{"id":22966,"date":"2012-05-18T18:40:10","date_gmt":"2012-05-18T17:40:10","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=22966"},"modified":"2012-05-18T18:40:10","modified_gmt":"2012-05-18T17:40:10","slug":"cine-qua-non-5","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=22966","title":{"rendered":"Cine Qua Non #5"},"content":{"rendered":"

\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

Cine Qua Non #5
\n<\/em>
\nCine Qua Non is an arts magazine of the University of Lisbon Centre for English Studies (ULICES) built up by movements in written form that freely crisscross reflections, reviews or essays; movements that relate music to visual arts, dance to theatre, cinema to literature. This publication intends to submit its readers to a unique editorial approach that gathers artists, researchers and teaching staff, Portuguese or foreign, proposing texts of different nature about diverse artistic expressions. Cine Qua Non is, since its first printed issue, an entirely bilingual publication (Portuguese\/English) that is presented in both versions: an online edition and a printed one.<\/p>\n

INDEX<\/p>\n

|| EDITORIAL | WHAT (PRE)OCCUPIES US?
\nMadalena Manzoni Palmeirim<\/p>\n

} {
\nFrom Abroad<\/p>\n

|| LECTURE
\nWolfgang Tillmans<\/p>\n

\/\/
\nEssays<\/p>\n

|| MANIFESTO FORM: THE MEDIUM AND THE MESSAGE
\nJulian Hanna<\/p>\n

|| RE-SCRIPTING THE STAGE: PERFORMANCE AND INTERACTIVITY
\nJohannes Birringer<\/p>\n

{ }
\nInside<\/p>\n

|| THE COMFORT OF STRANGERS: ON MY BLUEBERRY NIGHTS
\nJos\u00e9 Duarte<\/p>\n

|| SELF-PORTRAIT, AN AUTOMATIC PORTRAIT
\nAna Mendes<\/p>\n

|| I’M FROM MOURARIA
\nCatarina Vasconcelos e Catarina Laranjeiro<\/p>\n

|| FROM PERSONAL TO TRANSMITTABLE
\nSim\u00e3o Palmeirim Costa<\/p>\n

QUID JURIS
\n|| CULTURE AND THE CRISIS
\nPedro Ramos Almeida<\/p>\n

SPOILER
\n|| A WORLD THAT DOESN’T WATCH ITSELF
\nJorge Vaz Nande<\/p>\n

D 8 \u20ac
\nBuy it<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Cine Qua Non #5 Cine Qua Non is an arts magazine of the University of Lisbon Centre for English Studies (ULICES) built up by movements in written form that freely crisscross reflections, reviews or essays; movements that relate music to visual arts, dance to theatre, cinema to literature. This publication intends to submit its readers […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[252],"tags":[2717],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/22966"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22966"}],"version-history":[{"count":9,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/22966\/revisions"}],"predecessor-version":[{"id":22982,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/22966\/revisions\/22982"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22966"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}