‘Nu Qui Marche’. Julien Carreyn. Motto Berlin 09.09-19.10.2020

Posted in art, exhibitions on September 12th, 2020

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Julien Carreyn. Nu Qui Marche. Opening: Sept. 8, 2020 @ Motto Berlin.

Posted in art, events, exhibitions on August 20th, 2020
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Nu Qui Marche
Julien Carreyn

Opening reception: Sept. 8, 2020, from 7pm
Exhibition Sept 9-Oct 19, 2020.

Full vitrines and new publications display.

1.      Schlafwandler au Sacré Cœur
2.      Une librairie à Berlin
3.      Archi_éro_tektonisch
4.      Nu qui peint poreux
5.      Unexpected joy
6.      Pierrette, Pauline et Jacques
7.      Ist denn hier ein Schloß?
8.      Voyage tumultueux
9.      Shelves and frames
10.    Winzige Bilder
11.    Tu te mires
12.    Kisten voller Bilder
13.    Nu à deux, nu qui lit
14.    Das schwarze Auto
15.    Lutte de chiots
16.    Spielkarten
17.    The bathroom was a kitchen
18.    Krimi in der Provinz
19.    Sofortbilder
20.    Amateur
[…]

Notizen: R.Regnery

MOTTO BERLIN
Skalitzer Str. 68, im Hinterhof
10997 Berlin
U1 Schlesiches Tor
Open Monday – Saturday: 12h-20h

Calla Henkel & Max Pitegoff @ The Downer. Opening June 18, 2020

Posted in art, events on June 15th, 2020

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Raw Material Company. On Art History in Africa. Crowdfunding Campaign. (until June 1st, 2020)

Posted in art, history on May 7th, 2020

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Please support our presale campaign for our upcoming publication with Raw Material Company.

De l’histoire de l’art en Afrique / On Art History in Africa

https://www.kickstarter.com/projects/mottobooks/de-lhistoire-de-lart-en-afrique-on-art-history-in-africa

Martijn in’t Veld @ Motto Berlin

Posted in art, drawing, illustration on December 20th, 2019

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Martijn in’t Veld
Happy Potatoes and Sad Silkscreens at Motto Books
On display until January 4th, 2020

Browse publications and prints here.

Happy Potato Press, Martijn in’t Veld @ Motto Berlin 11.12.2019

Posted in art, events on December 7th, 2019

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Happy Potatoes and Sad Silkscreens at Motto Books

As the Happy Potato Press, Martijn in’t Veld has been publishing books, prints and other printed matter since 2019. Please join us for a wintery-xmas-drink and the presentation of various potatoes on December 11th, 18:00h. Among the things on display will be a severed arm, the weather report from the day Richard Brautigan died, a young girl stealing fishes and the ever expanding city of New York.

www.happypotatopress.com

Damián Navarro, Olaf Nicolai, Stéphanie Serra @ Motto Berlin. 23.11.2019

Posted in art, events on November 20th, 2019

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Putting together. About Libraries, Books, Images, Words.

Damiàn Navarro, Olaf Nicolai, Stéphanie Serra

Saturday November 23, from 7pm at Motto Berlin.

Join us for a discussion around the practice of assembling, which will lead to the question of researched and found material and its montage possibilities. We will look at Damián Navarro’s rotorelief stickers and collecting process, and Olaf Nicolai’s editing practice in the 3 volumes of Conversation Pieces that link the library of the Roman gallerist Maria Colao to the art historian Mario Praz through his house (Walther König) and Stéphanie Serra’s written project on libraries, Through the Words of Others (fink).

Screening: Conversation Piece, Luchino Visconti, 1974 (subtitles in English)
Damián Navarro is an artist who works in Lausanne (Switzerland). He plays with collected object-documents to dig into realities, and repeatedly attempts to reshape the topics he addresses.

Olaf Nicolai is a German conceptual artist who works in Berlin. His work includes a major interest in books, literature and editing as well as its possible special forms.

Stéphanie Serra is a Swiss writer and researcher working on French films made by writers between 1950 and 1975.

In addition to the talk, an intervention in the Motto bookstore showcases will turn around the on-going looping.store website project developed by Pablo Perez and Damián Navarro and aims to share part of his stickers collection.

