{"id":41653,"date":"2016-04-06T18:59:42","date_gmt":"2016-04-06T17:59:42","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=41653"},"modified":"2016-04-07T18:10:44","modified_gmt":"2016-04-07T17:10:44","slug":"terremoto-5-dorothee-dupuis-ed","status":"publish","type":"post","link":"https:\/\/www.mottodistribution.com\/site\/?p=41653","title":{"rendered":"Terremoto #5. Doroth\u00e9e Dupuis (ed.). Terremoto\/Motto Books"},"content":{"rendered":"

\"terremoto_5_motto_1\"\"terremoto_5_motto_2\"<\/a>\"terremoto_5_motto_3jpg\"<\/a>\"terremoto_5_motto_4\"<\/a>\"terremoto_5_motto_5\"<\/a>\"terremoto_5_motto_6\"<\/a>\"terremoto_5_motto_7\"<\/a>\"terremoto_5_motto_8\"<\/a><\/a><\/a><\/p>\n

Terremoto 5
\nWinter 2016<\/p>\n

COLOPHON<\/p>\n

FRANCESCO PEDRAGLIO’S P\u00c1JARO PIEDRA. MANUEL CORREA IN DIALOGUE WITH WADE DAVIS AND RAYMOND BOISJOLY. SOL CALERO IN CONVERSATION WITH ELISE LAMMER. DIEGO DEL VALLE R\u00cdOS ON CLEMENTE JACQS. NAOMI FISHER IN CONVERSATION WITH DOROTH\u00c9E DUPUIS. PEDRO NEVES MARQUES ON PAULO TAVARES AND BETO SHWAFATY. LAURA HUERTAS MILL\u00c1N ON PATRICIO GUZM\u00c1N. JOS\u00c9 ARAMBURO CLIMBS THE SUMMIT. FRAN\u00c7OIS CUSSET AFTER THE UTOPIAN SLEEP. TERENCE GOWER ON CONVERSATION WITH NATALIA VALENCIA. HERIBERTO YEPEZ ON TIJUANA’S BORDER ART [1992-2014]<\/p>\n

INDEX\u2028<\/p>\n

P\u00e1jaro piedra: En retrospectiva, esto te parecer\u00e1 hermoso \/ P\u00e1jaro piedra: One day you\u2019ll find this beautiful
\nPor \/ by Francesco Pedraglio<\/p>\n

En ning\u00fan lugar, hoy: internet, oralidad e historiograf\u00eda. Manuel Correa en di\u00e1logo con Wade Davis y Raymond Boisjoly \/ Nowhere, today: internet, orality and historiography. Manuel Correa in conversation with Wade Davis and Raymond Boisjoly
\nPor \/ by Manuel Correa<\/p>\n

\u00bfCu\u00e1l es la esencia del Caribe? Elise Lammer y Sol Calero hablan sobre la cr\u00edtica de la exotizaci\u00f3n tropical y caribe\u00f1a en la pr\u00e1ctica de la artista \/ What is the essence of the Caribbean? Elise Lammer and Sol Calero discuss the artist’s critique of tropical and Caribbean exoticization
\nPor \/ by Elise Lammer & Sol Calero<\/p>\n

Clemente Jacqs no es una salsa catsup: sobre un laboratorio de experimentaci\u00f3n visual que oper\u00f3 en Guadalajara en los 2000\u2019s \/ Clemente Jacqs is not a brand of ketchup: about a visual experimentation laboratory in 2000\u2019s Guadalajara
\nPor \/ by Diego del Valle<\/p>\n

Mujeres ca\u00eddas: Naomi Fisher sobre el lugar de la feminidad, la celebraci\u00f3n y la naturaleza en su obra, en conversaci\u00f3n con Doroth\u00e9e Dupuis \/ Fallen Women: Naomi Fisher on femininity, celebration and nature in her work, interviewed by Doroth\u00e9e Dupuis
\nPor \/ by Doroth\u00e9e Dupuis<\/p>\n

Brasil, medio ambiente mortal: sobre el trabajo del artista Beto Shwafaty, el arquitecto Paulo Tavares, la amazon\u00eda y el desarrollismo. \/ Brazil, Deadly Environment: about the work of artist Beto Shwafaty and architect Paulo Tavares, \u201cdevelopmentism\u201d (desinvolvimentismo) and Amazonia.\u2028
\nPor \/ by Pedro Neves Marques<\/p>\n

Cuerpos celestes: Laura Huertas Mill\u00e1n sobre la obra del director chileno Patricio Guzm\u00e1n Celestial Corpses: Laura Huertas Mill\u00e1n on Chilean filmmaker Patricio Guzm\u00e1n\u2028
\nPor \/ by Laura Huertas Mill\u00e1n<\/p>\n

Escalando la cima: triunfos y derrotas de una resaca bogotana \/ Climbing the summit: triumphs and defeats of a Bogot\u00e1 hangover\u2028
\nPor \/ by Jos\u00e9 Aramburo<\/p>\n

Despu\u00e9s del sue\u00f1o ut\u00f3pico: resistiendo la resaca de la pesadilla ideol\u00f3gica de nuestros tiempos neoliberales \/ After the Utopian Sleep: an attempt to resist the hangover born from the ideological nightmare of our current neoliberal times\u2028
\nPor \/ by Fran\u00e7ois Cusset<\/p>\n

Terence Gower y Natalia Valencia hablan sobre la abstracci\u00f3n y la resaca arquitect\u00f3nica \/Terence Gower and Natalia Valencia discuss abstraction and the architectural hangover
\nPor \/ by Natalia Valencia<\/p>\n

