BLUES. Erik Steinbrecher. Staatliche Museen zu Berlin.

BLUES by Erik Steinbrecher is made of two booklets consisting of four identical loose pages, which are folded and assembled in different orders, resulting in new spreads.

It was published on the occasion of Steinbrecher’s exhibition UBER ALLES at Berlin’s Kunstbibliothek, a Staatliche Museum zu Berlin, which ran from 8. Novermber 2012 to 17. February 2013.

Size: 30 x 22 cm

D 18€

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For Lal, or Henry. Sean Edwards. The Block.

Six booklets that fold out into posters.

Contents:

Cabinet Making and the Kit of Tools
On the Life of Forms – Anne McQuay
The Moments Before the Banal Became Something You Could No Longer Believe In
Context for Reading – Sara MacKillop
I Saw Something Else (CBS)
Maybe Something Like the Way It Should Have Been – Ryan Gander

Published in London 2012
Designed by Wolfram Wiedner studio

D 15€

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Polysingularity Letters Vol. 3. Dmitry Paranyushkin.

This journal documents the most recent proceedings in the field of polysingularity. This term has originally been used mainly by Russian mathematicians to describe a special class of integral equations with multiple simultaneous solutions (Simonenko, 1965; Boikov, 2000; Gabdulkhaev, 2005).

Integral equations, to put it simply, are used to discover the processes (or causes, rules, and motives) that underlie a certain behavior that can be observed. They are the reverse of differential equations (dx/dt so much loved by Deleuze) that are used to discover how a certain already known process behaves over time. Polysingularity is the condition where several distinct sets of interacting processes may lead to the same behavior or phenomena. That’s why we refer to it as a study of co-isolated multiplicities that nevertheless retain their singularity. In other words, we don’t look at a phenomenon trying to understand how it works. Instead, we look at and study all the different contexts that are creating the conditions for the phenomenon to emerge. It’s not about why you love, but what else happens while you love. It ‘s not about finding the structure, it’s about complete and total engagement with each singularity not losing the multiplicity out of sight.

Such approach allows us to go one step beyond the contingency and equalized distancing that any speculative post-practice necessarily produces for the sake of its own safety. Instead, we jump into the abyss of the unknown and indefinable with the renewed fervor even if we know that at the very end we might fall down (although in this case we hope to bounce back sideways up). Hence the journal format, I guess. The barcode is just there to help computers catalogue, categorize, and distribute the knowledge, which in the end is going to alter their binary rationale in ways that are not yet predictable, but that are several.

English Language
Produced by Nodus Labs

D 25€

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Ann Lislegaard’s monographic publication Spiral Book, contains a unique overview of her research and artistic work, as well as key influential texts.

Spiral Book is a survey of Lislegaard’s work. It is an inventory or special kind of catalogue raisonne, one that doesn’t look back but comes to life by mixing images and scrambling origins, and allows for influences to echo across the pages. It is as if the method of prevention suggested by the title hasn’t prevented the various sources that meet in the book to get into bed with one another and engender unexpected new liaisons and vistas into culture at large. Spiral Book is a text machine that breeds hybrids and bastards.

Ann Lislegaard was born in Norway 1962, she currently lives and works in Copenhagen and New York. Lislegaard represented Denmark at the Venice Biennale and the Biennial for Contemporary Art, Göteborg in 2005, The Sao Paolo Biennale 2006, Busan Biennale 2010, Sharjah Biennale, 2003, Biennal of Moving Images, Geneva 2001, The Istanbul Biennale 1997. She will participate in the Lyon Biennale and The Montreal Biennale 2013. Recent exhibitions include solo shows at Murray Guy Gallery New York, Paul Andriesse Gallery, Amsterdam, Museum Of Contemporary Art Detroit, The Henry Gallery Seattle, Marabouparken Kunsthall Stockholm, Astrup Fearnley Museum of Modern Art, Statens Museum for Kunst, Moderna Museet Project. Group exhibitions include Museum Of Contemporary Art San Diego, Louisiana Museum of Modern Art, MIT List Visual Arts Center, Boston, Museum Of Contemporary Art Los Angeles, MOMA Oxford, Musee d’Art Moderne de la Ville de Paris.

Ann Lislegaard is the professor of the School of New Media at the Royal Danish Academy of Fine Arts in Copenhagen (2004-2013).

The publication is made with support from the Danish Arts Council.

Pages: 290
Language: English
ISBN: 978-87-995287-0-7

D 28€

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Publishing as (part-time) Practice
Copenhagen

Wednesday February 20. 17.00 – 20.00 pm.
Admission Free

“Publishing as (part-time) Practice” highlight graphic designers
who are also publishers, and pursue a discussion of the designer’s
changing professional role as both author and publisher.
It started as a one-day seminar in Stockholm, May 2012, initiated
and organized by designers / small-scale publishers Matilda Plöjel
(Sailor Press) and Mattias Jakobsson & Peter Ström (Konst & Teknik
/ Andperseand) and Iaspis.

At Motto Charlottenborg there will be an exhibition of a fine
collection of books from Danish and Swedish small scalepublishers,
the Swedish ones previously shown in Sweden and at the
New York Art Book Fair 2012.