Recent publications as well as the fink twice series from edition fink will be on display
http://www.editionfink.ch/

Hiroshi Takizawa @ Motto Berlin. 16.11.2019

Posted in art, events on November 9th, 2019
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Criminal Garden

Hiroshi Takizawa at Motto Berlin, November 16th 2019, from 7pm

 

Project01: “Assumption”
Criminal profiling is used as an investigation technique to hypothesise on a suspect figure. An assumed portrait is inferred and emerges from what is left of a particular setting or crime scene. I am intrigued by the development of such assumed figures, as well as the fact that these profiles are fictional and nonexistent unless replaced by an asserted criminal.

“Assumption” consists of scanned images of objects found in ordinary surroundings. Instead of shooting or scanning a flat surface, I chose to scan objects with uneven surfaces as a method to emphasize the distortion of the outcome. As a result, the images are highly detailed, yet far from the objects’ original shapes and forms. The method also allows me to illustrate that the process of reproduction can result in a fictitious representation of an object. To me, there is a similarity in the process of profiling and scanning in the sense that both processes creates a fictional and imaginary image. In this work, I aim create an image of a fictitious profile, although there may not be any criminal context to it. What interests me is that the scanned objects gain a fictional character that reveals the possibility of an additional dimension to its existence, and furthermore, a suggestion that the fictional existence is in fact closer to reality.

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Criminal Garden
Hiroshi Takizawa

First Edition
Format:Rolling paper / pvc rod / pvc cover
Type of printing : Offset
Size: 3364mm × 265mm
Number of Pages 2
Edition 80

Images Hiroshi Takizawa
Published Hiroshi Takizawa
Translation Martha Aida
Design Yuto Takamuro

Printed in Germany
Images copyright@2019 Hiroshi Takizawa

Kathy Acker (1971-1975). Editions Ismael

Posted in art on October 21st, 2019
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Kathy Acker (1971-1975)

Presentation:

This book is the first attempt to produce a critical edition of a large number of Kathy Acker’s unpublished early works. Apart from the posthumous publication, in 2002, of the early manuscript Rip-off Red, Girl Detective and The Burning Bombing of America: The Destruction of the U.S. by Amy Scholder and Grove Press in one volume, in 2002, as well as Gabrielle Kappes’ chapbook, no other important publication had been attempted in this field.

These – mostly unpublished – texts were all composed between 1969 and 1976. Yet they are representative of Acker’s published output only for the period running from 1971 to early 1974. These texts all exist as “clean” typewritten copies, probably intended to be kept, shown, maybe even published. The editor chose not to include Acker’s manuscripts. The transcriptions in this volume were made directly from the original typescripts. Original pagination, manuscript addenda, missing pages and other idiosyncrasies of each file have been preserved; our editorial notes at the end of the texts all feature a material description of the source version used.

The organization of this volume is chronological. The texts’ respective date of composition is often the result of an estimate based on their content and form (an estimate that is then justified and defended).

Such a collection shows how prolific, diverse and always in-progress Acker’s production was in those years. It isn’t, however, Acker’s complete early works. More typescripts exist at the Fales Library which aren’t featured or alluded to in this book. Their publication and analysis may in the future suggest a whole new set of interpretations that will, or might not, contradict the present editor’s exegesis. Moreover, the comparison of the typescripts with manuscript versions will undoubtedly inspire new perspectives on Acker’s creative process and intentions during those years.

