LOG 54: Coauthoring. Ana Miljački, Ann Lui (Eds.). Anyone Corporation

Posted in architecture, magazines, politics on June 25th, 2022
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Winter/Spring 2022

Log 54: Coauthoring gathers essays by and conversations with architects, curators, historians, and collectives that, as guest editors Ana Miljački and Ann Lui write, begin to “imagine the field of architecture orienting around coauthoring instead of authoring” and “challenge the model of architectural authorship that dominates both architectural discourse and the market.” In so doing, the contributors to this 176-page thematic issue “enter the space of political and identity negotiations to relinquish absolutes and to open up to multiple forms of agency.” These forms of agency manifest in numerous ways, from the Fluxus Manifesto to the words of an Enlightenment painter, from bats to spider webs, from cartography to geological deep time, from AI-generated toys to PowerPoint and Miro boards.

Miljački and Lui talk with Jennifer Newsom and Tom Carruthers from Dream the Combine; J. Yolande Daniels and Amanda Williams from the Black Reconstruction Collective; architect and curator Andrés Jaque, and 2021 Chicago Architecture Biennial curator David Brown about their collaborative practices. Sumayya Vally and Moad Musbahi transcribe site-specific music, while Curtis Roth uses gig workers’ gestures to create paintings. The Architecture Lobby and Dark Matter University discuss the implications of coauthorship through their cowritten dialogues; Timothy Hyde and Lisa Haber-Thomson study Welsh building codes; Sarah Hirschman looks at US copyright law; and De Peter Yi and Laura Marie Peterson document how residents use the Detroit Land Bank. Historians Anna Bokov, S.E. Eisterer, and Michael Kubo recount coauthorship in Soviet education, resistance in gestapo prisons, and today’s anonymous architectural megacorporation.

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23.06: HAWAPI Publication Presentation + Talk with Harm Lux @ Motto Berlin

Posted in architecture, books, events, Motto Berlin event, politics on June 18th, 2022
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Please join us to welcome artist duo and cultural association, HAWAPI, for a presentation of their publications and discussion with curator Harm Lux. 

Thursday 23rd June, 2022
from 7 to 9pm

Motto Berlin
Skalitzer Str. 68 (im Hinterhof)
10997 Berlin

7:00 until 7:45pm > HAWAPI introduce their work (intro by Harm Lux), followed by Audience Talk

7:50pm > Presentation of HAWAPI’s Publications

8:20pm > Open Discussion

*HAWAPI’S WORK PROCESS*

After some preliminary regional research, knowledge exchange and a get together, a concept grows and HAWAPI (Susie Quillinan & Maxim Holland) invite colleagues to participate in order to carry out artistic research and actions on site.

Two examples: In northern Peru, in the mountainous region of Sorochuco, lies the property of the weaver Maxima Acuna (family). The latter is now increasingly surrounded by Conga mining, a mining company that is not afraid to appropriate and privatise public water sources. Thirteen artists worked on site several times, and results were presented to the public.

In the “Pondores” project, 12 artists stayed – for longer periods of time – in the Colombian FARC transitional settlements to develop Empathy-building, playing and acting together with these young ex-combatants. 

We will also be presenting new publications from La Monja, books from Arequipa based artist- designer-theoretician, Sebastián Baudrand.

Order HAWAPI books here
Order La Monja books here

Antarctic Resolution. Giulia Foscari, UNLESS (Eds.). Lars Müller Publishers

Posted in architecture, art, Artist Book, books, critique, geography, photography, research, science, writing on June 5th, 2022
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Accounting for approximately 10 % of the land mass of Planet Earth, the Antarctic is a Global Commons we collectively neglect. Far from being a pristine natural landscape, the continent is a contested territory which conceals resources that might prove irresistible in a world with an ever-increasing population. The 26 quadrillion tons of ice accumulated on its bedrock, equivalent to around 70 % of the fresh water on our planet, represent the most significant repository of scientific data available. It provides crucial information for future environmental policies, and, at the same time, is the greatest possible menace to global coastal settlements when sea levels rise because of global warming.

On the 200th anniversary of the discovery of Antarctica, Antarctic Resolution offers a high-resolution image of this hyper-surveilled yet neglected continent. In contrast to the fragmented view offered by Big Data companies, the book is a holistic study of the continent’s unique geography, unparalleled scientific potential, contemporary geopolitical significance, experimental governance system, and extreme inhabitation model. A transnational network of multidisciplinary polar experts – represented in the form of authored texts, photographic essays, and data-based visual portfolios – reveals the intricate web of growing economic and strategic interests, tensions, and international rivalries, which are normally enveloped in darkness, as is the continent for six months of the year.

