“Local Stickerbook” is an independent magazine exhibiting works of contemporary Ukrainian artists. For each edition, around twenty artists are selected to represent their creations through the sticker format. The project was launched in February, 2021 as an initiative of Kyiv-based artists and curators. Since that time, the team successfully hosted several multi-format events uniting various local musicians, artists and enthusiasts to explore metamodernistic ideas and approaches.
The Local Stickerbook team also provides artists and their families with financial aid. The team intends to create a special financial support foundation giving a part of the profits and donations to the Ukrainian artists in need. Together we make a difference!
item (Independent platform for the Transfer of Educational impulses via a student Magazine) is the student magazine of the Department of Design and Culture at HTW Berlin.
item #5 steht unter dem Titel kursiv und behandelt Veränderung als fließenden Prozess. Kursiv (lat.), das bedeutet so viel wie fließend, immer weiterlaufend, aber auch eilend. Ist das nicht eine ziemlich treffende Repräsentation unserer heutigen Zeit? Der digitale Wandel eilt so schnell voran und verändert unser Leben stetig. Doch muss das unbedingt bedeuten, dass das analoge Handwerk ausstirbt? Oder kann Digitales und Analoges miteinander vereint werden und zusammenfließen? Des Weiteren befassen wir uns mit Heimat und Identität. Was hat unsere Kultur mit unserer Arbeit zu tun? Wie identifizieren wir uns mit verschiedenen Kulturen und wie beeinflussen uns diese? Was bedeutet eigentlich Heimat? Was treibt uns an und was inspiriert uns?
In item #5 fokussieren wir uns auf junge Kreativschaffende aus Berlin und haben viele spannende Beiträge zusammengestellt. Du kannst dich unter anderem auf Interviews mit Hannah Mühi, Andrej Dúbravský, Berfin Karakurt, Nikolas Iturralde und dem Kreativ-Duo Lisa Ertel und Jannis Zell freuen. Außerdem gibt es individuelle Texte von dem Künstler Angst Yok, den Poetryslamerinnen Hala und Lucia Lucia, der Rockband Westhafen und dem Typedesigner Hubert Jocham. Zusätzlich stellen wir Arbeiten von 23 Studierenden des Fachbereichs Gestaltung und Kultur vor und ermöglichen so Einblicke in die verschiedenen Studiengänge und die Arbeiten, die an der HTW entstanden sind.
SP∞CE Magazine is a media focusing on lifestyles and cultures. “There are ∞ (infinite) ways to live your life.” We hope to be a guiding light for those who yearn for freedom and authenticity but may not yet know the way. The debut issue “vol.00” features the communities around skateboarding and art in our home city, Tokyo. Find yourself, be yourself.
Interviews: – Saeka Shimada (photographer) – Ryo Seijri (skater/artist) – Buggye (skate collective) – Y Town Playaz (skate collective)
Coming from the fire-lit warmth of OR2 Weapons & Self Protection, Odious Rot retreat to the coolness of underground caves, tidal pools and reservoir tanks. OR3 Troubled Waters is a tribute to the damp, the dank and the wet—a titanium trove dredged up from the deep.
Odious Rot is a community-focused magazine fossilising independent creatives in print. Heavily informed by world-building, each yearly issue exists as a self-contained system, within which contributors share commentary on their own work.
Odious Rot welcomes all modes of design practice, performance, poetry, prose and cultural observation in response to a chosen theme. Devoid of big brand advertising, we prioritise the practitioner, holding space for the unsung talent we feel is owed more light. A printed relic of this moment, now.
Togawa-shoten’s quarterly magazine Onnshinn has published artist submissions since 2011. Thank you all for your continued support. It is the newest issue #25. It is because of you all that we are able to continue to uphold this magazine as an open forum of expression for everyone and everything.
