ARC #18. Royal College of Art.

Posted in art, design, distribution, magazines, writing on August 19th, 2014
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ARC #18. Royal College of Art.

This Issue of Arc, The royal college of art’s student-led Magazine, carries an accent.
It is about personnal voice and how things are spoken both and off the page.
The Magazine have Been edited, designed and filled by current student by across the college, with special commissions by artist and writers who have, in some ways, inflected those studying by way of saying or seeing.

€8.50

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Ark : Words and Images from the Royal College of Art Magazine 1950-1978

Posted in art, design, distribution, history, magazines, writing on August 19th, 2014
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Ark : Words and Images from the Royal College of Art Magazine 1950-1978

Ark : Words and Images from the Royal College of Art Magazine 1950-1978 is an Anthology of the magazine Ark. It Includes original materials from Ark magazine selected and introduced by students on the critical and writing about art and design MA programme at the RCA today. Also featured in full colours, alle the Ark Magazine’s cover and index of their’s contents.

€20.0

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VELE.Tobias Zielony. Spector Books.

Posted in Artist Book, distribution, film, history, photography on August 18th, 2014
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VELE.Tobias Zielony. Spector Books.

“Le Vele di Scampia” is a futuristic housing estate in northern Naples and a Camorra battlefield. Conceived by Francesco di Salvo in the late seventies and widely recognised for their urbanistic, “Le Vele” (The Sails) were squatted by mafia families even before completion. Today the building complex is a symbol of the Camorra’s power in the Naples region and a key centre of European drug trafficking. Matteo Garrone shot his movie “Gomorra” based on the Novel by Roberto Saviano on the site in 2008. Tobias Zielony’s film “Le Vele di Scampia” from 2009 originates in this very place. Seven thousand single images, shot at night with a digital single-lens reflex camera, are used to create nine minutes of animation film. The book “Vele” is based on this animation film with an selection of 287 single images.

„Le Vele di Scampia“ ist eine futuristische Wohnsiedlung im Norden von Neapel und ein Schauplatz des Camorra- Krieges. Ende der 1970er Jahre von Francesco di Salvo entworfen und ihrer städtebaulichen Struktur wegen weithin beachtet wurden „Le Vele“ (Die Segel) schon vor ihrer Fertigstellung von Familien aus dem Mafia-Umfeld besetzt. Heute ist der Gebäudekomplex einer der größten Drogenumschlagplätze Europas und ein Symbol für die Macht der Camorra in der Region Neapel. 2008 drehte Matteo Garrone hier seinen Kinofilm „Gomorra“ nach dem Roman von Roberto Saviano. Tobias Zielonys Film „Le Vele di Scampia“ entstand 2009 am gleichen Ort. 7.000 Einzelbilder, mit einer digitalen Spiegelreflexkamera bei Nacht aufgenommen, sind zu einem neunminütigen Animationsfilm montiert, der in seinem Schnitt und seiner Motivik an frühe Stummfilme erinnert. Das Buch „Vele“ basiert auf diesem Animationsfilm und zeigt eine Auswahl von 287 Bildern.

576 pp., 287 colour illustrations, thread-sewn paperback
576 Seiten, 287 Farbabbildungen, fadengeheftete Broschur

Design / Gestaltung Katharina Köhler, Spector Bureau

€40.00

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Mirrors And Others. A. Schulze. Spector Books.

Posted in books, distribution, photography, writing on August 16th, 2014
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Mirrors And Others. A. Schulze. Spector Books.

In 2011, Andreas Schulze lived in Paris thanks to a research grant. At some point, he visited the Louvre, let himself be swept up by the stream of tourists, looked at pictures, met an old friend and started to photograph his series “Louvre”. A reflection on the nature of image production in front of images, whose significance is granted by virtue of the famous exhibition location. In “Text” he writes about the feeling of stumbling around between images of torture, tenderness and all the humorous pic- tures in between. In the chapter “Image” he takes over the stage direction: He de-contextualizes media images in order to pair them in new groups of two. He develops his own grammar promoting patterns and forms from one page to the next. A visual narrative flow emerges with unexpected turns that reformulates the question of the origin of images.