Table of contents:
Acknowledgements and Foreword – Editor
Are You Surprised that Kathy Acker Was an Aries Because I’m Not — Claire Finch
The Golden Woman (ca. 1969-1970) — Kathy Acker
Section from: Diary (1-2/1971) — Kathy Acker
Portraits (7/1971) — Kathy Acker
Portraits and Visions (ca. summer 1971) — Kathy Acker
Diary Warmcatfur (1/1972) — Kathy Acker
Politics (pub. 5/1972) — Kathy Acker
For H. (ca. 5/1972) — Kathy Acker
Revolutionary Diary of an Anarchist (ca. 5/1972) — Kathy Acker
Journal Black Cats Black Jewels (summer 1972) — Kathy Acker
Gold Songs for Jimi Hendrix (ca. summer 1972) — Kathy Acker
Breaking Up (ca. summer 1972) — Kathy Acker
[Letters to Bernadette Mayer] (summer-fall 1972) – Kathy Acker
Homage to LeRoi Jones (fall 1972) — Kathy Acker
[Letter to Bernadette Mayer] (ca. fall 1972) — Kathy Acker
Entrance into dwelling in paradise (fall 1972) — Kathy Acker
[Exercises] (fall 1972) — Kathy Acker
Stripper Disintegration (2-3/1973) — Kathy Acker
Section from Diary (3/1973) — Kathy Acker
[Letter to Bernadette Mayer] (6 / 2? / 1973) — Kathy Acker
The beginning of the Thesmophoriazusae (7-9/1973) — Kathy Acker
Part I of Breaking Through Memories into Desire (11 / 1973) — Kathy Acker
Part II [of Breaking Through Memories…] (ca. 1 / 1974) — Kathy Acker
Conversations (1/1974) — Kathy Acker
Talking as Music (2/1974) — Peter Gordon
From Part III of Breaking Through Memories… (2-3 / 1974) — Kathy Acker
[Letters to Alan Sondheim] (2-3 / 1974) — Kathy Acker
[Letter to Bernadette Mayer] (3 / 3 / 1974) — Kathy Acker
[Untitled Tape] (3/1974) — Kathy Acker & Alan Sondheim
[About the Untitled Tape] (ca. 3/1974) — Emily Cheng
[Untitled Tape 2] (ca. 3/1974) — Kathy Acker & Alan Sondheim
Various Memory Experiments, I (4/1974) — Kathy Acker
[Letter to Bernadette Mayer] (4-7 / 1974) — Kathy Acker
[Postcard to Kathy Acker] (7/24/1974) — Alan Sondheim
[Letters to Bernadette Mayer] (10 / 1974-10 / 1975) — Kathy Acker
[Songs] (1974-1975) — Jill Kroesen
[Flyer for the Whitney Museum] (11/1976) — Kathy Acker & Alan Sondheim

About the “Blue Tape” (2012) — Alan Sondheim
[About the Untitled Tape 1] (2018) — Emily Cheng
14th Street studio and Fun City (2019) — Justin Gajoux
Kathy Acker and Sex Work in the Section from Diary (2019) — Justin Gajoux
Porno-graphing Actions of the “Blue Tape” (2019) — Anna Maria Pinaka
Afterword — Matias Viegener
Pages: 656
Language: English.

First critical edition of Kathy Acker’s unpublished early writings from (1969-1976). Comprises almost all the typescripts from that period present in the Kathy Acker’s archives.
Features also the transcription and presentation of Acker’s two 1974 experimental videos.
Editor: Justin Gajoux.
Critical notes: Justin Gajoux & Claire Finch.
Also with texts of: Alan Sondheim, Emily Cheng, Jill Kroesen, Peter Gordon, Claire Finch, Anna Maria Pinaka, Matias Viegener, Justin Gajoux.
Artwork: Satarina Cantos.
Isbn: 979-10-97450-03-8.

Print run: 500 numbered copies. Offset printed, on paper Munken Print White 80g and Arjowiggins Popset 240g; signatures sewn, cold glue.

BUY

Book launch: ‘CONQUERING THE PRESENT IN THE LONG SIXTIES: The curatorial birth of contemporary art’ at Motto Berlin. 28 September 2019

Posted in art, books, events on September 20th, 2019
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Saturday, September 28th

5-7 PM. Talk at 5.30.

Motto Berlin Skalitzer Str. 68, 10997 Berlin, Germany

Kristian Handberg’s Conquering the present in the Long Sixties is an art historical essay. The book presents a new understanding of the art work in the 1960s and how a predominant interest in the present even brought a Soviet Cosmonaut to the Venice Biennale in 1968.

Talk with Terry Smith, author of Art to Come. Histories of Contemporary Art (2019).

Kristian Handberg., (b. 1980) Art historian, Ph.D., postdoc at the University of Copenhagen. Handberg has researched in the importance of exhibitions and their international circulation in the postwar era at Louisiana Museum of Modern Art.

Terry Smith, Professor in Art History, University of Pittsburgh. A leading historian and theoretician on the history of contemporary art, Smith has just published the book Art to Come. Histories of Contemporary Art (Duke University Press, 2019), which will be available at the launch. Smith will be in conversation with the author on the notion of contemporary art and the exhibition as a way of staging the present.