Korazon #1. MFAE. Ramona

Posted in Artist magazine, magazines, politics on November 24th, 2022
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Korazon #1
a sensual and political magazine

With KORAZON, we want to dive into topics previously discussed by Amauta’s writers within the current context of cultural activities no longer being subsidized by the government, but rather turned into for-profit projects. In this mag, we want to show how crucial identity and collective culture are to a country and how important it is to invest in us as a multicultural territory. This platform’s aim is to bring attention to issues that affect us as Peruvians, especially those that we hardly emphasize and pinpoint as oppressive or holding us back as a community.

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Pages Magazine – Set.Nasrin Tabatabai, Babak Afrassiabi (Eds.). Pages Magazine

Posted in art, Artist magazine, Artist's book, magazines, writing on June 30th, 2022
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Pages Magazine Set

Pages, the bilingual, Farsi and English, artist magazine since 2004.

Edited by Nasrin Tabatabai and Babak Afrassiabi.

– Pages #1: Public & Private
– Pages #2: Play & Locations
– Pages #3: Desire & Change
– Pages #4: Voice
– Pages #5: On the Verge of Vertigo
– Pages #6: Eventual Spaces
– Pages #7: In Translation
– Pages #8: When Historical
– Pages #9: Seep
– Pages #10: Inhale

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Onnshinn 8+10 #3 – Autumn/ Winter 2021. Asami Togawa (Ed.). Togawa Shoten

Posted in Artist magazine, drawing, illustration on January 18th, 2022
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AUTUMN/ WINTER 2021

ISSUE #3

+ stickers

Artists of this issue:
Ryo Nakamura
Asami Togawa
Snack Motherhood
Yumiko Albrecht
Joël Ameloot
Tomoyuki Miyamoto
Yuri Tsuiki
Yoshie Sugito
Mariko Mukumoto
Sota Togawa
Ayano Sugiuchi
Kaoru Noguchi

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Ryan Foerster. Set of 9 Zines.

Posted in 2016, art, Artist magazine, zines on March 11th, 2018
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Ryan Foerster

Set of 9 zines

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Starship 17.

Posted in Artist magazine, Starship on March 1st, 2018
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Starship 17

Winter 2018

with contributions by:

Mitchell Anderson, Marie Angeletti, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, Stefan Burger, David Bussel, Eric D. Clark, Jay Chung, Tony Conrad, Eduardo Costa, Hans-Christian Dany, Nikola Dietrich, Levi Easterbrooks, Martin Ebner, Stephanie Fezer, Julian Göthe, Dunja Herzog, Karl Holmqvist, Stephan Janitzky, Verena Kathrein, Jakob Kolding, Chris Kraus, Veit Laurent Kurz, Quinn Latimer, Park McArthur, Robert McKenzie, Robert Meijer, Luzie Meyer, Ariane Müller, Shahryar Nashat, Viktor Neumann, Theresa Patzschke, Monika Senz, Natasha Soobramanien, Vera Tollmann, Anne Turyn, Antek Walczak, Mikhail Wassmer, Scott C. Weaver, Florian Zeyfang

140 pages, color

edited by: Gerry Bibby, Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen

Graphic design: Dan Solbach
Cover: Martin Ebner
Poster: Marie Angeletti

Park McArthur for Starship, Studs, 2018.
1000 magazines pierced and bejeweled

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Forms of Formalism N.3. Louis De Belle (ed.). Lucia Verlag.

Posted in Artist magazine, distribution, photography, Wholesale on August 11th, 2016
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Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _1Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _2Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _3Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _4Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _5Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _6Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _7Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _8Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _9Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _10Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _11Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _12Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _13Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _14Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _15Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _16Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _17Forms of Formalism N.3, 978-3-945301-29-6, 9783945301296, Bas Princen, Maxime Guyon, Mishka Henner, Parasite 2.0, Moritz Ahlert, Bethan Hughes, Bert Danckaert, Daniel Everett and Julian Faulhaber (Eds.), Lucia Verlag, Michael P. Romstöck (ed.) _18

PHOTOGRAPHS

Bas Princen
Maxime Guyon
Mishka Henner

TEXTS

Parasite 2.0
Moritz Ahlert
Bethan Hughes

Forms of Formalism is a series of books gathering photographic works together with written contributions around the notion of form. Designed and edited with Michael P. Romstöck, printed at the Bauhaus Universität Weimar, published by Lucia Verlag.

€8.00
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Mould Map 4 – Eurozone Spezial. Hugh Frost & Leon Sadler. Landfill Editions.

Posted in Artist magazine, graphic design, magazines on July 8th, 2016
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Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_1Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_4Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_5Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_7Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_8Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_9Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_10Mould Map 4_Eurozone Spezial_Land Filled Editions_2045-6778-4_Motto books_2016_11

A book about Europe and its possible futures.
Featuring newly commissioned comics, art and graphics from; Leon Sadler, Edwin Burdis, Daniel Swan, Michael Willis, Patrick Crotty, Grace Wilson, Dan Mitchell, Will Sweeney, Ed Fornieles, Brecht Vandenbroucke, Yannick Val Gesto with Eva Munz, Sany, Amalia Ulman, Hanna K, MOSA, Gwenaël Rattke, Stathis Tsemberlidis, Yuri Pattison, Suzanne Treister, Jody Barton, New Scenario, Stefan Sadler, Jonathan Djob Nkondo, Gabriel Corbera, Pierre Vanni, Roope Eronen and Viktor Hachmang.