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Andreas Schulze hielt sich 2011 mit einem Stipendium in Paris auf. Irgendwann besuchte er den Louvre, ließ sich vom Strom der Touristen mitreißen, schaute sich Bilder an, traf einen alten Freund und begann seine Serie „Louvre“ zu fotografieren. Eine Reflexion zum Bildermachen vor Bildern, deren Bedeutung durch den berühmten Ausstellungsort verbürgt ist. In „Text“ schreibt er, wie es sich anfühlt, zwischen Folterbildern, Zärtlichkeitsbildern und all den dazwischenliegenden Witzbildern herumzustolpern. Im Kapitel „Image“ übernimmt er die Regie: Er dekontextualisiert Medienbilder, um sie zu Bildpaaren zu sortieren. Er entwickelt eine eigene Grammatik, die Muster und Formen von einer Seite zur nächsten vorantreibt. Es entsteht ein visueller Erzählfluss mit unerwarteten Wendungen, der die Frage nach der Herkunft der Bilder neu stellt.

152 pp. German/English
Gestaltung: Anna Lena von Helldorff
Leipzig 2014
ISBN: 978-3-944669-39-7

€26.00

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Kader Attia: Transformations. Ellen Blumenstein (Ed.). Spector Books.

Posted in art, books, distribution, history, photography on August 16th, 2014
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Kader Attia: Transformations. Ellen Blumenstein (Ed.). Spector Books.

The manifold entanglements of African and Western culture are a central motif in the oeuvre of the Algerian-French artist Kader Attia. The influence of traditional African architecture on European modernism forms the background for his voluminous spatial installations, videos and photographs, as much as the re-appropriation of North and South American black music within African Jazz and Pop of the 1960s up to the 1980s. His work manifests the productivity of dissonance: Where African masks, stuffed animals, scientific instruments, and historical artifacts seemingly have nothing in common, the artist unearths connections between Europe’s handling of its own colonial history, current migration politics, and the urbanistic realities of its metropolises of today. Based on Kader Attia’s solo show “Repair. 5 Acts” at the KW Institute for Contemporary Art, Berlin, this publication focuses on works from the years 2008–2013 and places them in a broader art historical concept.

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Die vielfältigen Verschränkungen afrikanischer und westlicher Kultur sind ein zentrales Motiv im Oeuvre des algerisch- französischen Künstlers Kader Attia: der Einfluss traditioneller afrikanischer Architektur auf die europäische Moderne bilden ebenso den Hintergrund für seine raumgreifenden Installationen, Videos und Fotografien, wie die Wiederaneignung nord-, bzw. südamerikanischer schwarzer Musik im afrikanischen Jazz und Pop der 1960er bis 80er Jahre. In seinem Werk zeigt sich die Produktivität der Dissonanz: wo afrikanische Masken, ausgestopfte Tiere, naturwissenschaftliche Instrumente, historische Artefakte scheinbar nichts miteinander zu tun haben, stellt der Künstler Verbindungen zwischen dem europäischen Umgang mit der eigenen Kolonialgeschichte, der aktuellen Migrationspolitik und städtebauliche Realitäten in den Metrololen von heute her. Ausgehend von Kader Attias Einzel- ausstellung „Reparatur. 5 Akte“ in den KW Institute for Contemporary Art fokussiert diese Publikation auf Werke aus den Jahren 2008 – 2013 und stellt sie in einen breiteren kunsthistorischen Kontext.

