.00

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Drawings by Adrien Chevalley, made in Argentina between July 2014 and January 2015 during an artist residency supported by CVC and the city of Vevey. 

éditions TSAR n°12

Edition of 130, risograph

€25.00

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Jean-Luc Manz’s paintings, which he has been making since 1977, could be described as geometric abstractions. However, they share very little with the Swiss Concrete art tradition. They refer instead to the practices of John M Armleder and Helmut Federle. Their geometric vocabulary is infused with expressive stances and appropriation, as if they wanted to recreate, through the act of painting, a relationship with the world. Manz’s notebooks, published here for the first time in this 1,000-page volume, prove that his compositions are anchored in a system of correspondence with the art of the past—from Islamic decorative art to Egyptian memories, everyday encounters, and his personal life.

€60.00

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Ting Cheng, Ling Yu Tai, Hai Hsin Huang, Po Tsung Cheng, Son Ni

34 pages
Folder size : 22cm × 30.3cm
Paper size : 20cm × 28.8cm
b/w laser on tracing paper, riso color on paper, Binding with file clips.
Limited 300 copies, numbered.

There is a dog. When he sees his tail, he spins around chasing it. He sees with the eyes, and has forgot to smell to know the world.But then someone brings him something, to his nose. He realizes his sense of smell again, and stops chasing his tail.

If we realize our instinct, we can fly.

(Part of the current exhibition at Motto Berlin)

€33.80

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According to legend, the house in which Maria received the apparition of the Angel of Annunciation, the Santa Casa, was relocated by angels from Nazareth first to Dalmatia and then to Loreto. Since the 15th century, the Santa Casa of Loreto has become one of the most important Christian pilgrimage sites. In 2009, the artists Davide Cascio and Christian Kathriner developed a work that refers back to this legend. They created two wall carpets for the pilgrimage chapel of Our Lady of Hergiswald — a replica of the Santa Casa in Loreto. The wall carpets, Jacquard tapestries, were woven on a CAD-operated loom in Flanders. The tapestries show a group of people apparently resting at the edge of a riverbed. The large-scale publication presents this temporary spatial installation by Davide Cascio and Christian Kathriner in striking color images that at the same time absorb the opulent decoration of the Baroque chapel of Hergiswald and simultaneously refract it within a contemporary aesthetics.

Texts: Jörg H. Gleiter, Robert Suckale, Birgit Szepanski, and Stanislaus von Moos.

€32.00

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Taking the work of Sanja Iveković as a point of departure to discuss urgent matters in feminism today, Sanja Iveković: Unknown Heroine – A Reader gathers commissioned essays by key feminist voices who contributed to a conference titled ‘23%’*, which was held on the occasion of the exhibition Sanja Iveković: Unknown Heroine, curated by Lina Džuverović at Calvert 22 Gallery and the South London Gallery (December 2012 – February 2013). The conference took place at the Royal College of Art, London and was organised in collaboration with the Courtauld Institute of Art’s Research Forum.

Sanja Iveković: Unknown Heroine – A Reader is edited by Helena Reckitt, and includes essays by Ivana Bago, Katy Deepwell, Lina Džuverović, Silvia Eiblmayr, Elisabeth Lebovici, Suzana Milevska and Milica Tomić. Designed by Rafaela Dražić.

This is the first in a new series of publications published by Calvert 22 Foundation.

*The conference title, ‘23%’, was drawn from a research report compiled by the Fawcett Society, the UK’s leading campaign for women’s equality and rights. On average, women in the UK earn 15% less than men. In London, in January 2013, the pay gap stood at 23%.

€22.00

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Specifications
26cm × 37 cm, poster size 52 cm × 37 cm,
28p + 7 hidden pictures covered by silver print,
black and silver offset, unbound
Limited 350 copies,
Taipei, Taiwan, 2013 Jun.
€19.00

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