{"id":41014,"date":"2016-01-30T19:51:10","date_gmt":"2016-01-30T18:51:10","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=41014"},"modified":"2016-01-30T19:51:10","modified_gmt":"2016-01-30T18:51:10","slug":"panorama-the-right-of-view-istanbul-2010-amt-_-project-ed-sputnik-editions","status":"publish","type":"post","link":"https:\/\/www.mottodistribution.com\/site\/?p=41014","title":{"rendered":"Panorama (The Right of View), Istanbul 2010. Amt _ project (ed.) Sputnik Editions"},"content":{"rendered":"

\"panorama\"\"panorama<\/a><\/a>\"panorama<\/a> \"panorama<\/a>\u00a0\"panorama<\/a> \"panorama<\/a><\/p>\n

A panorama of the city, a public platform, a dysfunctional lookout, blocking the actual view but confronting the viewer with textual observations of the city and the condition of the view in Istanbul, \u201ePanorama (The Right of View)\u201c was a traveling attraction and an architectonic sculpture. After standing in Kadik\u00f6y, on the Asian shore from october-december 2010, looking across the Bosporus onto the city, it was moved to Emin\u00f6n\u00fc for the spring of 2011, into the middle of the city, on the shore of the Golden Horn, next to the Galata bridge, the Spice Bazaar and the New Mosque.
\nThe publication documents the project and presents the full length of the panorama’s text panel in a 3,5 meter printed leporello.<\/p>\n

About author: Andreas Fogarasi (born 1977 in Vienna), studied architecture and fine arts in Vienna and Paris, lives in Vienna. His work has been exhibited widely, including Museo Tamayo, Mexico City; GfZK Museum of Contemporary Art, Leipzig, Museum Haus Konstruktiv, Z\u00fcrich; Grazer Kunstverein; M\u00fccsarnok Budapest; Kunstverein D\u00fcsseldorf; Museo Reina Sofia, Madrid; MSU, Zagreb; Georg Kargl Fine Arts, Vienna; Lombard-Freid Projects, New York; Ludwig Forum, Aachen; Palais de Toyko, Paris and at the 52nd Biennale di Venezia 2007, where he was awarded the Golden Lion for best national participation. In his works, Fogarasi uses forms of display that are reminiscent of minimalism and conceptual art to explore questions of space and representation. Located between documentary and sculptural practice he critically ana- lyses the aestheticization and economization of urban space and the role of architecture and culture in con- temporary society. Incorporating video, sculpture and installation in wide-sweeping discursive webs, Fogarasi deals with fault lines in historiography, imagineering and cultural identities. Solo exhibitions (selection): GfzK. Museum of Contemporary Art, Leipzig; Museum Haus Konstruktiv, Zurich (2014); Galerie Cortex Athletico, Paris (2013); Prefix Institute of Contemporary Art, Toronto; Traf\u00f3, Budapest (2012); Museo Reina Sofia, Madrid; CAAC, Sevilla (2011); Ludwig Forum, Aachen; Georg Kargl Fine Arts, Vienna (2010); MAK, Vienna; Ernst Museum, Budapest; Lombard Freid- Projects, New York (2008). Group exhibitions (selection): Museo Tamayo, Mexico City; New Museum, New York (2014), Grazer Kunstverein, Graz; CAC, Vilni- us (2011); MSU, Zagreb; M\u00fccsarnok, Budapest (2010); 52th Biennale di Venezia; Kunstverein f\u00fcr die Rhein- lande und Westfalen, D\u00fcsseldorf; European Kunsthalle, Cologne (2007); MAK Center for Art and Architecture, Los Angeles (2006); Palais de Toyko, Paris (2003); Manifesta 4, Frankfurt \/ Main (2002).<\/p>\n

\u20ac12.00<\/p>\n

 <\/p>\n

buy it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 A panorama of the city, a public platform, a dysfunctional lookout, blocking the actual view but confronting the viewer with textual observations of the city and the condition of the view in Istanbul, \u201ePanorama (The Right of View)\u201c was a traveling attraction and an architectonic sculpture. After standing in Kadik\u00f6y, on the Asian shore […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8,252],"tags":[5342,1765,5341],"_links":{"self":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/41014"}],"collection":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41014"}],"version-history":[{"count":4,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/41014\/revisions"}],"predecessor-version":[{"id":41024,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/41014\/revisions\/41024"}],"wp:attachment":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=41014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=41014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}