{"id":58518,"date":"2026-05-31T16:53:46","date_gmt":"2026-05-31T15:53:46","guid":{"rendered":"https:\/\/www.mottodistribution.com\/site\/?p=58518"},"modified":"2026-05-31T18:10:29","modified_gmt":"2026-05-31T17:10:29","slug":"marko-kolomytskyi-23-05-15-06-2026-motto-paris","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=58518","title":{"rendered":"Marko Kolomytskyi. 23.05\u201315.06.2026. Motto Paris"},"content":{"rendered":"\n
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Maman sous cellophane<\/em>
Marko Kolomytskyi <\/p>\n\n\n\n

On view from 23 May until 15 June 2026 at Motto Paris.<\/p>\n\n\n\n

\u201cIn the face of these intrusions, Marko Kolomytskyi\u2019s work seems to affirm that continuity remains possible, and that forms of tenderness may still persist amid violence and rupture. His work reflects a particular attentiveness to the complex past of his family, his country, and his own trajectory. At a time when dominant narratives increasingly flatten identities and histories, Marko Kolomytskyi instead seeks to preserve their complexity. The mosaic of fragments composing the exhibition becomes a way of reflecting on what shapes us, while also questioning the often blurred boundaries between our personal histories and those of the territories from which we come.
The exhibition also reflects on what continues to circulate between people despite distance, war, and time: voices, images, gestures of protection \u2014 ways of sustaining a connection when places, people, or objects themselves become inaccessible. In this sense, Maman sous cellophane speaks to what still remains possible: rebuilding fragile continuities, inventing new forms of belonging, and preserving, amid the fragmentation of the world, a capacity for closeness, tenderness, and sensitivity.\u201d
\u2014 Sasha Baydal
\u2028Tiohtia\u0301:ke \/ Montre\u0301al\u2028May 2026<\/p>\n\n\n\n

Motto Paris
38 Rue du Vertbois
75003 Paris<\/p>\n\n\n\n

All works are available<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Maman sous cellophaneMarko Kolomytskyi On view from 23 May until 15 June 2026 at Motto Paris. \u201cIn the face of these intrusions, Marko Kolomytskyi\u2019s work seems to affirm that continuity remains possible, and that forms of tenderness may still persist amid violence and rupture. His work reflects a particular attentiveness to the complex past of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/58518"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58518"}],"version-history":[{"count":11,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/58518\/revisions"}],"predecessor-version":[{"id":58540,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/58518\/revisions\/58540"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58518"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}