{"id":38411,"date":"2015-07-13T15:51:27","date_gmt":"2015-07-13T14:51:27","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=38411"},"modified":"2015-07-14T09:54:04","modified_gmt":"2015-07-14T08:54:04","slug":"i-was-not-able-to-visit-the-entire-show-linda-dostalkova","status":"publish","type":"post","link":"https:\/\/www.mottodistribution.com\/site\/?p=38411","title":{"rendered":"I was not able to visit the entire show. Linda Dost\u00e1lkov\u00e1"},"content":{"rendered":"

\"\"<\/a> \"IMG_1463\"<\/a> \"IMG_1464\"<\/a> \"IMG_1468\"<\/a> \"IMG_1469\"<\/a> \"IMG_1471\"<\/a> \"IMG_1472\"<\/a> \"IMG_1475\"<\/a> \"IMG_1477\"<\/a> \"IMG_1479\"<\/a> \"IMG_1480\"<\/a><\/p>\n

 <\/p>\n

The play I WAS NOT ABLE TO VISIT THE ENTIRE SHOW was created with the intention of being staged within the environment of gallery institutions. It opens a discussion over conventions that are commonly linked to the exhibition strategies: How contemporary display practices and institutional frameworks affects an artwork and vice versa?<\/p>\n

The publication includes photographs by Daniela Dost\u00e1lkov\u00e1 who\u2019s conception heads towards the perception of understanding of possible future gallery presentations with an attempt to make the act of viewing visible. What does the viewer see and what does he believe?<\/p>\n

Linda Dost\u00e1lkov\u00e1 is a Czech-born, Netherlands-based independent graphic designer who, through her projects, implies variety of forms from close artistic and humanistic disciplines, delivering a specific input for a specific situation.<\/p>\n

Text and graphic design: Linda Dost\u00e1lkov\u00e1
\nEditor: Jana Ko\u0159\u00ednkov\u00e1
\nPhotography: Daniela Dost\u00e1lkov\u00e1
\nPublished by The University of Ostrava, 2015
\nEnglish edition, 190 x 285 mm (softcover), 160 pages<\/p>\n

\u20ac- 25,00<\/p>\n

Buy it\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  The play I WAS NOT ABLE TO VISIT THE ENTIRE SHOW was created with the intention of being staged within the environment of gallery institutions. It opens a discussion over conventions that are commonly linked to the exhibition strategies: How contemporary display practices and institutional frameworks affects an artwork and vice versa? The publication […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[4678],"_links":{"self":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/38411"}],"collection":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38411"}],"version-history":[{"count":1,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/38411\/revisions"}],"predecessor-version":[{"id":38423,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/38411\/revisions\/38423"}],"wp:attachment":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}