With contributions by Doaa Abdel-Motaal, Conrad Anker, Ryan Ashworth, Francesco Bandarin, Carlo Barbante, James N. Barnes, Thomas Barningham, Carlo Baroni, Susan Barr, Elisa Bergami, Marcelo Bernal, Anne-Marie Brady, Ralf Brauner, Cassandra M. Brooks, Shaun T. Brooks, Hugh Broughton, Bert Bücking, David Burrows, Sol Camacho, Sanjay Chaturverdi, Swadheet Chaturvedi, Christy Collis, Peter Convey, Geoff Cooper, Gabriele Coppi, Ilaria Corsi, Lino Dainese, Klaus Dodds, Julian Dowdeswell, Juan Du, Graeme Eagles, Tess Egan, Alexey Ekaykin, Fausto Ferraccioli, Joe Ferraro, James Rodger Fleming, Adrian Fox, William Fox, Bob Frame, Peter Fretwell, Jacopo Gabrielli, Hartwig Gernandt, Andrew Gerrard, Neil Gilbert, Karsten Gohl, Francis Halzen, Kael Hanson, Ursula Harris, Judith Hauck, Robert Headland, Beth Healey, Alan D. Hemmings, Adrian Howkins, Kevin A. Hughes, Andrew T. Hynous, Julia Jabour, Stéphanie Jenouvrier, Solan Jensen, Andrea Kavanaugh, Daniel Kiss, Georg Kleinschmidt, Alexander Klepikov, Peter Landschützer, Louis John Lanzerotti, Elizabeth Leane, Sang-Lem Lee, Inti Ligabue, Daniela Liggett, Bryan Lintott, Vladimir Y. Lipenkov, Cornelia Lüdecke, Arturo Lyon, James Madsen, Craig McCormack, Tony McGlory, Hans-Jürgen Meyer, Christel Misund-Domaas, Nicholas de Monchaux, Chiara Montanari, Michael Morrison, Teasel Muir-Harmony, John Nelson, Camilla Nichol, Miranda Nieboer, Anne Noble, Dirk Notz, Shaun O’Boyle, Madeleine O’Keefe, Nouschka Očenášek, Lawrence A. Palinkas, Scott Parazynski, Carolina Passos, Michael Pearson, Francesco Pellegrino, Rick Petersen, Katherina Petrou, Andrea Piñones, Jean-Yves Pirlot, Ceisha Poirot, Jean de Pomereu, Alexandre Ponomarev, Brian Rauch, Ron Roberts, Donald R. Rothwell, Juan Francisco Salazar, Jean-Baptiste Sallée, Sir Philippe Samyn, Bojan Šavrič, Mirko Scheinert, Didier Schmitt, Thomas Schramm, Daniel Schubert, Karen Nadine Scott, Cara Seitchek, Maria Ximena Senatore, Jonathan Shanklin, Yuri Shibaev, Tim Stephens, Pavel G. Talalay, Steve Theno, Paul Thur, Philip Trathan, David Vaughan, Emerson Vidigal, Claudio Willams, Gary Wilson and Angela Wright.

Winner of the DAM Architectural Book Award 2021

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Borrowing Positions: Role-playing Design & Architecture. Ott Kagovere, Kaisa Karvinen, Tommi Vasko (Eds.). Lugemik

Posted in architecture, Artist Book, books, design on May 6th, 2022
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2nd Edition

A speculative book reflecting on design and architecture centred LARPs (Live Action Role-Play) organised by the Trojan Horse collective. The book is an exploration of Live Action Role-Play as a design and architecture research tool. By inviting the reader to try on different characters, switch roles and reconsider their everyday practices, the book aims to approach issues such as identity, performativity, gender, colonialism, care and fear in the context of architecture, design and urban planning.

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Harvard Design Magazine #45. Jennifer Sigler, Leah Whitman-Salkin (Eds.). Harvard University Graduate School of Design.

