{"id":44330,"date":"2017-05-17T15:01:30","date_gmt":"2017-05-17T14:01:30","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=44330"},"modified":"2017-05-18T12:39:26","modified_gmt":"2017-05-18T11:39:26","slug":"36-short-stories-melanie-bouteloup-ed-beton-salon","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=44330","title":{"rendered":"36 Short Stories \/ M\u00e9lanie Bouteloup (ed.) \/ B\u00e9tonsalon"},"content":{"rendered":"<p><a href=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_004.jpg\"><img loading=\"lazy\" class=\"alignleft size-large wp-image-44331\" src=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_004-682x459.jpg\" alt=\"36_Stories_Motto_books_004\" width=\"682\" height=\"459\" srcset=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_004-682x459.jpg 682w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_004-340x229.jpg 340w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_004-768x517.jpg 768w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_004.jpg 1508w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_002.jpg\"><img loading=\"lazy\" class=\"alignleft wp-image-44333\" src=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_002-340x285.jpg\" alt=\"36_Stories_Motto_books_002\" width=\"332\" height=\"278\" srcset=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_002-340x285.jpg 340w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_002-768x643.jpg 768w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_002-682x571.jpg 682w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_002.jpg 1302w\" sizes=\"(max-width: 332px) 100vw, 332px\" \/><\/a><a href=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_003.jpg\"><img loading=\"lazy\" class=\"alignleft wp-image-44332\" src=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_003-340x273.jpg\" alt=\"36_Stories_Motto_books_003\" width=\"348\" height=\"279\" srcset=\"http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_003-340x273.jpg 340w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_003-768x616.jpg 768w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_003-682x547.jpg 682w, http:\/\/www.mottodistribution.com\/site\/wp-content\/uploads\/2017\/05\/36_Stories_Motto_books_003.jpg 1296w\" sizes=\"(max-width: 348px) 100vw, 348px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>36 Short Stories &#8211; M\u00e9lanie Bouteloup (ed.)<\/p>\n<p>36 Short Stories brings together a selec\u00adtion of works and texts, pub\u00adlished, exhib\u00adited, or col\u00adlected during B\u00e9tonsalon \u2013 Center for Art and Research\u2019s pro\u00adgram. Presented in the form of a col\u00adlec\u00adtion of short sto\u00adries, it brings into dialog thirty-six voices and expe\u00adri\u00adences\u2014per\u00adsonal and col\u00adlec\u00adtive, fac\u00adtual and fic\u00adtional, and some times for\u00adgotten. Encompassing authors from a wide range of dis\u00adci\u00adplines, con\u00adtri\u00adbu\u00adtions explore the mar\u00adgins of tra\u00addi\u00adtional his\u00adto\u00adri\u00adog\u00adraphy and the dis\u00adtri\u00adbu\u00adtion of knowl\u00adedge, employing fic\u00adtion as a means to resist uni\u00adfor\u00admity. In a word, each seeks to decon\u00adstruct estab\u00adlished norms and to offer new read\u00adings of the his\u00adto\u00adries we con\u00adstruct.<\/p>\n<p>&#8211;<\/p>\n<p>Table of contents:<\/p>\n<p>Foreword<br \/>\nBernard Blist\u00e8ne<\/p>\n<p>Introduction<br \/>\nM\u00e9lanie Bouteloup<\/p>\n<p>The Information Man<br \/>\nEdward Ruscha<\/p>\n<p>Shared Letters<br \/>\nKatinka Bock<\/p>\n<p>memos, briefs and reports (on for\u00admats)<br \/>\nFranck Leibovici<\/p>\n<p>Navigating the Immense Sea<br \/>\nFran\u00e7ois Aubart<\/p>\n<p>Grosse Fatigue<br \/>\nCamille Henrot and Jacob Bromberg<\/p>\n<p>A Man In the Moon<br \/>\nJohnny Kit Elswa<\/p>\n<p>Reversing the Burden of Proof as Postcolonial Lever<br \/>\nLotte Arndt<\/p>\n<p>The Most Powerful World of Our Age<br \/>\nPeter Weiss<\/p>\n<p>My Time With Mich\u00e8le<br \/>\nAnnie Tresgot<\/p>\n<p>The Ethical Deed in the Soviet Films of the 1960s and 1970s<br \/>\nKeti Chukhrov<\/p>\n<p>Edouard de Laurot and (the) Cin\u00e9ma Engag\u00e9.