One Time One Million (Migratory Birds / Romantic Capitalism)

An original Swedish Hasselblad camera is the point of departure for One Time One Million. Because the camera dates from 1942, this object launched Kriemann straight back into history. Kriemann succeeds in pushing the concrete politics that adhere to this object into the background. That gives her room to say much more than she would have had a chance to say in a specifically political context: she can bring clusters together in new images, make new connections, rearrange things, tinker around, and thus arrive at new insights. (Els Roelandt in SMBA Newsletter No. 108)

Photographs by Susanne Kriemann, Viktor Hasselblad and anonymous sources.

Texts by Cecilia Widenheim, Dieter Roelstraete, Aleksander Komarov, Sören Gunnarsson, Ulrika Flink, Ida Lowgren.

Design: NODE Berlin Oslo.
Edition 600 copies.
Made in collaboration with Roger Willems.