Posted in architecture, art, critique, design, distribution, magazines, Motto Berlin store, Theory, Wholesale, writing on April 26th, 2018

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harvard_design_magazine_2018_into_the_woods_motto_3harvard_design_magazine_2018_into_the_woods_motto_4harvard_design_magazine_2018_into_the_woods_motto_5 harvard_design_magazine_2018_into_the_woods_motto_6harvard_design_magazine_2018_into_the_woods_motto_7harvard_design_magazine_2018_into_the_woods_motto_9 harvard_design_magazine_2018_into_the_woods_motto_8harvard_design_magazine_2018_into_the_woods_motto_10 harvard_design_magazine_2018_into_the_woods_motto_11Harvard Design Magazine 45 – Into the Woods | Spring/summer 2018

To go “into the woods” is to enter both nightmare and wonderment, chaos and serenity. The woods are the threatening realm of wolves and witches, yet also a space of peace and introspection. They confound and illuminate, disorient and clarify, endanger and protect. The woods are where we “come to our senses,” and where we embrace our wilder selves. They are a space of complex life forms and ecological destruction; of growth and decay; of fantasy and ritual; of secrets and control; of hiding and? the hidden.

The woods are often framed as a nonurban place; an entity separate from, and opposed to, the city—even the world; an eternal refuge that can smoothly be entered and exited, gone into and back out of. But how much of our woods still remains to go into—and on what terms?

As designers, we encounter the woods as building site, as obstacle, and as resource—territory to be cleared, but also to be preserved, cultivated, tamed, or simulated. Wood itself—along with its products like lumber, wood pulp, silvichemicals, and charcoal—fuel the building industry and feed architecture. In a period of accelerated climate change, the planet’s woods are disappearing, burning up, threatening and threatened by human existence. How can we holistically address the woods and its ecosystems, and the life and life-giving power they contain?

This issue of Harvard Design Magazine treks into the woods to come to terms with its precarious status as habitat and resource, and to challenge assumptions about wood as material. We won’t be “out of the woods”—this looping conundrum—any time soon, even if the woods as we once knew it, and might still imagine it, has ceased to exist. At the intersection of wilderness, urbanization, and myth, “Into the Woods” embraces contradiction, challenges destruction, and revisits our roots, biological and architectural alike.

“Into the Woods” combines contributions by noted critics and theorists including Milica Topalovic, Lawrence Buell, T. J. Demos, Rosetta Elkin, Jack Halberstam, and Maria Tatar; practitioners Dogma, Alexander Brodsky, Dilip Da Cunha, Eelco Hooftman, and Paulo Tavares; as well as artists Tang Chang, Maria Thereza Alves, Janet Cardiff, and Bas Princen; anthropologists Anna Tsing and Eduardo Kohn; and philosopher Giorgio Agamben.

Harvard Design Magazine 45 is edited by Jennifer Sigler and Leah Whitman-Salkin, and published by the Harvard University Graduate School of Design (GSD).

Language: English
Pages: 248
Size: 30.5 x 22 cm
Weight: 810 g
Binding: Softcover
ISBN: 725274577118

Roberto Burle Marx Lectures: Landscape as Art and Urbanism. Gareth Doherty (Ed.). Lars Müller Publishers

Posted in architecture, art, books, design, Motto Berlin store, writing on April 20th, 2018
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Roberto Burle Marx (1909–1994) remains one of the most important landscape architects in the history of the field. His distinctive and widely acclaimed work has been featured and referenced in numerous sources, yet few of Burle Marx’s own words have been published.

This collection of a dozen of Burle Marx’s lectures, most of which have never before been available in English, fills that void. Delivered on international speaking tours, they address topics such as Concepts in Landscape Composition, Gardens and Ecology and The Problem of Garden Lighting. Their publication sheds light on Burle Marx’s distinctive ethic and aesthetic of landscape, as “the real art in living.”

Language: English
Pages: 288
Size: 15 x 20
Weight: 420 g
Binding: Softcover
ISBN: 9783037783795
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Faraway, So Close. 25th Biennial of Design, Ljubljana. Angela Rui, Maja Vardjan (eds.). Museum of Architecture and Design & Motto Books.

Posted in architecture, design, Motto Books on September 13th, 2017

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Faraway, So Close

25th Biennial of Design, Ljubljana
Published by Museum of Architecture and Design (MAO) & Motto Books

Faraway, So Close presents seven investigations through the concept of time – time as a key with which to identify new patterns that can connect design with the phenomenological world and the myriad consequences of such an interrelation.

Acting in various dispersed territories across Slovenia, Faraway, So Close seeks out “low-intensity” places in which to test the possibility of changing our notions of economic progress and which could work toward and in the name of such fundamental aspirations as stability, community and a better future. Design is, or at least can be, a vehicle for exploring basic new metaphors. It is a dialogic procedure. This break from the strictly disciplinary approach of design creates space for an expansive investigation of various interdisciplinary intersections and engagement with a markedly different production of knowledge.

