Impulse – Volume 13 Number 1, Storm Corridor 1986/87

Impulse – Volume 13 Number 1, Storm Corridor 1986/87
Author: Eldon Garnet (Ed.)
Publisher: Impulse [b]
Language: English
Pages: -
Size: 28 x 28 cm
Weight: 230 g
Binding: Softcover
ISBN: -
Price: €33.00
Product Description

Publisher / Executive Editor: Eldon Garnet.
Managing Editor: Judith Doyle.
Editors: Carolyn White and Brian Boigon.
Contributing Editors: Sylvère Lotringer (New York), and Andrew Payne (Toronto).
Theoretical Architecture Guest Editor: Susan A. Speigel.
Associate Editors: Eldon Garnet, Judith Doyle, Carolyn White, Brian Boigon (New York) and Andrew Payne.
Art Direction: Carolyn White.
Assembly Assistant: Werner Arnold.
Advertising: Werner Arnold and Janna Levitt.
Business Manager: John Allan.
Proofreading: Sabina Harris Dobo.
Cover Design: Carolyn White.

Table of Contents:
Michael McCarthy, ‘The Theoretical Imagination In Piranesi’s shaping of Architectural Reality’; Nato, ‘Narrative Architecture Today’; Richard Cameron, ‘Enemies: My Lives Seem Transparent’; Alexander Pilis, ‘A Deadly Conversation’; Gordon Lebredt, ‘In A Manner Of Speaking’; Gelsomina Petti, ‘Renovations of the Body and World’; Margaret Priest, ‘No Exit’; Martin Vahtra, ‘Squatters Tactic and the Picturesque’; Janna Levitt, ‘The Executive the Braille Mind’; Spring Hurlbut; Brian Boigon, ‘Shopping for the Real’; Ed Kin Chan, ‘Urban Work Community Ipoh’; Mary Ann Unger, ‘Beehive Temple’; Frederic Urban, ‘House for Panza’; Margaret Priest, ‘NYC in August’; Susan A. Speigel, ‘Geometry of the Stain’; Paul Shepheard, ‘Phlegm The Trials of Lillibet’; Francois Schien, ‘Subway Map Floating on a New York Sidewalk 1986’; Michael Djordjevitch, ‘Of Facades and Plans’.

Editorial:

You construct a structure, a working surface between things that speaks across / distance / geographical fatality / selection assembly and interruption.
There is an awkward instance when you step off the known, the accomplished. / And attempt something – a change in sensibility where there is a gulf between / one sure territory and the next. You need. To allow for that moment, that / Awkwardness, that gap in surety, because from this risk comes something / Unexpected. Theoretical architecture means dealing in the practice of pure theory, built or / Unbuilt. Is theoretical architecture, architecture that just isn’t built? / A few pieces stand as built theoretical architecture. / Built architecture cannot be the pure representation of theoretical architecture. / By the time a thing gets built, thought is elsewhere. A fireplace is a representation of something powerful, no longer / necessary in itself. / Fire is theoretical now. / Inevitably theory gets built, but not in its most concentrated form. / Theoretical architecture takes place in publication.
It is important that architecture be more urgent than plumbing diagrams and / the building code. / But at that even the most conventional architectural drawing is an abstract / code speaking its own language. / Translation of spatial experience to an abstract language is common in / conventional architectural representation and / theoretical architecture. There is a distended, tenuous but crucial relationship between theoretical architecture and architecture-built. Architecture, once removed, becomes the theory of architecture, then once removed again begins to get built.
To see these two volumes as a complete picture – one is hard pressed to. / Process observations in advance of knowledge. / Proceed toward a metaphysic that enables us to find ourselves on a later plane / In a moment of knowledge wider than the previous one.
The working surface of this publication: theoretical architecture, its obsession / with language, manipulation and appropriation of codes and discourses. Surpassing of accurate portrayal of existing scenes to create an alternative state which can only exist in the mind. A city of the mind
Architecture of the mind.