Harun Farocki Institute Pamphlets Set

Comprises:

HaFI 001 - Becoming visible Din A4
HaFI 002 - Harun Farocki: What Ought to be Done / Was getan werden soll
HaFI 003 - Harun Farocki, On Display: Peter Weiss A Production Dossier
HaFI 004 - Gerhard Benedikt Friedl: An Approach by Helmut Färber
HaFI 005 - Harun Farocki: Before Your Eyes – Vietnam / Etwas wird sichtbar
HaFI 006 - Christa Blümlinger / Harun Farocki: The ABCs of the Essay Film
HaFI 007 - Filmkritik: Register der Jahrgänge 1975-1984
HaFI 008 - Harun Farocki: Über Ici et ailleurs / On Ici et ailleurs
HaFI 009 - Ingemo Engström / Gerhard Theuring: Escape Route to Marseilles
HaFI 010 - Werner Dütsch / Harun Farocki: WDR – As You See – Lola Montez
HaFI 011 - Frieda Grafe: Souvenirs – Origins – Found Fiction
HaFI 012 - Ben Alper & Stanley Wolukau Wanambwa: Hiding in Plain Sight
HaFI 013 - Harun Farocki: On the History of Labor
HaFI 014 - Harun Farocki: Hard Selling - Reframed by Elske Rosenfeld
HaFI 015 - Matthias Rajmann: Back and Forth
HaFI 016 - Harun Farocki/Hanns Zischler – Heiner Müller: The Battle/Tractor, Basel 1976
HaFI 017 - Karolin Meunier: Aller-retour et aller. On “Wanda” and “Supplément à la vie de Barbara Loden”
HaFI 018 – Skip Norman: On Africa

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In 1976, the filmmaker and writer Harun Farocki (1944–2014) envisioned an institution that ‘we can also organize’ as ‘an assembly of working people, not from an abstract understanding but from the contact points of their work’. The Harun Farocki Institut (HaFI), founded in September 2015 as a non-profit organisation, seeks to realise Farocki’s proposal in the shape of a platform for researching his visual and discursive practice and supporting new projects that engage with the past, present and the future of image cultures.