A HYPOTHESIS OF RESISTANCE—PART FOUR: A LECTURE ON UNDETECTABILITY Cally Spooner
Survey MRINALINI MUKHERJEE (A) Overgrowth Noopur Desai, Emilia Terracciano, Murtaza Vali (B) Less a Thing Than the Trace of a Movement Skye Arundhati Thomas
Monograph PENG ZUQIANG Touch, Gaze, Motion, Memory: On Two Recent Video Works by Peng Zuqiang Travis Jeppesen
Fiction YOUR LOVE IS NOT GOOD Johanna Hedva
Monograph LEE LOZANO Lee Lozano’s Tools and the “Self as Center” Amelia Jones
Visual ANGHARAD WILLIAMS Cars, 2022 Angharad Williams, Maurizio Cattelan
Books Gabrielle Goliath
Tidbits Graham Little by Max Feldman Onyeka Igwe by KJ Abudu Shaun Motsi by Olamiju Fajemisin Sydney Schrader by Gloria Hasnay Rahima Gambo by Sindi-Leigh McBride Ştefan Bertalan by Krzysztof Kościuczuk
Thinkers SARA AHMED: ARCHIVING UNHAPPINESS Ana Teixeira Pinto
Criticism I’M WITH FANTASY Kerstin Stakemeier
Reprint REINCARNATION AND BIOLOGY: A CONTRIBUTION TO THE ETIOLOGY OF BIRTHMARKS AND BIRTH DEFECTS Ian Stevenson Lawrence Abu Hamdan
Fillip is pleased to announce the release of Uncle Doug’s Fishing Shack, with contributions by Joar Nango, Ryan Gorrie, Timothy O’Rourke, David Thomas, Courtney R. Thompson, and Jenifer Papararo.
Supplement 7 traces Joar Nango’s artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of Stages. The publication features an interview between Nango and Indigenous architect David Thomas about an abandoned military barracks’ transformation into Canada’s largest urban reserve. It also includes a short essay by Indigenous architect Ryan Gorrie, in which he examines Circle of Life Thunderbird House in Winnipeg, designed by renowned Indigenous architect Douglas Cardinal. These texts are paired with critical writings by architecture lecturer Timothy O’Rourke and architecture scholar Courtney R. Thompson, who detail accounts of governmental suppression of Indigenous architectural and artistic ingenuity in both Australia and Canada.
DARA BIRNBAUM (A) Turning the Media Against Itself Michelle Kuo, Rahel Aima, and Emmanuel Olunkwa in conversation (B) I Fought Like Fucking Hell to Get Out of the Black Box Dara Birnbaum, Hito Steyerl, and Stuart Comer in conversation
ANDREA BRANZI (A) A Ribbon Running Through Andrea Branzi in conversation with Alessandro Rabottini (B) La Gioconda Sbarbata (The Shaved Mona Lisa, 1972) by Andrea Branzi (from Casabella, no. 363, March 1972)
LALA RUKH (A) Reading Lala Rukh by Saira Ansari (B) Interviews, Past and Present by Mariah Lookman
JULIE BECKER (A) The Delirium of Digression by Sabrina Tarasoff (from Mousse #76, Summer 2021) (B) Outside the Vitrine (Julie Becker, Sparkle Woman) by Mark von Schlegell (from Mousse #76, Summer 2021)
VAGINAL DAVIS (A) Vaginal Davis Troubles the Smile by Dodie Bellamy (from Mousse #79, Spring 2022) (B) The Royal We Vaginal Davis in conversation with Ron Athey (from Mousse #79, Spring 2022) (C) Anarchic Abundance, or The Art of Living by Amelia Jones (from Mousse #79, Spring 2022)
ROSEMARY MAYER (A) Nothing Independent of Its Circumstances by Wendy Vogel (from Mousse #73, Fall 2020) (B) Surroundings by Rosemary Mayer (from Art-Rite, no. 15, April 1977)
JEAN-FRÉDÉRIC SCHNYDER (A) Mister Neutral by Martin Herbert (B) On Schnyderian Art by Patrick Frey (from Parkett, no. 25, 1990)