Ape Culture. Anselm Franke, Hila Peleg (Eds.). Spector Books

Posted in art, Artist Book, books, distribution, exhibition catalogue, writing on July 16th, 2015
Tags: , , , , , , , ,

 

Ape_Culture_Anselm_Franke_Hila_Peleg_spector_books_motto_distribution_1Ape_Culture_Anselm_Franke_Hila_Peleg_spector_books_motto_distribution_4 Ape_Culture_Anselm_Franke_Hila_Peleg_spector_books_motto_distribution_8 Ape_Culture_Anselm_Franke_Hila_Peleg_spector_books_motto_distribution_7 Ape_Culture_Anselm_Franke_Hila_Peleg_spector_books_motto_distribution_6 Ape_Culture_Anselm_Franke_Hila_Peleg_spector_books_motto_distribution_5 Ape_Culture_Anselm_Franke_Hila_Peleg_spector_books_motto_distribution_9

With contributions by Christophe Boesch, Astrid Deuber-Mankowsky, Ines Doujak mit John Barker und Matthew Hyland, Cord Riechelmann and others.

»Ape Culture« traces the long cultural and scientific obsession with humanity’s closest relatives. In the Western historical representations of modernity, depictions of apes were traditionally used to show the absence of culture. Standing as a liminal figure separating humans and animals, the ape has, since ancient times, played a central role in the narrative of civilisational progress. This book, which appears in conjunction with the exhibition of the same nameseeks, however, to go beyond the mere examination of apes as signifiers of difference. The juxtaposition of artworks with documents taken from popular culture and the history of primatology gives the reader an insight into what the science historian Donna Haraway has termed the »primate order« — a hall of mirrors reflecting the scientific and cultural projections that turned the ape from an instrument of humanity’s self-definition into an integral element in testing out the possibility of reconstructing human »nature«. »Ape Culture« will be shown at the Haus der Kulturen der Welt from 30 April to 6 July 2015.

€29.00

Buy it

Window Seat. Jennilee Marigomen. New Documents

Posted in art, Artist Book, books, distribution, photography on July 16th, 2015
Tags: , , ,

 

Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_1Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_2 Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_9 Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_8 Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_7 Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_6 Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_5 Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_4 Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_3Window_Seat_Jennilee_Marigomen_New_Documents_motto_distribution_10

Window Seat presents a sequence of images by Vancouver photographer Jennilee Marigomen taken in sleepy beach towns in Mexico. Through a series of simple and beautiful gestures, the project both acknowledges the metaphor of photography-as-window and consciously resists reading the world metaphorically. Rather, the photographs show the benefit of careful attention to the overlooked and often ephemeral beauty in our everyday surroundings—suggesting that the world is made up of neglected sites imbedded in the everyday, which a keen sensibility can animate, arrange, and make deeply compelling for the viewer.

With an essay by Nich McElroy.

€38.00

Buy it

Beastly / Tierisch. Duncan Forbes & Daniela Jansen (Eds.). Spector Books

Posted in art, Artist Book, books, distribution, exhibition catalogue, photography on July 16th, 2015
Tags: , , , , , ,

beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_01  beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_09beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_08beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_07beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_06beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_05beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_04beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_03beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_02beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_10beastly_tierisch_Duncan_Forbes_Daniela_Jansen_spector_books_motto_distribution_10Representations of animals are ubiquitous: from advertising hoardings, newspapers, books, magazines, and television shows, to the hundreds of thousands of images uploaded every day to the Internet. During the last twenty years, artists, too, have engaged with the animal in an effort to articulate more “beastly” visions. How can animals as autonomous creative entities take possession of an unshackled imaginative space cut loose from the human? Beastly/ Tierisch has an innovative, visually daring design, superimposing a selection of artistic works onto a host of pictures from the Internet. This rich image material is supplemented by four essays: about animality and the history of photography (Duncan Forbes), the political and philosophical animal (Slavoj Žižek), the virtual zoo of the Internet (Ana Teixeira Pinto), and the changing identities of animals under anthropogenic pressures (Heather Davis).

