C Magazine # 118

EDITORIAL
by Amish Morrell
FEATURES
Sensitivity Information: The Wild Body of N.E. ThingCo.
by Adam Lauder
Surviving the Crisis
by Ben Davis
On The Doing(s) of Art Criticism
by Stephen Horne
Resist the List: A Problem of Politics in the Evaluation of Contemporary Art
Charlene Lau
Private Acts: Note-taking in the Margins of Art Criticism
Peta Rake
Interview with David Hickey
Sky Goodden
ARTIST PROJECT
The Painting is Better
by Chamaine Wheatley
Centrefold and IBC:
Old Man Deciphering a Briefcase
by Dave Dyment
EXHIBITION REVIEWS
Julia Dault Jessica Bradley Annex, Toronto
by Rose Bouthillier
Jimmy Limit: Show Room Clint Roenisch Gallery, Toronto
by Heather White
Volume: Hear Here Blackwood Gallery, Mississauga
by Shannon Anderson
Peter Dykhuis: Inventories & Micro-mapping Red Head Gallery, Toronto
by Kyla Brown
Invisible Violence Artśpeak, Vancouver
by Vanessa Parent
Phillipa Jones: MIRIAD The Rooms Provincial Art Gallery, St. John's
by Gloria Hickey
Position As Desired Canadian Museum of Immigration at Pier 21, Halifax
by Jane Affleck
Manuela Lalic: Activisme Timide Optica, Montreal
by Daniella E. Sanader
This Will Have Been: Art, Love & Politics in the 1980's Institute of Contemporary Art, Boston
by Jill Glessing
Jordan Wolfson: Raspberry Poser REDCAT, Los Angeles
by Jen Hutton
Robert Tombs: L'Occupation ParisCONCERT, Paris
by Machael Davidge
BOOK REVIEWS
The Last Art College: Nova Scotia College of Art and Design, 1968-1978, by Garry Neill Kennedy
Review by Leah Modigliani
West of Center: Art and the Counterculture Experiemnt in America, 1965-1977, Edited by Elissa Auther and Adam Lerner
Review by Felicity Tayler
Work Work Work: A Reader on Art and Labour, Edited by Cecelia Widenheim, Lisa Rosendahl, Michele Masucci, Annika Enqvist and Jonatan Habib Angqvist
Review by Amber Landgraff
Noteworthy
by Amy Gaizauskas