<br \/>\nPreliminary Remarks<br \/>\nNicole Brenez<\/p>\n<p>Re-con\u00adsti\u00adtu\u00adtions: On Mueda, Mem\u00f3ria e Massacre, by Ruy Guerra<br \/>\nRaquel Schefer<\/p>\n<p>How Do Images Make Politics?<br \/>\nPetra Bauer<\/p>\n<p>The Civil Contract of Photography:<br \/>\nTerms and Conditions<br \/>\nAriella Azoulay<\/p>\n<p>Street Art, Collective Action and Dissent in Sana\u2019a<br \/>\nAnahi Alviso-Marino<\/p>\n<p>To Be In a Time of War<br \/>\nEtel Adnan<\/p>\n<p>Letters to Max<br \/>\nEric Baudelaire<\/p>\n<p>Cidade<br \/>\nLeon Ferrari<\/p>\n<p>Of Borders and Limits of Visual Technologies<br \/>\nNana Adusei-Poku<\/p>\n<p>Op\u00e9ra 5 Weeks<br \/>\nBenjamin Seror<\/p>\n<p>Fluidity<br \/>\nClaude Parent<\/p>\n<p>Free Ride: Skating, Galilean Mechanics, and Simple Forms<br \/>\nIntroduction \u2013 Locomotive Gravity<br \/>\nRapha\u00ebl Zarka<\/p>\n<p>Jikken Kob\u014d: The Experimental Workshop in Japan During the 1950s<br \/>\nM\u00e9lanie Mermod<\/p>\n<p>A Chronology of Pirate Radio<br \/>\nThierry Lefebvre<\/p>\n<p>Total Restoration<br \/>\nLouise Herv\u00e9 and Chlo\u00e9 Maillet<\/p>\n<p>Notes on Scriptology: Voices from the script of the Otolith Group<br \/>\nMorad Montazami<\/p>\n<p>Not Not Over: Archival Engagements in Queer Feminist Art<br \/>\nMathias Danbolt<\/p>\n<p>Writing the History and Politics of the Future:<br \/>\nNotes on a Few Historiographic Fictions<br \/>\nKantuta Quir\u00f3s and Aliocha Imhoff<\/p>\n<p>Lesbian Peoples: Material for a Dictionary<br \/>\nDictionary &#8211; History<br \/>\nMonique Wittig and Sande Zeig<\/p>\n<p>Ethnic Autohistorias-teor\u00edas:<br \/>\nWriting the History of the Subject<br \/>\nGloria Anzald\u00faa<\/p>\n<p>I, Too<br \/>\nLangston Hughes<\/p>\n<p>American, Haitian, Spanish and Russian Digressions<br \/>\nSarah Frioux-Salgas<\/p>\n<p>Letter to the Crown Prosecutor Louis-Gilbert Boucher<br \/>\nFurcy<\/p>\n<p>How Do We Live Among the Plants?<br \/>\nFran\u00e7oise Verg\u00e8s<\/p>\n<p>Fields of Zombies: Biotech Agriculture and the Privatization of Knowledge<br \/>\nClaire Pentecost<\/p>\n<p>About ADA Magazine:<br \/>\nA Few Questions for Jennifer Sorrell<br \/>\nM\u00e9lanie Bouteloup and Garance Malivel<\/p>\n<p>Native Cultural Objects Today in Brazil<br \/>\nMaria Thereza Alves<\/p>\n<p>Justiniano Lam\u00e9 Has Been Killed<br \/>\nJimmie Durham<\/p>\n<p>&#8211;<\/p>\n<p>Available in <a href=\"http:\/\/www.mottodistribution.com\/shop\/36-short-stories.html\">English<\/a> and <a href=\"http:\/\/www.mottodistribution.com\/shop\/36-short-stories-12339.html\">French<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.mottodistribution.com\/shop\/36-short-stories.html\">BUY<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 36 Short Stories &#8211; M\u00e9lanie Bouteloup (ed.) 36 Short Stories brings together a selec\u00adtion of works and texts, pub\u00adlished, exhib\u00adited, or col\u00adlected during B\u00e9tonsalon \u2013 Center for Art and Research\u2019s pro\u00adgram. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[634,252],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/44330"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=44330"}],"version-history":[{"count":14,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/44330\/revisions"}],"predecessor-version":[{"id":44353,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/44330\/revisions\/44353"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=44330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=44330"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=44330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}