a/part curations Volume 02

Does gender bias impact recognition in the arts? Let’s challenge ourselves: name five great artists. How many are women? If you thought of more women than men, you’re ahead of the curve.
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In this edition, we explore the underrepresentation of female creatives in the art world. Despite more women graduating from art colleges, systemic biases still hinder their recognition and opportunities.
We had the privilege to interview nine talented female artists from around the world, showcasing their unique perspectives and contributions. This issue features both renowned and emerging international voices.
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What makes a creative successful—potential, hard work, or dedication? We invite you to reflect on this important question with us!

Table of Contents

Download Artivive
4-5

Why We Chose Not to Label This Edition
6-7
1/7
Aneesa Julmice:
8-19
Painting the Invisible

Kampala's Electronic Music Scene:
Resonance Uniting: Behold, Uganda's Varied Cultural Drums in Harmonious Symphony
20-21
2/7
Anita Naldip (Anitraxx)
Nana (Itsmdnyt)
Charlotte (RIGN DROPS)
22-33
BLEND.HAUS

34-35
3/7
Ardelle Schneider:
36-47
Personal and Universal
4/7
Marine Buffard:
Art Isn't Meant to Be Consumed Like a Product
48-59
5/7
Anahita Safarnejad:
You Can't Burn Women
Made of Fire
62-73

Purple: It's More Than a Colour
74-77
6/7
Linh Dan Nguyen Phan:
Igniting Vietnam's Soul
78-89
V2X
90-93

Missing White Woman Syndrome:
Media Bias in Missing Persons Cases
94-95
7/7
Tata Vislevskaya:
A Desert of Memories
96-107
Common Questions
108-111

The People Behind a/part
112-113
Contact the Artists
114
Praise Studio

115
Index
116-119

Glimpses of My Grief-Diary
126-127