€28.00

Buy it

ABOUT SPACE – Souvenirs

Posted in art, Artist Book, drawing, illustration on July 15th, 2015
Tags: , , ,

IMG_1504 IMG_1505 IMG_1506 IMG_1512 IMG_1514 IMG_1515 IMG_1516 IMG_1518 IMG_1522 IMG_1525

 

 

ABOUT SPACE – Souvenirs; contains a series of playful artist interviews.

The project was initiated after some screenings of nature documentaries at the Field House of the Atlantic Centre for the Arts, New Smyrna Beach – Florida, a visit to NASA – Kennedy Space Center and some beach explorations at Canaveral National Seashore as part of a residency program at Atlantic Centre for the Arts.

€35.00

Buy it

En Passant 1986-1990. Manfred Paul. Spector Books

Posted in art, Artist Book, distribution, men, photography on July 14th, 2015
Tags: ,

En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_1En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_2 En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_9 En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_8 En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_7 En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_6 En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_5 En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_4 En_Passant_1986-1990_Manfred_Paul_Spector_Books_motto_distribution_3

Hardcover with dust jacket

€36.00

Buy it

I was not able to visit the entire show. Linda Dostálková

Posted in art, books, distribution on July 13th, 2015
Tags:

IMG_1463 IMG_1464 IMG_1468 IMG_1469 IMG_1471 IMG_1472 IMG_1475 IMG_1477 IMG_1479 IMG_1480

 

The play I WAS NOT ABLE TO VISIT THE ENTIRE SHOW was created with the intention of being staged within the environment of gallery institutions. It opens a discussion over conventions that are commonly linked to the exhibition strategies: How contemporary display practices and institutional frameworks affects an artwork and vice versa?

The publication includes photographs by Daniela Dostálková who’s conception heads towards the perception of understanding of possible future gallery presentations with an attempt to make the act of viewing visible. What does the viewer see and what does he believe?

Linda Dostálková is a Czech-born, Netherlands-based independent graphic designer who, through her projects, implies variety of forms from close artistic and humanistic disciplines, delivering a specific input for a specific situation.

Text and graphic design: Linda Dostálková
Editor: Jana Kořínková
Photography: Daniela Dostálková
Published by The University of Ostrava, 2015
English edition, 190 x 285 mm (softcover), 160 pages

€- 25,00

Buy it 

trail. Natascha Sadr Haghighian. Spector Books

Posted in art, Artist Book, books, distribution, writing on July 8th, 2015
Tags: , , , , , , , , , , , , , ,

trail_natascha_sadr_haghighian_spector_books_motto_distribution_1trail_natascha_sadr_haghighian_spector_books_motto_distribution_2 trail_natascha_sadr_haghighian_spector_books_motto_distribution_9 trail_natascha_sadr_haghighian_spector_books_motto_distribution_8 trail_natascha_sadr_haghighian_spector_books_motto_distribution_3trail_natascha_sadr_haghighian_spector_books_motto_distribution_7 trail_natascha_sadr_haghighian_spector_books_motto_distribution_6 trail_natascha_sadr_haghighian_spector_books_motto_distribution_5 trail_natascha_sadr_haghighian_spector_books_motto_distribution_4 trail_natascha_sadr_haghighian_spector_books_motto_distribution_10

With contributions from Michael Boßdorf, Herr Düsterdieck, Anselm Franke, Avery Gordon, Ayse Güle, Reza Haeri, Tom Keenan, Volker Lange,Helmut Weich, Allen S. Weiss

Co-published with the documenta archiv.

Design: Ça ira !
Editors: Natascha Sadr Haghighian, Pola Sieverding, Jasper Kettner

»trail« harks back to a path that Natascha Sadr Haghighian laid out at the Auehang in Kassel in 2012 as part of dOCUMENTA (13). The trail was located next to a memorial to the fallen German soldiers of the two World Wars and »accompanied« by onomatopoeic sounds. In the process of laying out the path, Haghighian discovered that the entire slope consisted of rubble from the Second World War. In the book she follows the ‘trail’ of this debris together with Pola Sieverding and Jasper Kettner and ends up with the Kassel-based armaments industry, with stories of migration and forced labour, with military vehicles named after animals, and with flowers that only grow in rubble. Via an exchange of letters with Anselm Franke, Avery Gordon, Ayşe Guelec, and a number of other correspondents, the findings are linked and examined together, revealing a view of historical continuities, loops, and ruptures, resembling the layering of the debris itself.

