{"id":58349,"date":"2026-03-04T04:58:32","date_gmt":"2026-03-04T03:58:32","guid":{"rendered":"https:\/\/www.mottodistribution.com\/site\/?p=58349"},"modified":"2026-03-04T05:07:52","modified_gmt":"2026-03-04T04:07:52","slug":"screening-march-15-berlin-wedding","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=58349","title":{"rendered":"Screening. March 15. Berlin Wedding"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"682\" height=\"853\" src=\"https:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2026\/03\/IMG_8549-1-682x853.jpeg\" alt=\"\" class=\"wp-image-58354\" srcset=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2026\/03\/IMG_8549-1-682x853.jpeg 682w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2026\/03\/IMG_8549-1-240x300.jpeg 240w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2026\/03\/IMG_8549-1-768x960.jpeg 768w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2026\/03\/IMG_8549-1-1229x1536.jpeg 1229w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2026\/03\/IMG_8549-1.jpeg 1440w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<p>SCREENING OF \u201cWE DON\u2019T CARE ABOUT MUSIC ANYWAY\u201d (2009)<\/p>\n\n\n\n<p>15TH MARCH &#8211; 8 PM<\/p>\n\n\n\n<p>Motto Wedding (at Institut F\u00fcr Alles M\u00f6gliche)<\/p>\n\n\n\n<p>From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo\u2019s avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, \u201cWe Don\u2019t Care About Music Anyway&#8230;\u201d offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.<\/p>\n\n\n\n<p>\u201cWe don\u2019t care about music anyway\u201d&#8230; In other words, \u201cwe make it and that\u2019s<\/p>\n\n\n\n<p>all\u201d. Beyond the music and beyond its performance, the future and mode of existence of a city, and society as a whole, are in motion.<\/p>\n\n\n\n<p>\u201cRather than a film about music, we like to think We Don\u2019t Care&#8230; as a film about sound and its perception. An eulogy to raw and spontaneous creation, below codes and industry, creation as an animal way to express a rage that can not be put into words.\u201d &#8211; C\u00e9dric Dupire &amp; Gaspard Kuentz<\/p>\n\n\n\n<p>Starring: Sakamoto Hiromichi, Otomo Yoshihide, Yamakawa Fuyuki, L?K?O, Numb, Saidrum, Takehisa Ken, Shimazaki Tomoko.<\/p>\n\n\n\n<p>Screen play ; C\u00e9dric Dupire, Noa Garcia-Kisanuki &amp; Gaspard Kuentz<\/p>\n\n\n\n<p>Editing&nbsp;: Charlotte Tourr\u00e8s<\/p>\n\n\n\n<p>Sound design and sound edition &nbsp;: Jacob Stambach<\/p>\n\n\n\n<p>Camera : Cedric Dupire<\/p>\n\n\n\n<p>Musical coordination &nbsp;: Noa Garcia-Kisanuki<\/p>\n\n\n\n<p>Director Assistant : Charles Lamoureux<\/p>\n\n\n\n<p>Design : Arnaud Dufour<\/p>\n\n\n\n<p>Special effects: Gregg Langlois<\/p>\n\n\n\n<p>Sound Mix: Julien Cloquet<\/p>\n\n\n\n<p>Production Director &nbsp;: J\u00e9r\u00f4me Aglibert<\/p>\n\n\n\n<p>Music : Sakamoto Hiromichi \/ Otomo Yoshihide \/ Yamakawa Fuyuki \/ L?K?O \/ Numb \/ Saidrum<\/p>\n\n\n\n<p>\/ Umi No Yeah !! \/ Kirihito \/ Gothtrad \/ Hiko<\/p>\n\n\n\n<p>Produced by: Studio Shaiprod in 2009<\/p>\n\n\n\n<p>Motto Wedding (at Institut F\u00fcr Alles M\u00f6gliche)<\/p>\n\n\n\n<p>Schererstr. 9<\/p>\n\n\n\n<p>13347 Berlin Wedding<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SCREENING OF \u201cWE DON\u2019T CARE ABOUT MUSIC ANYWAY\u201d (2009) 15TH MARCH &#8211; 8 PM Motto Wedding (at Institut F\u00fcr Alles M\u00f6gliche) From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo\u2019s avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/58349"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58349"}],"version-history":[{"count":5,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/58349\/revisions"}],"predecessor-version":[{"id":58357,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/58349\/revisions\/58357"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58349"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}