Contextualised by features on both near-future speculative / design fiction and historical counterculture movements including; Huw Wahl on 60s inflatable art collective Action Space, Federico Pagello on Frigidaire Magazine and comics of the radical left in 70s Italy, a selection of activist ephemera from the stock of Mayfair dealer Carl Williams at Maggs Brothers, Ingo Niermann in conversation with Matilda Tjäder about the origins and development of the Sternberg Solutions series, Dunne & Raby and the use of illustration within their United Micro Kingdoms project and finally a selection of works from the 2014 White Cube exhibition by Gilbert & George — Scapegoating Pictures For London.

Edited by Hugh Frost & Leon Sadler. Graphic design by Hugh Frost.

18.00€

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CURA. NO. 22. Ilaria Marotta. Andrea Baccin (ed.).

Posted in art, Artist magazine, Motto Berlin store on June 10th, 2016
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CURA. NO.22, cura magazine, Ilaria Marotta, Andrea Baccin, CURA. 22,  Elad Lassry 18CURA. NO.22, cura magazine, Ilaria Marotta, Andrea Baccin 3 CURA. NO.22, cura magazine, Ilaria Marotta, Andrea Baccin, CURA. 22,  Elad Lassry 19CURA. NO.22, cura magazine, Ilaria Marotta, Andrea Baccin, CURA. 22,  Elad Lassry 5 CURA. NO.22, cura magazine, Ilaria Marotta, Andrea Baccin, CURA. 22,  Elad Lassry 11CURA. NO.22, cura magazine, Ilaria Marotta, Andrea Baccin 1

CURA. NO.22

COVER BY SOL CALERO
INSIDE THE COVER
Sol Calero
text by Adam Carr
PORTRAITS IN THE EXHIBITION SPACE
Johannes Cladders’ anti-museum
by Lorenzo Benedetti
EXHIBITION LITERATURE
Expanded Literature.
Dominique Gonzalez-Foerster
by Jean-Max Colard

SPOTLIGHT
James Bridle.
 Seeing Like a Network
in conversation with Ben Vickers
Self-Portrait as a City.
Alex Israel in conversation
with Gigiotto Del Vecchio

ABOUT
Anicka Yi’s Allegorical Bouquets
by Chris Sharp

ABOUT
Kevin Beasley.
Energy Accumulates
by Rose Bouthillier

ARTIST’S PROJECT
by Amy Yao

SPOTLIGHT
Philipp Timischl
in conversation with
Pierre-Alexandre Mateos
and Charles Teyssou

A VISIT TO
Rodrigo Hernández
in conversation with
Joao Mourao & Luis Silva

SPOTLIGHT
ÅYR
in conversation with Philipp Ekardt

SPOTLIGHT
Caroline Mesquita
in conversation with
Martha Kirszenbaum

HOT!
Debora Delmar Corp.
by Judith Vrancken
Juliana Huxtable
by Whitney Mallett
Sophie Jung
by Frances Loeffler
Nancy Lupo
by Sarah Lehrer-Graiwer

9.00 €

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Art Against Art #2. Taslima Ahmed, Manuel Gnam (eds.). Spring/Summer 2016.

Posted in art, Artist magazine, distribution, magazines on June 8th, 2016
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EDITORIAL

When considering the art field as being a raft in speculative time, the tendency is to seek comfort in numbers, regressive ideas such as another return to painting[1] or hedging bets on all sides whilst pursuing an unreasonable personal growth fetish.

These are classic reactions to a perceived risk that arises as a result of readjusting to new data. Uncertainty, if left unmediated, will pose a risk not just to market stability but to conceptual stability as it becomes more and more difficult to differentiate between artists and ads; artworks and hype-objects; or content and sponsored content – keeping us in a state of high drama too complex to decode. For example artists who consciously use marketing strategies as art are contextually mixed up with masses of artists who simply run a marketing strategy. Or, equally, galleries with a reputation for long-term quality regularly use their weight to inflate very short-lived speculative art. It is in these differences that art barters itself off very quickly to sometimes uninteresting effects holding us in a certain inappropriate narrative if we are not careful.

Up until a hundred years ago, it was normal to assume that all art aimed at “beauty” or varying degrees of “representation” and that anything but, would not be considered art. Later, after The Fountain, this evolved into the politics of mass production leading to whatever fallacy that we have today – perhaps a speculative bias targeted at an erroneously projected future consensus. It may be worth considering ditching all retroactive rhetoric about “safe places” in favor of heightening one’s own form of perception (perhaps even through enhancement), to adapt to the new environment and to filter through informational debris.

Inside the art world…

9€
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Petunia #7. Dorothée Dupuis. Valérie Chartrain, Lili Reynaud Dewar, Victoria Dejaco (eds.)

Posted in art, Artist magazine, magazines, writing on June 1st, 2016
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THE ONLY AND FINEST ART AND ENTERTAINMENT FEMINIST MAGAZINE
WITH Caroline Mesquita, Grégoire Blunt & Emmy Skensved, Maité Garbayo, Marlie Mul, Temra Pavlovic, Amy Sillman, Dorothy Howard, Ramaya Tegegne, Philipp Timischl, Daniel Berndt, Deniz Unal, Geraldine Beck & Miriam Leonardi Frances Stark, Dorota Gawęda & Eglė Kulbokaitė Gill Karjevsky & Tali Keren, Deanna Havas & Haydée Marin-Lopez, Chanel Von Habsburg-Lothringen, Heather Guertin & Verena Dengler

5€
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