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<\/p>\n<\/p>\n
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In the 17th issue of zweikommasieben something that has been apparent from the beginning of the magazine\u2014whose credo is to study the present\u2014only seems increasingly true: in the supposed present, temporalities overlap and intersect. They burst out, reaching at once backwards and forwards.<\/p>\n
The magazine features interviews with John Maus about the six years between the release of his last two albums, with Anna Sagstr\u00f6m and Daniel Iinatti of Country Music discussing accelerationist force of globalization or with Alessandro Cortini on the private retrospective of 1970s Italy in\u00a0Avanti<\/em>. In those conversations the nature of time shows itself as enigmatic, fragmented and displaced.<\/p>\n On top, this issue features interviews with Anna Homler, Errorsmith, Further Reductions, Gabber Eleganza, Jasss, Ossia, Peter Rehberg and Renick Bell;\u00a0conversations with Russell Haswell and between Christoph Fringeli, Simon Crab and Nigel Ayers; a portrait on Mmodemm; an essay by DeForrest Brown Jr.; columns on gender in dancehall (\u201cBasslines\u201d), authenticity of field recordings (\u201cTrack Down Fiction\u201d), pictures from Georg Gatsas (\u201cWe Are Time\u201d) as well as poetry with \u201cSound Texts\u201d; and\u00a0contributions by Angoisse, Ipek Gorung & Ceramic TL and Jay Glass Dubs.<\/p>\n In zweikommasieben #17, the nature of time also shows itself in the design\u2014a design initially looking for an aesthetic of speed but ultimately as much a reflection of pausing as of deceleration and acceleration. And in this attempt to give form to time, there\u2019s also the primordial-musical moment. In the 17th issue of zweikommasieben something that has been apparent from the beginning of the magazine\u2014whose credo is to study the present\u2014only seems increasingly true: in the supposed present, temporalities overlap and intersect. They burst out, reaching at once backwards and forwards. The magazine features interviews with John Maus about the six years […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3544],"tags":[5686,5685,5500,4101,5413,5786],"_links":{"self":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/46479"}],"collection":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=46479"}],"version-history":[{"count":4,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/46479\/revisions"}],"predecessor-version":[{"id":48046,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/46479\/revisions\/48046"}],"wp:attachment":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=46479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=46479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=46479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBuy it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"