€28.00

Buy it

Platform Platvorm #1. Anna Zwartjes & Bas van Wieringen

Posted in art, distribution, magazines on July 8th, 2015
Tags: , ,

Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_1Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_2 Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_8 Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_7 Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_6 Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_5 Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_4 Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_3 Platform_Platvorm_#1_Anna_Zwartjes_Bas_van_Wieringen_motto_distribution_9

Platform platvorm is an open call art magazine where artists are in control. Each participant will have the opportunity to make a spread about their own work without any interference in the visual content. As a result the content remains fully original and very diverse. The artist can show the work as it was intended. Participating is completely free.

For the list of participating artist in the first issue, visit: http://platformplatvorm.nl/

€15.00

Buy it

Politics of study

Posted in art, books, history, literature, performance, photography, politics on July 6th, 2015
Tags: , , , , , , , , ,

IMG_1302 IMG_1312 IMG_1314 IMG_1316 IMG_1318 IMG_1320 IMG_1323

 

Universities and art schools alike have been subjected to the pressure of recent austerity politics and the ongoing attempt to transform higher education according to the demands of reigning neoliberals. In this context, it is urgent to conceive of alternative frameworks and methodologies of study–whether within, outside or at the margins of academic institutions.

This book examines the current interest in education through a series of conversations with artists, theorists, activists and educators -including Suhail Malik, Brian Holmes, Ruth Sonderegger, Gerald Raunig, Judy Chicago, Gal Kirn, Mohammad Salemy, Melissa Gordon, Marina Vishmidt and Andrea Fraser-who are all actively involved in developing new models of study. Ranging from self-organized learning to critical teaching methodologies, the alternatives gathered here offer a resource for those interested in the renewed politicization of education, new modes of knowledge production and teaching methodologies.

€ 23.00

Buy it

 

01.01.CM – collection of the Museum of Ordure. Geoff Cox and Mathias Kokholm (eds.). Antipyrine

Posted in art, books, distribution, history on July 4th, 2015
Tags: , , , ,

01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_1 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_2 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_3 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_4 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_5 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_6 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_7 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_8 01_01_CM_collection_of_the_Museum_of_Ordure_Geoff_Cox_Mathias_Kokholm_Antipyrine_motto_distribution_9

The Communist Manifesto was first printed as a 24 page pamphlet in February 1848, in London. Since that time, it has been reproduced in countless contexts — making it not only one of the most widely read texts ever, both one that continues to be disputed for the efficacy of its call to action. It has been subject to various editions and translations, but the various covers that package the manifesto exemplify the complexity of ways it has been received, perceived, used and abused across different times and places. All publishers are presented with the paradoxical issue of how to design its cover and market such a text — to confront it both in terms of form and function, use and exchange value.

01.01.CM presents over 100 covers of The Communist Manifesto, compiled by the Museum of Ordure from its collection. The book is turned inside out to draw attention to its material form and historical conditions: the covers have fascinating stories to tell of hopes and anticipated futures – for instance, in their use of particular imagery and in the signs of wear through human use – and draw attention to the excesses of capitalist production. This notion of excess is fundamental to the overall project of the Museum of Ordure in its attention to the management of human waste and identification of ordure. What value do readers place upon the Manifesto in a situation where radical politics appears to have been reduced to commodity form, nostalgia or mere curiosity?

01.01.CM was published as part of the exhibition: Systemics#3: Against the idea of growth, towards poetry (or, how to build a universe that doesn’t fall apart two days later), in Kunsthal Aarhus (16jan.–30mar.).

editing/design Geoff Cox and Mathias Kokholm
image editing Lasse Krog Møller
assistant Michael Roloff

A very red book!

€30.00

Buy it