{"id":33705,"date":"2014-02-19T03:44:21","date_gmt":"2014-02-19T02:44:21","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=33705"},"modified":"2014-02-19T03:44:21","modified_gmt":"2014-02-19T02:44:21","slug":"pierrette-bloch-retrospective-monograph-jrp-ringier-musee-jenisch","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=33705","title":{"rendered":"Pierrette Bloch. (Retrospective monograph). JRP-Ringier. Mus\u00e9e Jenisch"},"content":{"rendered":"

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Born in 1928, Swiss artist Pierrette Bloch has been active in the field of postwar abstraction and contemporary drawing since the 1950s. A student of Henri Goetz and Andr\u00e9 Lhote, she developed a corpus of drawings, collages, and three-dimensional pieces whose key principles are an economy of means (ink, paper, mesh, and horsehair), the use of primary forms (dots, curls, and lines) and seriality, and the reduction to black and white.<\/p>\n

For this first complete monograph dedicated to Pierrette Bloch\u2019s practice from the 1950s to the 1980s, the editor of the book and Mus\u00e9e Jenisch diretor Julie Enckell Julliard has invited contributions from an international panel of authors and art critics including Catherine de Zegher, Pamela M. Lee, and Philippe Piguet. Their essays address the different components of the artist\u2019s work, from a very attentive approach to her drawing practice to a reflection on her position within art history. A complete biographical essay by Laurence Schmidlin concludes the book.<\/p>\n

Edited by Julie Enckell Julliard. Author(s): Julie Enckell Julliard, Pamela M. Lee, Nicolas Muller, Philippe Piguet, Laurence Schmidlin, Catherine de Zegher<\/p>\n

English \/ French
\nNovember 2013
\nISBN: 978-3-03764-329-7
\nHardcover, 280 x 270 mm
\n180 pages
\nImages 80 color \/ 36 b\/w<\/p>\n

Published with Mus\u00e9e Jenisch, Vevey (Switzerland).<\/p>\n

60\u20ac
\nBuy it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Born in 1928, Swiss artist Pierrette Bloch has been active in the field of postwar abstraction and contemporary drawing since the 1950s. A student of Henri Goetz and Andr\u00e9 Lhote, she developed a corpus of drawings, collages, and three-dimensional pieces whose key principles are an economy of means (ink, paper, mesh, and horsehair), the use […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[3942,3940,1283,3939,3943,3938,3941,3944],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/33705"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33705"}],"version-history":[{"count":1,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/33705\/revisions"}],"predecessor-version":[{"id":33713,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/33705\/revisions\/33713"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33705"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}