{"id":52923,"date":"2022-11-17T13:28:00","date_gmt":"2022-11-17T12:28:00","guid":{"rendered":"https:\/\/www.mottodistribution.com\/site\/?p=52923"},"modified":"2022-11-16T13:37:19","modified_gmt":"2022-11-16T12:37:19","slug":"passing-images-art-in-the-post-digital-age-marie-france-rafael-floating-opera-press","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=52923","title":{"rendered":"Passing Images: Art in the Post-Digital Age. Marie-France Rafael. Floating Opera Press"},"content":{"rendered":"\n
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence\u2014no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an \u201cexhibition\u201c? And how should we write about the new types of post-digital images we are seeing (in them)? In Passing Images: Art in the Post-Digital Age<\/em>, Marie-France Rafael provides an attempt to write with art, rather than just about it. Rafael aims to retrace the living spirit of art and the procedural-performative experience of art in her writing.<\/p>\n\n\n\n

Marie-France Rafael is a tenure-track professur at the Zurich University of the Arts. She studied art history and film studies in Berlin and Paris, and holds a PhD in art history. From 2011 to 2015, she was a research associate at the Free University of Berlin and until 2019 taught at the Muthesius University Kiel, Department of Spatial Strategies\/Curatorial Spaces. Her interview book with French artist Brice Dellsperger, On Gender Performance<\/em>, was published with Floating Opera Press in 2019.

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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence\u2014no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[614],"tags":[5471,8126,5880,8125,8124],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/52923"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52923"}],"version-history":[{"count":1,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/52923\/revisions"}],"predecessor-version":[{"id":52931,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/52923\/revisions\/52931"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=52923"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=52923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}