{"id":9416,"date":"2010-09-29T11:07:00","date_gmt":"2010-09-29T10:07:00","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=9416"},"modified":"2011-08-14T16:48:22","modified_gmt":"2011-08-14T15:48:22","slug":"estate-aleksander-komarov","status":"publish","type":"post","link":"https:\/\/www.mottodistribution.com\/site\/?p=9416","title":{"rendered":"ESTATE (2010). Aleksander Komarov. Torpedo Press"},"content":{"rendered":"

\"estate0\"<\/a>\"estate8\"<\/a>\"estate7\"<\/a>\"estate5\"<\/a>\"estate1\"<\/a>\"estate4\"<\/a>\"estate2\"<\/a>\"estate3\"<\/a><\/p>\n

ESTATE. Aleksander Komarov.
\nEdition of 500 copies.
\nPublished by Torpedo Press.<\/p>\n

ESTATE (2010) by Aleksander Komarov, is an artist book based on the film ESTATE from 2008. The idea of the
\nbook was conceived following a discussion between Lena Prents and Aleksander Komarov in the run-up to the
\nexhibition FALL OUT \u2013\u2013 ART, DESIRE and DISENGAGEMENT at Gl Holtegaard, Denmark and at Malm\u00f6 Konsthall,
\nSweden. The book ESTATE reflects on the means of evaluation of artistic production.
\nTo an extent, ESTATE is a response to the current condition of contemporary art and its relation to broader economic contexts. The project focuses the viewer\u2019s attention on basic resources and the movement between
\nmaterial and immaterial types of labour, gathering along the way diverse statements on the migration of value.
\nIn her essay, Lena Prents recalls the images and issues raised in Aleksander Komarov\u2019s film ESTATE (2008),
\nand questions the current position of artists, oscillating between the demands of the market, the conditions of work
\nbeyond the \u201ccult of genius\u201d and the immaterial value of artistic labour.
\nBoris Buden draws on the wider context of the material presented in ESTATE, that of rationalised labour, then focus
\non projects by Aleksander Komarov which balance the issue of being an artist working under current economic
\nconditions against the artistic \u201csoul at work\u201d.
\nThe conversation between Aleksander Komarov and Jule Reuter deals with questions about the coherence between
\n(migrated) identity, value production and the personal way in which one position oneself.<\/p>\n

ESTATE (2010) by Aleksander Komarov, is an artist book based on the film ESTATE from 2008. The idea of the book was conceived following a discussion between Lena Prents and Aleksander Komarov in the run-up to the exhibition FALL OUT \u2013\u2013 ART, DESIRE and DISENGAGEMENT at Gl Holtegaard, Denmark and at Malm\u00f6 Konsthall, Sweden. The book ESTATE reflects on the means of evaluation of artistic production. To an extent, ESTATE is a response to the current condition of contemporary art and its relation to broader economic contexts. The project focuses the viewer\u2019s attention on basic resources and the movement between material and immaterial types of labour, gathering along the way diverse statements on the migration of value. In her essay, Lena Prents recalls the images and issues raised in Aleksander Komarov\u2019s film ESTATE (2008), and questions the current position of artists, oscillating between the demands of the market, the conditions of work beyond the \u201ccult of genius\u201d and the immaterial value of artistic labour. Boris Buden draws on the wider context of the material presented in ESTATE, that of rationalised labour, then focus on projects by Aleksander Komarov which balance the issue of being an artist working under current economic conditions against the artistic \u201csoul at work\u201d. The conversation between Aleksander Komarov and Jule Reuter deals with questions about the coherence between (migrated) identity, value production and the personal way in which one position oneself.<\/p>\n

D 15\u20ac
\nBuy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

ESTATE. Aleksander Komarov. Edition of 500 copies. Published by Torpedo Press. ESTATE (2010) by Aleksander Komarov, is an artist book based on the film ESTATE from 2008. The idea of the book was conceived following a discussion between Lena Prents and Aleksander Komarov in the run-up to the exhibition FALL OUT \u2013\u2013 ART, DESIRE and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[162,387,284],"tags":[868,869],"_links":{"self":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/9416"}],"collection":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9416"}],"version-history":[{"count":7,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/9416\/revisions"}],"predecessor-version":[{"id":16687,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/9416\/revisions\/16687"}],"wp:attachment":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}