224 pp. German/English
Design / Gestaltung: Studio Quentin Walesch
Herausgeber: Ellen Blumenstein, KW Institute for Contemporary Art
Leipzig 2014
ISBN: 978-3-944669-23-6

€34.00

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FLANEUR #3: RUE BERNARD, MONTREAL. Ricarda Messner, Fabian Saul (Eds). Summer 2014

Posted in architecture, distribution, graphic design, magazines on July 30th, 2014

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FLANEUR #3: RUE BERNARD, MONTREAL. Ricarda Messner, Fabian Saul (Eds).  Summer 2014

“Flaneur presents one street per issue.  The magazine embraces the street’s complexity  its layers and fragmented nature with a literary approach. It creates a meaningful correlation between places, stories, people and objects that aren’t necessarily related.”

 

Editors: Ricarda Messner, Fabian Saul
Language: English
136 pages
Softcover

€15.00
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Odiseo #4. Oriol Mogas, Pol Perez (Eds.). The Flames (Folch Studio).

Posted in distribution, Journals, photography on July 23rd, 2014

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Odiseo #4. Oriol Mogas, Pol Perez (Eds.). The Flames (Folch Studio).

Volume 4 revolves around the loose topic of value, which is explored from different angles by Philippa Snow, Marta Jankovska and Eugenia Lapteva. It also includes photo essays by Jonathan Schofield, Olya Oleinic and Alex Franco, sitting alongside a review of Allen Jones’ controversial and unwilling contribution to The Clockwork Orange.

Language: English
Pages: 128
Size: 24 x 17
Binding: Hardcover
ISBN: 978-84-939703-6-9

Price: € 12.00
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Bibliothèque d’un amateur. Richard Prince’s Publications 1981-2014. Christophe Daviet-Thery, Jérôme Saint-Loubert Bié (Eds.). &: Christophe Daviet-Thery. VIAINDUSTRIAE publishing.

Posted in distribution on July 19th, 2014

 

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Bibliothèque d’un amateur. Richard Prince’s Publications 1981-2014. Christophe Daviet-Thery, Jérôme Saint-Loubert Bié (Eds.). &: Christophe Daviet-Thery. VIAINDUSTRIAE publishing.

Catalogue of the eponym’s exhibition at Palazzo Collicola Arti Visive, Spoleto, 23 June – 26 August 2012 and at &: Christophe Daviet-Thery, Paris, 26 October – 20 December 2012
Edited by Christophe Daviet-Thery and Jérôme Saint-Loubert Bié
Essays: “Do Androids Dream about Kindles” by Vincent Pécoil, “American/English” by Yann Sérandour
Bibliographical notes: Francine Delaigle
Design: Jérôme Saint-Loubert Bié

This book is not a catalogue raisonné, it instead takes a look at the library of an amateur, an excuse to apprehend this aspect of Richard Prince’s work which encompasses books and the question of the collection and its incompleteness, revealed here by the ‘ghosts’ of the missing books.
Richard Prince is an avid collector of books, an obsessive one.
This fervor is visible in The Good Life or American/English, where he photographs covers of books from his collection, reducing the book to an image, a simple surface.

Price: € 25.00
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FROM WINGS TO FINS. CYPRIEN GAILLARD. MORRIS LOUIS. Sprüth Magers

Posted in Artist Book, distribution on July 18th, 2014
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FROM WINGS TO FINS. CYPRIEN GAILLARD. MORRIS LOUIS. Sprüth Magers. Tim Morton (Ed.).

A catalogue for Cyprien Gaillard’s show ‘From Wings to Fins’ at Sprut Magers gallery, fall 2014.
featuring a text by curator and frieze editor Tom Morton, as well as images of works by Cyprien Gaillard and Morris Louis.

Pages: 48
Price: €24.80

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Konkret. Erik Steinbrecher. Bookhorse

Posted in art, Artist Book, books, distribution, photography on July 12th, 2014
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Konkret

Portfolio-like assembled reproductions of the artists’ work from the past twenty years. Mainly printed matter. Entirely an artist’s book.

Published on the occasion of the exhibition ‘Erik Steinbrecher, Books & Prints’ at Graphische Sammlung ETH Zürich.

Author: Erik Steinbrecher
Publisher: Bookhorse
Date of publishing:
Language: -
Pages: 352
Binding: Softcover
ISBN: 9783952339169

€33.00

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