{"id":47330,"date":"2020-10-14T23:23:18","date_gmt":"2020-10-14T22:23:18","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=47330"},"modified":"2020-11-08T02:24:02","modified_gmt":"2020-11-08T01:24:02","slug":"47330","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=47330","title":{"rendered":"INGO GERKEN \u2013 O F F E N E S  B U C H  @ Motto Berlin. 22.10 \u2013 21.11.2020."},"content":{"rendered":"<p><a href=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2020\/10\/Gerken_Motto_P1150295-2.jpeg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-47331\" src=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2020\/10\/Gerken_Motto_P1150295-2.jpeg\" alt=\"Gerken_Motto_P1150295!! 2\" width=\"480\" height=\"636\" srcset=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2020\/10\/Gerken_Motto_P1150295-2.jpeg 480w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2020\/10\/Gerken_Motto_P1150295-2-226x300.jpeg 226w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<div class=\"\"><span class=\"\"><b class=\"\">INGO GERKEN<\/b><\/span><\/div>\n<div class=\"\"><b class=\"\">O F F E N E S\u00a0 B U C H<\/b><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">22. Oktober \u2013 21. November 2020<\/span><span class=\"\"><br \/>\n<\/span><\/div>\n<div class=\"\"><\/div>\n<div class=\"\">\n<div class=\"\"><span class=\"\"><b class=\"\">bis Samstag, 22.10.2020<\/b><\/span><\/div>\n<div class=\"\"><span class=\"\">MOTTO BERLIN\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">Mit der Doppelausstellung OFFENES BUCH schl\u00e4gt Ingo Gerken ein neues Kapitel seiner Werkserie BIBLIOSCULPTURES auf.\u00a0Ge\u00f6ffnete Ausstellungskataloge, Monografien und Kunstmagazine werden zum komplexen Spielfeld f\u00fcr strategische Sinnverschiebung, poetische Erweiterung und systemkritischen Kommentar. Ganz banale Gegenst\u00e4nde mischen sich als skulpturale Arrangements in die bestehenden Bild- und Sinnzusammenh\u00e4nge ausgew\u00e4hlter Kunstpublikationen und untersuchen hier das Kr\u00e4fteverh\u00e4ltnis zwischen Buch, Text, Bild und Ding. Unscheinbare Alltagsobjekte werden zu offensiven und subversiven Elementen, die der ikonischen Wucht zeitgen\u00f6ssischer Kunstproduktion und -reproduktion wertneutral entgegentreten. Auf entwaffnend leichte Weise durchsto\u00dfen sie die Matrix der B\u00fccher und erzeugen eine neue Ordnung. Sie verlagern den Schwerpunkt der Betrachtung aus dem Buch heraus in den realen Raum, in dem sich der symbiotische Diskurs zwischen k\u00fcnstlerischer Realit\u00e4t und allgemeiner Lebenswirklichkeit weiterdenken l\u00e4sst.<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">F\u00fcr die zwei Ausstellungen hat Ingo Gerken ortsspezifische Installationen entwickelt, die parallel im RAUM F\u00dcR ZWECKFREIHEIT und bei MOTTO BERLIN zu sehen sind.<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">Folgende B\u00fccher werden u.a. ge\u00f6ffnet sein:<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">&#8211;\u00a0<i class=\"\">Andreas Gursky &#8211; Werke\/Works 80-08<\/i>, Kunstmuseen Krefeld, Haus Lange und Haus Esters, Moderna Museet, Stockholm, Hatje Cantz Verlag, Ostfildern 2008<\/span><\/div>\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\"><span class=\"\"><i class=\"\">&#8211; Naoya Hatakeyama<\/i>,\u00a0Kunstverein Hannover \/ Kunsthalle N\u00fcrnberg \/ Huis Marseille, Amsterdam Hatje Cantz Verlag, Ostfildern 2002<\/span><\/div>\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">Hello World &#8211; Revision einer Sammlung<\/i><span class=\"\">, Nationalgalerie Staatliche Museen zu Berlin, Hrsg. Udo Kittelmann &amp; Gabriele Knapstein, Hirmer Verlag, M\u00fcnchen 2018<\/span><\/div>\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">Candida H\u00f6fer \/ Rui Xavier &#8211; Silent Spaces<\/i><span class=\"\">, Hrsg. Uta Grosenick u. Herbert Burkert, Distanz Verlag, Berlin 2015<\/span><\/div>\n<\/div>\n<div