DELEUZINE VOL.2: SHE-DOGS

PRE-ORDER

Deleuzine Volume 2: She-Dogs
June 2023

Laurence Pritchard, Memories of the Penes
Natascha Nanji, Crisis in Three Parts
Max Henninger, From Poems For Two Voices
Sascha Akhtar, Now, You Become D/eath, Destroyer
Karina Bush, Claws; I Spit; Sonnet VI
Francesca Dobbe, Dog Lady’s Becoming Animal
George Micah Kuhn, Pharmacophilia
Uma Breakdown, The Graveyard of Extension
MUCK, ‘IN A FOLD, THE OUTSIDE IS NEVER FULLY ABSORBED…’
Anouk Asselineau, Angel’s Share
Maria Sledmere, Zebra
Lens Flare, Sophie Ellis-Bextor’s Kitchen Disco
Jewel Organza, New Weird Kirsty
Paola Valentina, Tube people
Dalia Maini, Water Lilies Syndrome
Hugo Hagger, Death Dissensus
Michal Leszuk, Curating Cruising Culture in the Anthropocene
Joshua Jones, Petřín Hill, Dusk
Chiara Gambuto
Isaac Harris, Helioelagablaus Reborn
Helen Samuels, Winterize
Aimilia Efthimiou, A Recipe
Simon Barraclough, Vampire in the Funhouse, Part I
Suki Hollywood, Mortal Combat
Louis Mason, The Executioner
Rebecca Close, The Acephale Sonnets
Sites Of Horror RU, RmIH8 U 90’s Ancestors
MUCK, THE STORM
George Finlay Ramsay, Raven’s Reprise
Mike Templeton, The Window Journal: Looking out my Window onto Court Street
Caitlin Merrett King, She Has No References
Dylan Thomas, For S
Phoebe Eccles, Hold Me in Your Watchful Presence
Isabelle Bucklow, Some Bears, Some Moves
Alistair McCartney, The Textual Animal
Caspar Bryant, Diffraction of a Waterfowl
Flo Josephine Goodliffe, Alive Border (Husk or Shell)
front & back cover(s) Jean-Robert Alcindor (dispersed)
drawings by Rossen Daskalov designed by Alessia Arcuri

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Deleuzine: A Zine for Nobodies Without Organs is an experimental publication inspired by the writings of French philosopher Gilles Deleuze, as well as figures whose life or work can be said to exemplify aspects of Deleuze’s philosophy of life, including Antonin Artaud, Ezekiel Mphaphele’s Wanderers and Kathy Acker among others. Encompassing the fields of literature, philosophy, ethnography, archaeology, and the arts, the publication aims at a radical exploration (and exploitation) of word, image, and printed matter towards beauty, but also aesthetic and political freedom.