{"id":35245,"date":"2014-07-23T15:04:58","date_gmt":"2014-07-23T14:04:58","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=35245"},"modified":"2014-07-23T16:28:45","modified_gmt":"2014-07-23T15:28:45","slug":"noit-2-burning-lisa-le-feuvre-ed-camberwell-press-flat-time-house","status":"publish","type":"post","link":"https:\/\/www.mottodistribution.com\/site\/?p=35245","title":{"rendered":"NOIT – 2: Burning. Lisa Le Feuvre (Ed). Camberwell Press & Flat Time House."},"content":{"rendered":"

\"noit-2-burning-cover-blog\"<\/a>\"noit-2-burning-01-blog\"<\/a>\"noit-2-burning-02-blog\"<\/a>\"noit-2-burning-03-blog\"<\/a>\"noit-2-burning-04-blog\"<\/a>\"noit-2-burning-05-blog\"<\/a>
\nNOIT – 2: Burning. Lisa Le Feuvre (Ed). Camberwell Press & Flat Time House.<\/em><\/p>\n

Flat Time House is pleased to announce the publication of the second issue of NOIT, FTHo’s creative journal published in conjunction with Camberwell Press. NOIT\u20132, guest edited by Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, considers how burning, an action predominant in Latham’s ideas, has been deployed by artists in various ways.<\/p>\n

In addition, NOIT\u20132 Burning<\/i> includes interviews with William Raban on Stephen Cripps, and with Annea Lockwood on her ‘Piano Burnings’; and visual contributions by artists Anthony McCall, Camila Sposati and Marlie Mul. Also included with NOIT is a DVD documenting a series of recent \u2018Skoob\u2019 performances undertaken as experiments in relation to the recent exhibition, God is Great (10 <\/i>-19<\/i>) \u2013 John Latham and Neal White<\/i> at Portikus in Frankfurt.<\/p>\n

Pages: 107
\nPrice: \u20ac13,50<\/p>\n

buy it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

NOIT – 2: Burning. Lisa Le Feuvre (Ed). Camberwell Press & Flat Time House. Flat Time House is pleased to announce the publication of the second issue of NOIT, FTHo’s creative journal published in conjunction with Camberwell Press. NOIT\u20132, guest edited by Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, considers […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,670,1,284,252],"tags":[],"_links":{"self":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/35245"}],"collection":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35245"}],"version-history":[{"count":4,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/35245\/revisions"}],"predecessor-version":[{"id":35261,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/35245\/revisions\/35261"}],"wp:attachment":[{"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}