class=\"\">\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">Hubert Kiecol, Kunsthalle N\u00fcrnberg<\/i><span class=\"\">, Verlag f\u00fcr moderne Kunst N\u00fcrnberg, 1991<\/span><\/div>\n<div class=\"\"><span class=\"\"><i class=\"\">&#8211; Kunst ist Kunst &#8211;\u00a0Werke aus der Kunstsammlung des Neuen Museum N\u00fcrnberg,\u00a0<\/i>Verlag f\u00fcr moderne Kunst, N\u00fcrnberg 2007<\/span><\/div>\n<div class=\"\">\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">Germaine Kruip &#8211; Works 1999-2017<\/i><span class=\"\">, Oude Kerk, Amsterdam, KW Institute for Contemporary Art, Koenig Books, London 2018<\/span><\/div>\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">Michaela Meise &#8211; Ding und K\u00f6rper<\/i><span class=\"\">, Badischer Kunstverein, Verlag der Buchhandlung Walther K\u00f6nig, K\u00f6ln 2012<\/span><\/div>\n<\/div>\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">Sexy and Cool &#8211; Minimal goes Emotional<\/i><span class=\"\">, Kunsthalle T\u00fcbingen, Kerber Verlag, Bielefeld 2017<\/span><\/div>\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">Wolfgang Tillmans &#8211; Abstract Pictures<\/i><span class=\"\">, Hatje Cantz Verlag, Ostfildern 2015<\/span><\/div>\n<div class=\"\"><span class=\"\">&#8211;\u00a0<\/span><i class=\"\">100 Jahre Rupprecht Geiger<\/i><span class=\"\">, Nationalgalerie, Staatliche Museen zu Berlin, Hrsg. Fritz Jacobi und Melanie Wilken, Berlin 2008<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">* * *<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a016.10.2020 \u2013 1.11.2020<br \/>\n<\/span><\/div>\n<div class=\"\"><span class=\"\"><b class=\"\">RAUM F\u00dcR ZWECKFREIHEIT<\/b>\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">Adalbertstr. 71<\/span><\/div>\n<div class=\"\"><span class=\"\">10997 Berlin-Kreuzberg<\/span><\/div>\n<div class=\"\"><span class=\"\">Sa+So 15\u201319 Uhr\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\"><a class=\"\" href=\"http:\/\/www.zweckfreiheit.de\/\">www.zweckfreiheit.de<\/a><\/span><\/div>\n<div class=\"\"><span class=\"\">U8\/U1\/U3 Kottbusser Tor<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">\u00a022.10.2020 \u2013 21.11.2020<\/span><\/div>\n<div class=\"\"><span class=\"\"><b class=\"\">MOTTO BERLIN<\/b><\/span><\/div>\n<div class=\"\"><span class=\"\">Skalitzer Str. 68<\/span><\/div>\n<div class=\"\"><span class=\"\">10997 Berlin-Kreuzberg<\/span><\/div>\n<div class=\"\"><span class=\"\">Mo\u2013Sa 12\u201320 Uhr\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\">Die Au\u00dfenvitrinen im Durchgang und im Hinterhof sind auch au\u00dferhalb der \u00d6ffnungszeiten durchgehend frei zug\u00e4nglich.<\/span><\/div>\n<div class=\"\"><span class=\"\"><a class=\"\" href=\"http:\/\/www.mottodistribution.com\/\">www.mottodistribution.com<\/a><\/span><\/div>\n<div class=\"\"><span class=\"\">U1\/U3 Schlesisches Tor<\/span><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>INGO GERKEN O F F E N E S\u00a0 B U C H \u00a0 22. Oktober \u2013 21. November 2020 bis Samstag, 22.10.2020 MOTTO BERLIN\u00a0 \u00a0 Mit der Doppelausstellung OFFENES BUCH schl\u00e4gt Ingo Gerken ein neues Kapitel seiner Werkserie BIBLIOSCULPTURES auf.\u00a0Ge\u00f6ffnete Ausstellungskataloge, Monografien und Kunstmagazine werden zum komplexen Spielfeld f\u00fcr strategische Sinnverschiebung, poetische Erweiterung und [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,8],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/47330"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47330"}],"version-history":[{"count":13,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/47330\/revisions"}],"predecessor-version":[{"id":47348,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/47330\/revisions\/47348"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=47330"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=47330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}