Productores mutantes: El arte fronterizode Tijuana 1992-2014 \/ Mutant productors : Art from the border in Tijuana 1992-2014\u2028
\nPor \/ by Heriberto Y\u00e9pez<\/p>\n

EDITO
\nSPANISH<\/p>\n

Todas las Fiestas del Ayer
\n11 de enero \u2013 28 de marzo de 2016
\nLa resaca es un estado alterado, tan absorbente y alucinante como la embriaguez. Ambivalente e impredecible, puede producir depresi\u00f3n u optimismo irracional; puede liberarnos del temor y prolongar la euforia de una celebraci\u00f3n, o simplemente aumentar la paranoia de Esta Inminente Fatalidad. A medida en que el mundo se vuelve cada vez m\u00e1s injusto, intolerante y amn\u00e9sico, abordaremos preocupaciones relacionadas con los giros cada vez m\u00e1s conservadores de nuestras sociedades por medio de m\u00faltiples aproximaciones a los recuerdos borrosos de las fiestas del ayer.
\nCon esta edici\u00f3n celebramos un a\u00f1o de supervivencia en el mundo editorial independiente, permiti\u00e9ndonos una cierta complacencia en este estado alterado de euforia culpable, anticipando el inevitable fracaso de algunos de nuestros planes y utilizando la resaca como met\u00e1fora de la desilusi\u00f3n generada por los ideales rotos. Si, como evoca Clarice Lispector, \u201cLa belleza de Brasilia son sus estatuas invisibles\u201d, queremos enfatizar precisamente en el aspecto m\u00e1s real de la utop\u00eda: su dimensi\u00f3n imaginaria.
\nA trav\u00e9s de una variedad de voces, historias y conversaciones que reflejan este bucle mental de placer y ansiedad, esta edici\u00f3n discutir\u00e1 las posibles motivaciones que har\u00e1n que valga la pena la pr\u00f3xima celebraci\u00f3n, as\u00ed nos produzca resaca una y otra vez.<\/p>\n

EDITO
\nENGLISH<\/p>\n

All Yesterday\u2019s Parties
\nJanuary 18 \u2014 March 28, 2016
\nThe hangover is an altered state, as absorbing and mind-bending as drunkenness. Ambivalent and unpredictable, it may depress you or, on the contrary, infuse you with irrational optimism. It can free you from fear, prolonging the euphoria of a celebration, or it might just increase the paranoia of this impending doom. As the world becomes increasingly more unjust, intolerant, and amnesiac we\u2019ll address current concerns related to the conservative turn of society by means of manifold approaches to the hazy memories of yesterday\u2019s parties.
\nWith this issue, the magazine celebrates one year of survival in independent publishing by reveling on this altered state of guilty euphoria, anticipating the inescapable failure of some of its future plans\u2013using the hangover as a metaphor for the disillusion brought by broken ideals. If, as Clarice Lispector evoked, \u201cThe beauty of Brasilia is its invisible statues\u201d, we will emphasize the imaginary dimension of utopia, which is by definition it\u2019s most real aspect.
\nThrough a variety of voices, tales, and conversations reflecting on this mental loop of pleasure\/ withdrawal the issue will discuss the possible drives that make the next celebration still worth it, may it have us wake up hung-over, time and again.<\/p>\n

TERREMOTO
\nContemporary Art in the Americas\u2028.
\nBaja California 64-F, Roma Sur \u202806760 Ciudad de M\u00e9xico, M\u00e9xico, \u2028Tel. + 52 55 70364603. \u2028terremoto.mx \/ magazine@terremoto.mx.
\nTerremoto es una publicaci\u00f3n trimestral biling\u00fce sobre arte contempor\u00e1neo en las Am\u00e9ricas, publicada y distribuida por \/ Terremoto is a quarterly, bilingual publication about Contemporary Art in the Americas, published and distributed by:
\nEn M\u00e9xico, Latinoam\u00e9rica y Estados Unidos:
\nTemblores Publicaciones S.A. de C.V. Baja California 64-F, Roma Sur, 06760 Ciudad de M\u00e9xico, M\u00e9xico Tel. +52 55 70364603. distribution@ terremoto.mx.
\nEn Europa, Nueva York y Canad\u00e1:
\nMotto Books: www.mottobooks.com www.mottodistribution. com stores@mottodistribution.com.
\nImpreso a 4000 copias el 25 de febrero de 2016 por \/ Printed in 3000 copies by: Realizaci\u00f3n Gr\u00e1fica Torquemada 103B Col. Obrera, M\u00e9xico D.F. Derechos reservados. Se proh\u00edbe la reproducci\u00f3n total o parcial del contenido por cualquier sistema o m\u00e9todo incluyendo electr\u00f3nico o magn\u00e9tico sin previa autorizaci\u00f3n del editor. No nos hacemos responsables por material no solicitado. \/ All rights reserved. Without the explicit authorization of the editors, no text published in Terremoto can be reproduced. Terremoto is not responsible for any material delivered by its writers without the consent of their authors. www.mottobooks.com<\/p>\n

Published by Terremoto and Motto Books
\nISBN: 978-2-940524-42-6<\/p>\n

Foto de portada \/ Cover image:
\nNaomi Fisher, You know that it\u2019s real if you feel that it\u2019s real, 2013. Cibachrome, 50 x 60\u201d. \u00a9 Naomi Fisher.<\/p>\n

8 \u20ac
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