mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things”, or “a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life’s transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

€26.99

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Traditional Music Of Notional Species Vol. I. Rashad Becker. PAN Recordings.

*Pressed on 140g vinyl, packaged in a pro-press color jacket and a silkscreened pvc sleeve* At long last PAN present the radical, revelatory debut album of sonic fictions by peerless mastering engineer, sound artist and composer, Rashad Becker. Via his day job as a cutting engineer at Berlin’s Dubplates & Mastering and his post-production studio, Clunk, the Syrian-born German-raised autodidact has in some respects contributed more to the shape and timbre of contemporary electronic and avant-garde music than anyone else. He’s blessed with a heightened sensitivity to frequency and a love of bass and subbass which has no doubt enhanced hundreds of recordings and provided him an invaluable, hawk-like view of modern sonic aesthetics. With this in mind, the inspired architecture, dynamics and feel of ‘Traditional Music Of Notional Species’ can be heard as a deliberate and hyper-conscious bypassing of staid conventions in melody, harmony and meter, searching out and inhabiting the microtonal spaces between sounds with an in-depth understanding of their complex relationships and structures. Yet, far from being an avant-garde academic exercise, it provides a breathtaking richness of ambiguous human expression and emotional triggers, albeit from the periphery of human experience. His multi-tiered layers of oily quacks, slyding tones, convulsive spurts and spatial displacements present an embarrassment of fictional sonic capital, setting out a new and idiosyncratic grammar of computer music language with an inimitably exotic ancient-futuristic accent. For us it’s something close to a waking dream rendered in sound, it’s sincerely one of the most phantastical, far out records we’ve heard in a while, at once lending a gridless, human/alien aspect to the harsher sounds of say, Florian Hecker or Andre Vida, with the guile and unswerving, syncretic avant-folk vision of Ghedalia Tazartes and even the soured sensation of Korean classical music. It’s one of the boldest musical statements on PAN yet, and, if like us you crave genuinely new sonic thrills, this album is an absolute must.

19.50 €
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