{"id":43309,"date":"2016-11-24T16:16:23","date_gmt":"2016-11-24T15:16:23","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=43309"},"modified":"2016-11-24T16:16:23","modified_gmt":"2016-11-24T15:16:23","slug":"032c-31-joerg-koch-ed-032c-workshop","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=43309","title":{"rendered":"032c #31. Joerg Koch (ed). 032c Workshop."},"content":{"rendered":"

\"032c_joergkoch_032cworkshop_motto_1\"<\/a> \"032c_joergkoch_032cworkshop_motto_2\"<\/a> \"032c_joergkoch_032cworkshop_motto_3\"<\/a> \"032c_joergkoch_032cworkshop_motto_4\"<\/a> \"032c_joergkoch_032cworkshop_motto_5jpg\"<\/a> \"032c_joergkoch_032cworkshop_motto_6jpg\"<\/a> \"032c_joergkoch_032cworkshop_motto_7\"<\/a> \"032c_joergkoch_032cworkshop_motto_8\"<\/a><\/p>\n

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Issue #31 \u2014 Winter<\/p>\n

2016\/2017<\/p>\n

HELMUT LANG<\/p>\n

From 1986 to 2005, Helmut Lang systematically deconstructed every assumption about clothing and the way it is worn and communicated. As he himself once said, \u201cI kept all the traditions and shades that were good \u2014 and then re-thought it all.\u201d The Austrian designer\u2019s lists of \u201cfirsts\u201d is so long it could double as conceptual art. Lang was one of the first designers to collaborate with visual artists. The first to show clothing for men and women in a single presentation. The first to pioneer backstage photography as we know it today with Juergen Teller. The first to move a fashion house across the Atlantic\u2026 and the list goes on. In a 48-page dossier, 032c Issue 31 explores THE HELMUT LANG LEGACY and how his abrupt exit from the industry in 2005 has been felt like phantom limb in the world of fashion. The comprehensive study features essays by Ingeborg Harms and Ulf Poschardt, a roundtable with Tim Blanks, Olivier Saillard, and Neville Wakefield, an interview with Lang himself, as well as rare material from the Helmut Lang archive.<\/p>\n

\u201cPeople say this is vandalism.\u201d 032c\u2019s Bianca Heuser and photographer Nadine Fraczkowski take us inside ANNE IMHOF\u2019s Angst, a grand and opaque artwork that has drifted across the world like a low-pressure system. Furnished with smoke machines, sleeping bags, razors, and bongs, the three-act immersive opera is a training camp for the denizens of hyper-capitalism.<\/p>\n

Editor: Joerg Koch
\nPublisher: 032c Workshop
\n296 pages
\n20 x 27 cm
\n962 g
\nSoftcover<\/p>\n

\u20ac12.00<\/p>\n

Buy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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