By presenting the seven investigative episodes developed within BIO 25 and their interchange with both local archives and broader paradigms, the book works to explore ways of changing the goals of design culture; of turning away from the urgent need to solve problems and instead opening up new frontiers for observation and experimentation, to look at our inhabited and habitable world for what it is and what it is becoming, and not simply what we think it should, ideally, be.

Contributions by
Nabil Ahmed
Andrea Branzi
Tony Côme
Brendan Cormier
matali crasset
Domitilla Dardi
Odo Fioravanti
Didier Fiúza Faustino
Studio Formafantasma
Thomas Geisler
Rory Hyde
Alexandra Midal
mischer’traxler studio
Dimitrij Mlekuž
Point Supreme Architects
Emanuele Quinz
Renata Salecl
Anna-Sophie Springer
Studio Folder
James Westcott
Elia Zenghelis
and many others

Photographic Essays by
Delfino Sisto Legnani
and Marco Cappelletti

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LOG 40. Anyone Corporation.

Posted in architecture, magazines on July 27th, 2017
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Spring/Summer 2017

Log 40 assembles a wide-ranging collection of thoughtful essays on some of the most urgent questions and debates in architecture today, bringing them into dialogue with those of architecture’s recent past. The legacy and current status of architectural images are considered from radically different vantages, in Brett Steele’s anecdotal discourse on Zaha Hadid’s 1983 painting The World (89 Degrees), John May’s exacting dissection of “architecture after imaging,” and Hana Gründler’s exploration of the ethical implications of drawing borderlines. The issue features commentary by two contemporary architects on contemporary buildings: V. Mitch McEwen on David Adjaye’s National Museum of African American History and Culture in Washington, DC, and Elisabetta Terragni on OMA’s Fondazione Prada in Milan. Other highlights include an excerpt from Noah’s Ark, the new collection of Hubert Damisch’s singular writings on architecture; a lively response by Mark Foster Gage to Michael Meredith’s recent Log essay on indifference; and a sampling of new domestic objects designed by architects.

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House of Architecture 建築の建築. Tamami IINUMA 飯沼珠実. LimArt, POST

Posted in 2016, architecture, Artist Book, photography on June 9th, 2016
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“I view achitecture as man himself. After all, achitecture is constructed by man. Architecture is a monument to the passion and effort of those who create it. The growth of architecture is derived from the life of its occupants. Considering architecture solely as a machine is cold. As occupants go about their daily lives, their emotions and experiences are stored within the architecture, providing it with warmth and a chance to breathe. As Le Corbusier said, achitecture is a “machine for living.” Man expects to be protected by architecture, whether it be in order to think, to cry, to dance or to sing freely.”

-Excerpt Tamami Iinuma House of Architecture

Published by Post/limArt and designed by Yoshihisa Tanaka, Tamani Iinuma’s House of Architecture presents a photographic approach to the architectural creations by celebrated modernists Le Corbusier and Kunio Mayekawa. Within, Iinuma’s photographs present a visual abstraction of form and subject, where both man as architect and building as structure stand side by side as an interdependent unit in continuous dialogue with its built environ. House of Architecture is an elegant and considered presentation of Iinuma’s imagery, allowing both image and subject further space for engagement within the structural form of the photobook.

The publication includes texts by Thibaut de Ruyter, Yuzuru Tominaga, Tadamoto Oshima and Tamami Iinuma.

All text available in Japanese and English.
Edition of 500
2016

€38.00

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Nouvelles Richesses / New Riches. Fourre-Tout Editions.

Posted in 2016, architecture, distribution, Motto Berlin store on June 6th, 2016
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Les Editions Fourre-Tout ont remporté, en association avec le collectif AJAP14 et OBRAS, la réalisation du catalogue du Pavillon Français de la 15e Biennale d’Architecture de Venise 2016.

Il s’agit d’abord et avant tout de la formalisation éditoriale d’un propos plus large que le projet scénographique – à savoir, un état des lieux de la France péri-urbaine, et de la transformation de son quotidien. Cet état des lieux se manifeste surtout par une campagne de recension de projets d’architecture auprès d’acteurs locaux, et notamment des Ecoles nationales d’Architecture, qui permettent au livre d’approcher de cette masse critique: au total, près de 150 projets sont documentés dans le livre, qui déploie par ailleurs un discours crtique lié aux thématiques générales de l’exposition.

french / english
30€
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