Louise Sidenius (Internationalistisk Ideale, Monade), Matilda
Plöjel, Mattias Jakobsson & Peter Ström will talk about smallscale
publishing initiatives, as well as similarities between the
Danish and Swedish independent publishing scenes.

www.publishingasparttimepractice.se

Based on Swiss psychiatrist Moritz Tramer’s “Bücherkatalogtest” from the 1950s, this personality test “tries to evoke different interests that lie buried deep down in each of us” using 432 book titles as a method of examination. An comprehensive user’s manual is included. — This book was published as an edition for the Contemporary Artists’ Book Conference during the New York Art Book Fair 2012, in order to help keep their two-day symposium free to the public.

Author: Triin Tamm
Publisher: Rollo Press
Language: English
Pages: 144
Size: 21 × 29.7 cm

Price: €22.00
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In 2009 + 2010 Californian artist David Horvitz drove up the entire California coast with various friends. The trip started at the beach just north of the Mexican American border and ended in Oregon at Pelican State Beach. Along the way Horvitz made photographs of over 50 different state beaches. In each photograph he stood anonymously on the sand looking out at the ocean, reminiscent of Bas Jan Ader or Caspar David Friedrich. The photographs were then uploaded to each of the specific beach’s Wikipedia page to illustrate the articles. An example is Borderfield State Park. His intention was for these images to become the visual meta data for the specific beaches, and for the images to openly circulate as they are sourced and resourced online. At one point a discussion emerged on Wikipedia discussing the legitimacy of his photographs. This resulted with many of the photographs being deleted. This is the second book of the Public Access project. It contains photographs, scans of Wikipedia articles, and the complete conversation from Wikipedia discussing Horvitz’s image. It also contains various texts written by Horvitz about the project, as well as personal stories about the California coast. This project was originally commissioned by SF Camerawork for an exhibition with the writer Ed Steck (a close friend of Horvitz). A new version Steck’s text concludes the publication. This was designed by Miya Osaki. Read more about Public Access on Rhizome.

D 22€
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Glotzt nicht so romantisch! On Extralegal Space in Belgrade. Dubravka Sekulic

In the extra-territory of the Belgrade roof extensions, things are not quite what they appear to be at first glance. This book, which starts from the enigmatic extensions of the so-called Russian Pavilions, scrutinizes this extra-territory. Not only are the pavilions not Russian, but more importantly the act of extending them in the 2000s follows particular shady negotiations between inhabitants, developers and municipal authorities, which placed the extensions beyond simple (il)legality.
“Glotzt Nicht so Romantisch!” delves into the political and legal origins of this extra-territory, through which the housing policy of socialist Yugoslavia is traced, during the 1990s with property turning from “ours” into “mine”, and the 2000s when the attitude of transgressing urban regulations became the norm, which explains much of the vast extra-legal urban interventions that shape the city today.

Laguage: English

Price: 13.00€

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Parallel Presents – The Art of Pierre Huyghe. Amelia Barikin

Over the past two decades, French artist Pierre Huyghe has produced an extraordinary body of work in constant dialogue with temporality. Investigating the possibility of a hypothetical mode of timekeeping–“parallel presents”– Huyghe has researched the architecture of the incomplete, directed a puppet opera, founded a temporary school, established a pirate television station, staged celebrations, scripted scenarios, and journeyed to Antarctica in search of a mythological penguin. In this first book-length art historical examination of Huyghe and his work, Amelia Barikin traces the artist’s continual negotiation with the time codes of contemporary society. Offering detailed analyses of Huyghe’s works and drawing on extensive interviews with Huyghe and his associates, Barikin finds in Huyghe’s projects an alternate way of thinking about history–a “topological historicity” that deprograms (or reprograms) temporal formats.

Language: English
Pages: 280
D 35€
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With contributions by Nadja Abt / Ann-Leonie Auer / Michele d’Aurizio / Juliette Blightman / Mikaël D. Brkić / Eli Broad with photos by Jay Chung and Q Takeki Maeda / Merlin Carpenter / Gürsoy Dogtas / Martin Ebner / Genoveva Filipovic / Edgars Gluhovs / Mauricio Guillén / Julian Göthe / Alexander Hempel / HIT / Tom Holert / Karl Holmqvist / Egija Inzule / Morag Keil / Nina Könnemann / Adriana Lara / Andrea Legiehn with an illustration by Siw Umsonst / Amy Lien and Enzo Camacho / Eric Lavesson / Adam Linder and Shahryar Nashat / Fred Lonidier / Fiona McGovern and Magnus Schäfer / Luise Pilz / François Piron / Bonny Poon / Gottfried Schnödl / Silberkuppe / Mathew Sowa / Maraike Steding / Megan Francis Sullivan / Sergei Tcherepnin / Benjamin Thorel / Danh Vo / Colin Whitaker / Amy Yao a.o., including A document made by Paul Thek and Edwin Klein / Textiles: Open Letters by Rike Frank and Grant Watson / A reportage on Andreas Dorau / Lars Eidinger on Rainer Werner Fassbinder / A retrospective account of a 1990 artwork / Fernando Mesta on Joseph Strau’s jewelry / A Drive by Robert Walser with an introduction by Susan Bernofsky.

Language: English
Price: €15.00

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