{"id":15099,"date":"2011-05-30T16:49:27","date_gmt":"2011-05-30T15:49:27","guid":{"rendered":"http:\/\/www.mottodistribution.com\/site\/?p=15099"},"modified":"2011-05-31T14:33:52","modified_gmt":"2011-05-31T13:33:52","slug":"manifesta-journal-11-the-canon-of-curating","status":"publish","type":"post","link":"http:\/\/www.mottodistribution.com\/site\/?p=15099","title":{"rendered":"Manifesta Journal # 11 – The Canon of Curating"},"content":{"rendered":"

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Manifesta Journal # 11 – 2010\/2011 – Journal of contemporary curatorship<\/em><\/p>\n

At the heart of MJ\u2019s 11th issue, \u201cThe Canon of Curating,\u201d lies the question on how the canon of curating is to be defined. If \u201ca history of exhibitions\u201d must be written what should its parameters be? In art history, the canon has been losing ground since the 1960s, when the study of \u201cgreat artists\u201d began to be replaced slowly by the study of the conditions surrounding artistic practice. This shift was also demonstrated by curators of the time. Nevertheless, within the practice of curating, the canon seems to occupy a noteworthy position\u2014if only because some curators still feel the need to \u201ccurate outside the canon.\u201d In the Historiography section, Bruce Altshuler explores the discussion and research around the complex establishment of an exhibition canon. Simon Sheikh notes in his contribution that it is important to keep the inclusionary and exclusionary mechanisms of a canon in mind and reconsider the writing of a history of the exhibition canon through ideas and concepts rather than events. In the Studies section, different scholars explore canonical exhibitions from the last century that took place in England, Italy, and Brazil: Elena Crippa investigates the curatorial strategies of the first International Surrealist Exhibition in 1936 at the New Burlington Galleries in London; Paola Nicolin explores the canon of exhibitions in Italy in 1967 and 1968; Inti Guerrero examines the 1998 anthropophagic S\u00e3o Paulo Biennial and its aftermath; and Francesca Franco directs our attention to the curatorial model of the Venice Biennale, focusing on the 1968 and 1974 editions. In an interview with Cristina Freire, Walter Zanini describes his anticanonical curatorial approach for the sixth Jovem Arte Contempor\u00e2nea exhibition in Sao P\u00e3olo. And in Positions, Bassam El Baroni proposes that a new universality should become the center of curatorial debates, and Jelena Vesi\u0107 makes five comments on the canons of contemporaneity. MJ #11 includes contributions by Bruce Altshuler, Bassam El Baroni, Elena Crippa, Francesca Franco, Cristina Freire, Inti Guerrero, Milena Hoegsberg, Fieke Konijn, Olga Kopenkina, Paola Nicolin, Jean-Marc Poinsot, Simon Sheikh, Jelena Vesi\u0107, and Walter Zanini.<\/p>\n

D 15 \u20ac<\/p>\n

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Manifesta Journal # 11 – 2010\/2011 – Journal of contemporary curatorship At the heart of MJ\u2019s 11th issue, \u201cThe Canon of Curating,\u201d lies the question on how the canon of curating is to be defined. If \u201ca history of exhibitions\u201d must be written what should its parameters be? In art history, the canon has been […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,252],"tags":[1594],"_links":{"self":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/15099"}],"collection":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15099"}],"version-history":[{"count":9,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/15099\/revisions"}],"predecessor-version":[{"id":15203,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/15099\/revisions\/15203"}],"wp:attachment":[{"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15099"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mottodistribution.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}