{"id":33103,"date":"2013-12-27T15:38:29","date_gmt":"2013-12-27T14:38:29","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=33103"},"modified":"2013-12-28T12:29:37","modified_gmt":"2013-12-28T11:29:37","slug":"the-wire-359","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=33103","title":{"rendered":"The Wire #359"},"content":{"rendered":"

\"wire_359_motto_01\"<\/a>\"wire_359_motto_02\"<\/a>\"wire_359_motto_03\"<\/a>\"wire_359_motto_04\"<\/a>\"wire_359_motto_05\"<\/a>\"wire_359_motto_06\"<\/a><\/p>\n

The Wire #359<\/em><\/p>\n

2013 Rewind
\nThe Wire\u2019s crucial review of the last 12 months in underground sound and music, including the releases of the year, opinions and reflections from a host of musicians and critics, and analyses of some of 2013\u2019s most notable audio culture trends<\/p>\n

Bites
\nBlue Daisy
\nKwesi Darko\u2019s obsessive beats are in bloom. By Ben Mechen<\/p>\n

Kathy Alberici
\nTuning in to Berlin\u2019s broadcasting history. By Dan Barrow<\/p>\n

Keeping Time
\nA new view of South Africa\u2019s jazz history. By Francis Gooding<\/p>\n

Fun In The Murky
\nTrevor Wilkes keeps 1990s experimental techno alive. By Joe Muggs<\/p>\n

Collateral Damage
\nJazz is radical music, so why is it funded by big business? asks Daniel Spicer<\/p>\n

Global Ear Copenhagen
\nNathan Budzinski finds collective energy in the Danish city\u2019s Mayhem collective<\/p>\n

Invisible Jukebox Richard Skelton
\nThe Cumbria based composer takes the old straight track through The Wire\u2019s mystery record selection. Tested by Steve Barker<\/p>\n

The Inner Sleeve
\nMark Harwood on Bobb Trimble\u2019s Harvest Of Dreams<\/p>\n

Epiphanies
\nDouglas Kahn finds electrical inspiration in a strange meeting of compost and code<\/p>\n

Print Run
\nNew music books: Beat Box: A Drum Machine Obsession by Joe Mansfield; Composing Dissent: Avant-Garde Music In 1960s Amsterdam by Robert Adlington; Houston Rap by Peter Beste, Lance Scott Walker and Johan Kugelberg<\/p>\n

On Screen
\nNew films and DVDs: CPH:DOX documentary film festival and Leviathan<\/p>\n

On Site
\nRecent exhibitions and installations: Oliver Beer and Schizophonia<\/p>\n

On Location
\nRecent festivals, gigs and clubs: Bendigo International Festival Of Exploratory Music, Bendigo, Australia; Graphic Scores: Celebrating The Art Of Music, Southampton, UK; Kelela + Bok Bok, London, UK; Kontraste, Krems, Austria; Out.Fest, Barreiro, Portugal; Recon, Bradford & Leeds, UK; Robedoor, London, UK<\/p>\n

Soundcheck A\u2013Z<\/p>\n

18+
\n75 Dollar Bill
\nRobert Beatty
\nBlack Dirt Oak
\nBlank Realm
\nJaap Blonk
\nThe Bomber Jackets
\nNick Cave And The Bad Seeds
\nOliver Coates
\nCommon Objects
\nCroatian Amor
\nLucretia Dalt
\nDeath Grips
\nDolly Dolly
\nEnsemble Economique
\nFushitsusha
\nLee Gamble
\nJason Grier
\nGuerilla Toss
\nSteve Gunn & Mike Gangloff
\nMargareth Kammerer
\nKemper Norton
\nFelix Kubin
\nThe Magic Band
\nJean-Marc Montera
\nNational Bedtime
\nJames Plotkin & Paal Nilssen-Love
\nPolwechsel
\nAdrian Rew
\nJocelyn Robert
\nSadat & Alaa Fifty Cent
\nGabriel Saloman
\nDomenico Sciajno
\nJunzo Suzuki
\nThee Silver Mt Zion Memorial Orchestra
\nMichael Thieke Unununium
\nVarious Music For Shut-Ins
\nVarious Rosehip, Scallop, Dancer
\nBernie Worrell
\nZed Bias
\nAlbert Ayler
\nRobbie Basho
\nCaptain Beefheart And His Magic Band
\nHarold Budd
\nChrome
\nCOUM Transmissions
\nKsi\u0119\u017cyc
\nFela Kuti And Egypt 80
\nPsychic Rally
\nArthur Russell
\nVarious Dance Mania: Hardcore Traxx \u2013 Dance Mania Records 1986\u20131997
\nVarious Kill The Hippies! Kill Yourself! The American Nation Destroys Its Young: Underground Punk In The United States Of America Vol 1
\nVarious Mobilisation Generale: Protest And Spirit Jazz From France 1970\u20131976 <\/p>\n

Language: English
\nPages:106
\nSize: 28.1 x 23.1 cm
\nWeight: 225 g
\nBinding: Softcover<\/p>\n

7\u20ac<\/p>\n

Buy it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Wire #359 2013 Rewind The Wire\u2019s crucial review of the last 12 months in underground sound and music, including the releases of the year, opinions and reflections from a host of musicians and critics, and analyses of some of 2013\u2019s most notable audio culture trends Bites Blue Daisy Kwesi Darko\u2019s obsessive beats are in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,13],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/33103"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33103"}],"version-history":[{"count":4,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/33103\/revisions"}],"predecessor-version":[{"id":33113,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/33103\/revisions\/33113"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33103"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}