Panorama (The Right of View), Istanbul 2010. Amt _ project (ed.) Sputnik Editions

Posted in books, distribution, exhibitions, writing on January 30th, 2016
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A panorama of the city, a public platform, a dysfunctional lookout, blocking the actual view but confronting the viewer with textual observations of the city and the condition of the view in Istanbul, „Panorama (The Right of View)“ was a traveling attraction and an architectonic sculpture. After standing in Kadiköy, on the Asian shore from october-december 2010, looking across the Bosporus onto the city, it was moved to Eminönü for the spring of 2011, into the middle of the city, on the shore of the Golden Horn, next to the Galata bridge, the Spice Bazaar and the New Mosque.
The publication documents the project and presents the full length of the panorama’s text panel in a 3,5 meter printed leporello.

About author: Andreas Fogarasi (born 1977 in Vienna), studied architecture and fine arts in Vienna and Paris, lives in Vienna. His work has been exhibited widely, including Museo Tamayo, Mexico City; GfZK Museum of Contemporary Art, Leipzig, Museum Haus Konstruktiv, Zürich; Grazer Kunstverein; Mücsarnok Budapest; Kunstverein Düsseldorf; Museo Reina Sofia, Madrid; MSU, Zagreb; Georg Kargl Fine Arts, Vienna; Lombard-Freid Projects, New York; Ludwig Forum, Aachen; Palais de Toyko, Paris and at the 52nd Biennale di Venezia 2007, where he was awarded the Golden Lion for best national participation. In his works, Fogarasi uses forms of display that are reminiscent of minimalism and conceptual art to explore questions of space and representation. Located between documentary and sculptural practice he critically ana- lyses the aestheticization and economization of urban space and the role of architecture and culture in con- temporary society. Incorporating video, sculpture and installation in wide-sweeping discursive webs, Fogarasi deals with fault lines in historiography, imagineering and cultural identities. Solo exhibitions (selection): GfzK. Museum of Contemporary Art, Leipzig; Museum Haus Konstruktiv, Zurich (2014); Galerie Cortex Athletico, Paris (2013); Prefix Institute of Contemporary Art, Toronto; Trafó, Budapest (2012); Museo Reina Sofia, Madrid; CAAC, Sevilla (2011); Ludwig Forum, Aachen; Georg Kargl Fine Arts, Vienna (2010); MAK, Vienna; Ernst Museum, Budapest; Lombard Freid- Projects, New York (2008). Group exhibitions (selection): Museo Tamayo, Mexico City; New Museum, New York (2014), Grazer Kunstverein, Graz; CAC, Vilni- us (2011); MSU, Zagreb; Mücsarnok, Budapest (2010); 52th Biennale di Venezia; Kunstverein für die Rhein- lande und Westfalen, Düsseldorf; European Kunsthalle, Cologne (2007); MAK Center for Art and Architecture, Los Angeles (2006); Palais de Toyko, Paris (2003); Manifesta 4, Frankfurt / Main (2002).

€12.00

 

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System Sin 1.0. Elisa Storelli. Motto Books

Posted in art, Artist Book, books, distribution, Motto Books on January 29th, 2016
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System Sin 1.0 is a sci- time system developed by the artist.
Published on the occasion of the sound installation «Time Piece (Additive Synthesis Bell)» at Motto Berlin the book includes the mathematical explanation of the time system, along with its graphical illustration. Additionally it features an essay by author Elvia Wilk.

edition of 300
includes an A2 poster

€10.00

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Kommando Otl Aicher. Alexander Negrelli. Jan van Eyck Akademie

Posted in Artist Book, books, design, distribution, graphic design, history, typography on January 27th, 2016
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A book about the visual identity of the Olympic Games in 1972, about terrorists, their design, about war, gold medals, movies, sneakers, politics, maps, architecture, logos, pictograms and coloured dogs. And about Otl Aicher.

The chapters:

01 Preface
02 The Games
03 Interview .1 Michael Burke – Bibliothèque
04 Sept. 5th
05 Otl Aicher
06 1936
07 Ulm
08 Lufthansa
09 1968
10 Palestine
11 Fedayeen
12 Interview .2 Prof. Rayan Abdullah
13 Munich
14 Spiral
15 Waldi
16 Objects
17 Others .1
18 Art
19 Others .2
20 Clothing
21 Fiction
22 Epilogue
23 Annex

+ foldout brochure with enclosed maps

€39.00

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Coming Back. Yasutaka Kojima. Omoplata

Posted in books, distribution, photography on January 23rd, 2016
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Yasutaka Kojima’s Coming back compiles a series of photographs of cityscapes in Tokyo since 2008. Kojima’s beautiful selection of photographs, which shift effortlessly between monochrome and colour, and past and present, observe cities existing in a time during which our identity and subjectively has been somewhat lost in the urban environment, evoking a sense of evanescence. This beautiful publication arrives courtesy of the amazing Superlabo (Tokyo).

Coming Back – 33€
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TOKYO – 45€
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New York – 43€
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DNA Semantics. Gregor Mobius (ed.)

Posted in books, distribution, drawing, writing on January 23rd, 2016
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The “DNA Semantics” is a book about an interpretation of DNA/RNA as visual structures with specific formal properties and relationships. Instead of existing alphabet representation U, C, A, G and T, all the
bases are expressed as five discrete values of the gray-scale: T=white, G= light gray, A= gray, C= dark gray and U= black. Arranged in 3×4 matrices DNA strands as linear structures consisting of alphabet letters are converted in 2D images with distinct visual properties. In this representation we could learn more about DNA/RNA, not only as biological(functional) structures but also as a specific language that
can be expressed visually.

