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Printed on 115gsm grey recycling
paper (Blue Angel), Cover: 300gsm
grey recycling paper (Blue Angel)

1. Edition of 30 (signed, numbered)

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August 26th, 5pm somewhere in Place des fêtes, Paris
Température ressentie 32°.

Edition of 50.

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“All my illustrations on this zine are inspired by Interviews which I contact to my friends who live in South Korea, UK, and Germany. These interviews show me different perspective about this unusual situation after 2020. I think It is more personal thought or feeling compare with dairy news of person-on-the -street interviews which already edited by someone else. I can see (imagine) so much details of their life. It seems to bring me somewhere in this world. Probably under this situation, it was more effective. After I read it, I feel so free. Hopefully, you also feel a little bit chilled out. I would like to say Thank you to my friends again.”

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This collection of incomplete essays is what we call the ecology of everything. We think of complexity like an astrayed arrow hitting no target. Line and dots. A dashing constellation of things. Everything is not directly related to everything, but everything is related to something.

These ideas are a vestige of a fragmented ecosystem. A marginal third nature that manages to live in the interstices of capitalism. They are a recollection of brief awe, not able to finish their growth and already being torn into pieces by social media, memes, podcasts, YouTube videos, video games, and a constant urge for disaster. A little codex sent from planet Earth in times of destruction. And so, we find them. Sporulating at the End of the World is Holobiont; me, you, and everything in between.

Numbered edition of 50.

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“The soft invisible weight of your absence takes so much space” is a zine and an installation compiling photographs, paintings, prints, fabrics, visual poems, and texts exploring and diving in the themes of absence and grief.

Delving into what seems insignificant at first, such as unreadable notes, blurry photos, missed shots and faceless portraits, Aimé threads different multi-layered attempts to grasp the space that remains where absence begins. Haunted by the influence of writers such as Marguerite Duras, Sarah Kane, Jean Luc Lagarce and Fabrice Melquiot, they explore the different feelings tied to absence and grief relating to the concepts of identity, gender, relationships, family, the body and collective imaginaries. The result is visions of paradoxes, in-betweens and nonplaces, suspended outside of time and space, flying out of a stranger’s hands.

2nd limited edition of 40 copies

@emptymindscanfillagain

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Edition Schwimmer’s booklets, Hofter Monthly and TheSchwimmer by Sibylle Hofter are available in Motto.

Hofter Monthly and TheSchwimmer are monthly photography publications drawing from Sibylle Hofter’s work and archive.

With contributions by Wolfgang Hofter, Sophie Holz, Mania Lohrengel, Patricia Nya Njaounga, Sheney Okan, Christian Seidel, Daniel Sellek and Anna Tietz.

Sibylle Hofter is a Berlin based visual artist exploring film, text, site-specific sculpture, installation in public space, and photography, participatory and individual. She is also a curator of various projects, and co-founder with Sven Eggers, of the on-going political, media-critical semi-participatory photo project Agentur Schwimmer (Swimmer Agency), that she currently runs with Daniel Sellek. Hofter process usually includes extensive research on extra-cultural fields. Since 2011 she edits Hofter Monthly booklets and TheSchwimmer booklets on paper. She focuses on emancipatory, post-colonial, collaborative work.

The booklets are sold individually or in a special edition box set.

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Second edition of the short story by Chilean writer Romina Reyes about female love and friendship in a public school of Chile during student protest. Includes drawings by Chilean artist Violeta Cereceda.

Hambre Hambre Hambre is a lesbian initiative from Santiago, Chile, that amplifies the work of women and dissidents in Latin America. We experiment from a feminist perspective with economic publications, unconventional formats and propaganda. Each fanzine is a unique recipe, cooked intimately with its collaborators. Our editions include similar interventions that value manual trades. Among the authors are the artists and writers Oni88, Fernanda Ivanna, Lucia Reissig, Romina Reyes and Paz Ortúzar.

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In Alex Anyaegbunam’s work, photographs don’t just document moments, they manifest memory. In “Ugly Duckling,” Anyaegbunam’s show with Otto Resource c/o Adam Barnard, Polaroid portraits of the artist from childhood to young adulthood explore the formation of his identity at the same time that they convey how these captured moments made him feel.

Instances of double-exposure and visual distortion combined with illustrations in paint and Sharpie imbue each photo with an emotional realism, which gives insight into the subjective experience, sometimes of the photographed subject, sometimes of reflective artist, sometimes of both.

The recurring motif of a red, flaming, shonen-anime wig becomes a symbol of sorts for, among other things, creativity and boyhood. Polaroid portraits of intimate others — at times alongside the artist, at times alone — also demonstrate the relationship that experiences with and memories of others can inform notions of selfhood.

The fanzine comes with a set of stickers.

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„I once heard a song and the lyrics to me sounded like: « use your other eyelid ».
(…) D enters the waiting room. Name some of your angels here : Write them down or say them out loud or think them to yourself.
If it’s not ok, then it’s not the end, thoughts getting cut cut and cut”

25 exemplars, numbered

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