{"id":54050,"date":"2023-02-23T16:15:00","date_gmt":"2023-02-23T15:15:00","guid":{"rendered":"https:\/\/www.mottodistribution.com\/site\/?p=54050"},"modified":"2023-02-20T16:45:35","modified_gmt":"2023-02-20T15:45:35","slug":"hafi-017-karolin-meunier-aller-retour-et-aller-on-wanda-and-supplement-a-la-vie-de-barbara-loden-karolin-meunier-harun-farocki-institut-motto-books","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=54050","title":{"rendered":"HaFI 017 – Karolin Meunier: Aller-retour et aller. On \u201cWanda\u201d and \u201cSuppl\u00e9ment \u00e0 la vie de Barbara Loden\u201d. Karolin Meunier. Harun Farocki Institut & Motto Books"},"content":{"rendered":"\n
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In 2019, Karolin Meunier presented the performance Aller-retour et aller<\/em> for the first time at Arsenal Cinema in Berlin. This was followed by a screening of the film Wanda<\/em> (1970) by Barbara Loden, one of the most important works of independent filmmaking by female directors. For HaFI 017<\/em>, Meunier documents her performance script. Among other references, she engages with Nathalie L\u00e9ger’s book Suppl\u00e9ment \u00e0 la vie de Barbara Loden<\/em> (2012) by translating text excerpts in dialogue with a friend. In this essayistic novel, L\u00e9ger follows the traces of the film in her search for the actress and director Barbara Loden.<\/p>\n\n\n\n

In HaFI 017: Aller-retour et aller<\/em>, Meunier’s artistic gestures of experimental translation echoes the intertwining of these three women’s quest by dissolving the biographies of the film character, the actress, and the novelist: \u201cA woman telling her own story through that of another woman.\u201d (Nathalie L\u00e9ger). The pamphlet includes an afterword by Clio Nicastro.

Order here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

In 2019, Karolin Meunier presented the performance Aller-retour et aller for the first time at Arsenal Cinema in Berlin. This was followed by a screening of the film Wanda (1970) by Barbara Loden, one of the most important works of independent filmmaking by female directors. For HaFI 017, Meunier documents her performance script. Among other […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[251,3544],"tags":[5471,8709,8706,5636,8711,1184,5500,8708,8710,8707],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/54050"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54050"}],"version-history":[{"count":2,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/54050\/revisions"}],"predecessor-version":[{"id":54062,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/54050\/revisions\/54062"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=54050"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=54050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}