{"id":41126,"date":"2016-02-15T19:13:10","date_gmt":"2016-02-15T18:13:10","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=41126"},"modified":"2016-02-20T17:03:27","modified_gmt":"2016-02-20T16:03:27","slug":"mousse-52-edoardo-bonaspetti-ed","status":"publish","type":"post","link":"https:\/\/www.mottodistribution.com\/site\/?p=41126","title":{"rendered":"Mousse #52. Edoardo Bonaspetti (ed.)"},"content":{"rendered":"

\"Mousse<\/a>\"Mousse<\/a> \"Mousse<\/a> \"Mousse<\/a>\"Mousse<\/a> \"Mousse<\/a> \"Mousse<\/a> \"Mousse<\/a> \"Mousse<\/a> \"Mousse<\/a> \"Mousse<\/a> \"Mousse<\/a><\/p>\n

IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT
\nby Sabrina Tarasoff
\nMARC CAMILLE CHAIMOWICZ
\nAt the Tip of my Fingers
\nby Eva Fabbris
\nTHE RECOGNITIONS
\nby Than Hussein Clark and Charlie Billingham
\nTHE IMPERMANENT COLLECTION
\nby Jennifer Allen and Giaco Schiesser
\nTHE IMPORTANCE OF BEING AN INFLUENCE
\nby Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, Camille Henrot, Cheyney Thompson, Rayyane Tabet, Liz Magor
\nSUNSET D\u00c9COR
\nby Magal\u00ed Arriola
\nLOTHAR BAUMGARTEN
\nThe Political Discourse of the Time
\nby Jes\u00fas Fuenmayor
\nTHE PUBLIC LIFE OF THE IMAGINATION
\nby Jo\u00e3o Ribas
\nROBERT GROSVENOR
\nHypervolume in Hyperspace
\nby Hans Ulrich Obrist
\nFORGET ABOUT THE MIDDLE CLASS
\nby Chus Mart\u00ednez
\nCEAL FLOYER
\nThe Pros and the Cons
\nby Christian Jankowski
\nNEVINE MAHMOUD
\nPlaytime
\nby Andrew Berardini
\nHENNING FEHR AND PHILIPP R\u00dcHR
\nNo Script
\nby Niels Olsen and Fredi Fischli
\n[A TAXONOMY OF NON-SENSE]
\nby Domenick Ammirati
\nJESSI REAVES
\nAn Ideological Revision of Furniture Design
\nby Josephine Graf
\nLUCAS ARRUDA
\nA Utopian Balance between Light and Shadow
\nby Kiki Mazzucchelli
\nANA VAZ
\nDiscovering the World
\nby Filipa Ramos
\nLIS RHODDES AND AURA SATZ
\nSeeing is Never Believing
\nby Agniesszka Gratza
\nA STUDY IN PETULANCE
\nby Michael Turner<\/p>\n

\u20ac10.00<\/p>\n

buy it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT by Sabrina Tarasoff MARC CAMILLE CHAIMOWICZ At the Tip of my Fingers by Eva Fabbris THE RECOGNITIONS by Than Hussein Clark and Charlie Billingham THE IMPERMANENT COLLECTION by Jennifer Allen and Giaco Schiesser THE IMPORTANCE OF BEING AN INFLUENCE by Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,252],"tags":[1873,153],"_links":{"self":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/41126"}],"collection":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41126"}],"version-history":[{"count":2,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/41126\/revisions"}],"predecessor-version":[{"id":41147,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/41126\/revisions\/41147"}],"wp:attachment":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=41126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=41126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}