First edition. 2015

Gregor Mobius is a theoretician of languages that are expressed visually. His early work was in the field of Graph Theory developing an algorithm for visual representation of all planar and regular graphs. As a Fulbright scholar he received master of Science in Visual Studies at MIT with the paper “Discrete Visual Structure – Elements of Visual Grammar” (1984). A few years later, based on his thesis paper, Mobius proposed a specific representation of DNA and RNA that converts linear alphabet DNA structure into a 2D image. This work was presented to the public at the exhibition Gene(sis) that traveled through some West Coast universities: Washington University(2002), University of California, Berkeley (2003) and University of Minnesota, Minneapolis (2004). It is now for the first time presented in a comprehensive way in the book “DNA Semantics”.

€30.00

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PUD III. Jason Nocito. Dashwood Books

Posted in books, distribution, photography on January 16th, 2016
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PUD III is the last book in a trilogy conceived and photographed by Jason Nocito, designed by Camilla Venturini of Ordinary Books and published by Dashwood.   Originally released at the LAABF in January 2014 PUD(I) consisted of a series of sixteen photographs of New York City street debris and puddles interspersed with images from a road trip across the US all shot on an 8×10 view camera recording extremely high detail.    The final book produced in an identical trim size and cover design, in alternate colors, uses the debris and puddles as its’ main subject once again but this time juxtaposed with studio and darkroom images. Asking more questions than are being resolved; the PUD series has evolved as an exercise in conceptualizing, editing and design – the practice of bookmaking itself. – See more at: http://www.dashwoodbooks.com/pages/books/15498/jason-nocito/pud-iii#sthash.SRogeVRp.dpuf

€45.00

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FIFTY. Todd DosSantos

Posted in art, Artist Book, books, distribution, photography on January 6th, 2016
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Self-published by Todd DosSantos, edition of 300.
Cover design by Douglas Richard

€35.00

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MA VIE VA CHANGER. Patrícia Almeida and David-Alexandre Guéniot (eds.). Ghost

Posted in art, Artist Book, books, distribution, photography on January 6th, 2016
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“For three years (2011-13), we have collected press clippings. The ‘Arab Spring’ at its peak; the arrival of the Troika (IMF, ECB, EU) in Greece, Portugal and Ireland; the earthquake and nuclear disaster in Japan; and a bit everywhere in Europe and the USA, citizen movements against austerity policies in favour of the bailout of the financial system. Far from these world events, yet affected by them, a family, ours, a photo album.
Gustavo is 5, 6, 7 years old. He learns to read and write. His friend Gaspar is 9, 10, 11. His body changes from child to small adult. The disease comes back, goes away and comes back anew, always in the summer, but surrounded by friends. ‘Banks are like cancer’ says a placard brandished during an “Occupy” protest movement in New York. A brutal metaphor spreading in someone’s body. We hesitate between staying in Portugal and trying our luck in France. As long as one of us still has a job, we stay.
This book is a facsimile of a photo album dedicated to our son and his friend, meant to be opened in 2030. It offers a journey across time, from an uncertain future to a past (our present) where our family pictures collide with those we get from newspapers. It’s a book to read, more than leaf through.” Patrícia Almeida and David-Alexandre Guéniot

A book by Patrícia Almeida and David-Alexandre Guéniot
98 Pages, 198 black and white pictures
Size: 27,5 x 40 cm
Hard cover
Print run: 200 copies

€43.00

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FFF (Filipino Folk Foundry). The Office of Culture and Design. Hardworking, Goodlooking.

Posted in books, graphic design, newsprint, typography on December 22nd, 2015
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A pseudo-scientific research publication on sign painting in the Philippines. Contains graphic and text questionnaires filled out by 24 sign painters from Metro Manila and Samar Island. Includes over 10 stroke manuals as well as a series of writings on typography and culture. These include: a manifesto on slow vs. fast typography by Lobregat Balaguer (PH/ES), Veronica Grow (AU) and Niko Spelbrink (NL); an essay exploring identity politics and graffiti writing in the Philippines; and two special, syndicated case studies focused on indigenous type construction. The case studies are: “Nagari: Learning to Make Writing for Indian’s Biggest Script” by Catherine Leigh Schmidt (US) and “The Babel Issue” by Birk Marcus Hansen (DK), a bilingual typography experiment that combines Chinese and Roman characters.

Design by Dante Carlos and Kristian Henson.

Published by Hardworking, Goodlooking

€55.00

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Jonas Mekas: Scrapbook of the Sixties: Writings 1954 – 2010. Anne König (ed.). Spector Books

Posted in art, Artist Book, books, distribution, film, history, literature, poetry, writing on December 10th, 2015
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Scrapbook of the Sixties is a collection of published and unpublished texts by Jonas Mekas, filmmaker, writer, poet, and cofounder of the Anthology Film Archives in New York. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded moments of his daily life. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, starting in 1958, he published his legendary “Movie Journal” column in The Village Voice, writing on a range of subjects that were by no means restricted to the world of film. He conducted numerous interviews with artists like Andy Warhol, Susan Sontag, John Lennon & Yoko Ono, Erick Hawkins, and Nam June Paik. Some of these will now appear for the first time in his Scrapbook of the Sixties. Mekas’s writings reveal him as a thoughtful diarist and an unparalleled chronicler of the times—a practice that he has continued now for over fifty years.

Jonas Mekas (*1922, Semeniškiai / Lithuania), lives and works in New York. Film-maker, writer, poet and co-founder of the Anthology Film Archives one of the world’s largest and most important repositories of avant-garde film. Mekas’s work has been exhibited in museums and festivals worldwide.

92 black-white images, adhesive bound softcover

Designed by Fabian Bremer and Pascal Storz

 

€28.00

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